The film follows a group of heroin addicts in an economically depressed area of Edinburgh and their passage through life. Beyond drug addiction, other themes in the film include an exploration of the urban poverty and squalor in Edinburgh.[6]
Trainspotting was released to critical acclaim, and is regarded by many critics as one of the best films of the 1990s.[7][8][9] The film was ranked tenth by the British Film Institute (BFI) in its list of Top 100 British films of the 20th century. In 2004, the film was voted the best Scottish film of all time in a general public poll.[10] A 2017 poll, which consisted of 150 actors, directors, writers, producers and critics for Time Out magazine, ranked it the tenth best British film ever.[11] A sequel, T2 Trainspotting, was released in January 2017, with TriStar Pictures distributing it.
Plot
Mark Renton, a 26-year-old unemployed heroin addict, lives with his parents in the Edinburgh ward of Leith and regularly takes drugs with his "friends": treacherous, womanising James Bond fanatic Simon "Sick Boy" Williamson; docile and bumbling Daniel "Spud" Murphy; and Swanney—"Mother Superior"—their dealer. Renton's other friends include aggressive alcoholic psychopath Francis "Franco" Begbie, and honest footballer Tommy Mackenzie, who both abstain from drug use, warn him about his dangerous drug habit. Growing tired of his reckless lifestyle, Renton attempts to wean himself off heroin with a bare room, foodstuffs, and opiumsuppositories from ill-reputed dealer Mikey Forrester. He develops diarrhoea and has to relieve himself in the disgusting toilet of a betting shop, then imagines himself swimming in the filthy water as he retrieves the suppositories.
Renton attempts to lead a "useful and fulfilling" life away from heroin. This consists of him meeting Sick Boy in a park where he uses an air gun to incite a stranger's dog to attack its owner, supplying Spud with amphetamine for a job interview that turns disastrous, and stealing a sex tape of Tommy and his girlfriend, Lizzy. At The Volcano nightclub, Renton notices that his cessation of heroin use has increased his libido. He seduces a girl named Diane Coulston, and they return to her apartment to have sex. The following morning, Renton is horrified to learn that she is below the age of consent and lives with her parents, whom Renton initially assumes are her flatmates. Diane threatens Renton with blackmail to report him to the police for statutory rape if he does not continue the relationship.
After several unsuccessful attempts to reintegrate into society, Renton, Sick Boy, and Spud relapse into heroin use; Tommy also begins to dabble in drug use after becoming depressed due to being dumped by Lizzy, thanks to the actions of an unknowing Renton. Despite the group’s shock, grief, and horror regarding the negligence-induced death of Dawn, the infant daughter of Sick Boy and his girlfriend Allison, the group still does not recover from their heroin use. Later, Renton, Sick Boy, and Spud are caught shoplifting; Renton and Spud are arrested while Sick Boy narrowly escapes. Spud receives a six-month custodial sentence at HMP Saughton, and Renton narrowly avoids jail by entering a drug rehabilitation programme where he is given methadone to help him. However, Renton quickly relapses and nearly dies of a heroin overdose at Swanney's home. Upon returning home after his revival at the hospital, Renton's parents lock him in his childhood bedroom and force him to go cold turkey. Following a horrific withdrawal punctuated by hallucinations of his friends and visions of Dawn crawling on the ceiling, Renton is released upon the condition of an HIV/AIDS test. Despite years of sharing syringes with other addicts, Renton tests negative.
Now clean but bored and devoid of meaning in his life, Renton visits Tommy, who is now severely addicted to heroin and is HIV-positive. On Diane's advice, Renton moves to London and works as a property letting agent. He begins to enjoy his new life of sobriety in London and corresponds with Diane, who updates him on developments back home. To Renton's shock and frustration, Begbie, wanted for a failed armed robbery, tracks him down and takes refuge in his apartment. Sick Boy, now trying to be a pimp and drug dealer, soon joins them. Begbie and Sick Boy later attack two of Renton's clientele (at a supposedly impossible-to-sell property where Renton has sent them to get them off his back), resulting in him losing his job. The trio returns to Edinburgh to avoid police attention and for the funeral of Tommy, who has died of AIDS-related toxoplasmosis.
Following the funeral, Sick Boy asks Renton, Begbie, and Spud (who has been recently released from prison) for help in buying two kilograms of pure heroin from Mikey Forrester (who got it after a drunken night out with two Russian sailors), for the low price of £4,000, to sell on, with Renton needing to supply the remaining £2,000 asking price. After Begbie threatens him, Renton reluctantly covers the remaining cost, and the group returns to London to sell the heroin to a dealer for £16,000. As they celebrate in a pub, Renton secretly suggests to Spud that they could leave with the money, but Spud, motivated by fear and loyalty, refuses. Sick Boy indicates he would happily do so, and Begbie brutally beats a man after a minor accident. Concluding that Begbie and Sick Boy are too unpredictable and dangerous, Renton quietly steals the bag of money and leaves the following morning. Spud witnesses him but chooses not to warn the others. Renton leaves £4,000 in a left-luggage locker for Spud, who "never hurt anybody". Begbie, discovering Renton and the money gone, enragedly destroys the hotel room where the four stayed, prompting the police to arrive and arrest him as Sick Boy and Spud flee. Spud discreetly claims his share of the money, and Renton walks away to his new life.
Lauren and Devon Lamb as Baby Dawn Williamson (uncredited)[12]
Calton Athletic Football Club
Style and themes
Music has great importance in Danny Boyle's films, as evident by the best-selling soundtracks for Trainspotting and Slumdog Millionaire, both of which feature many pop and punk rock artists. In Boyle's view, songs can be "amazing things to use because they obviously bring a lot of baggage with them. They may have painful associations, and so they inter-breathe with the material you're using".[13]
The combination of images and music with the setting of the criminal underworld has drawn comparisons to Pulp Fiction and the films of Quentin Tarantino, that had created a certain type of "90s indie cinema" which "strove to dazzle the viewer with self-conscious cleverness and empty shock tactics".[14] This affected the shooting style of the film, which features "wildly imaginative" and "downright hallucinatory" visual imagery, achieved through a mix of "a handheld, hurtling camera", jump cuts, zoom shots, freeze frames and wide angles.[15] This vigorous style contributed to the "breathless" pace that Boyle's films have been associated with.[16]
For the look of the film, Boyle was influenced by the colours of Francis Bacon's paintings, which represented "a sort of in-between land – part reality, part fantasy".[17] The scene where Renton (McGregor) dives into a toilet is a reference to Thomas Pynchon's 1973 novel Gravity's Rainbow.[18]
Production
Development
Producer Andrew Macdonald read Irvine Welsh's book on a plane in December 1993, and felt that it could be made into a film.[19] He turned it on to director Danny Boyle and writer John Hodge in February 1994.[20][21] Boyle was excited by its potential to be the "most energetic film you've ever seen — about something that ultimately ends up in purgatory or worse".[20] Hodge read it and made it his goal to "produce a screenplay which would seem to have a beginning, a middle and an end, would last 90 minutes and would convey at least some of the spirit and the content of the book".[21] Boyle convinced Welsh to let them option the rights to his book by writing him a letter stating that Hodge and Macdonald were "the two most important Scotsmen since Kenny Dalglish and Alex Ferguson".[19] Welsh remembered that originally the people wanting to option his book "wanted to make a po-faced piece of social realism like Christiane F or The Basketball Diaries".[19] He was impressed that Boyle, Hodge and Macdonald wanted everyone to see the film and "not just the arthouse audience".[19] In October 1994, Hodge, Boyle and Macdonald spent a lot of time discussing which chapters of the book would and would not translate into film. Hodge finished the first draft by December.[19] Macdonald secured financing from Channel 4, a British television station known for funding independent films.[20]
Casting
Pre-production began in April 1995. Ewan McGregor was cast after impressing Boyle and Macdonald with his work on their previous film, Shallow Grave.[19] According to Boyle, for the role of Renton, they wanted the quality of Michael Caine's character Alfie Elkins in Alfie and Malcolm McDowell's character Alex DeLarge in A Clockwork Orange, "repulsive ... with charm 'that makes you feel deeply ambiguous about what he's doing'."[20] McGregor shaved his head and lost 2 stone (12.7 kilograms) for the film.[20]Ewen Bremner had played Renton in the stage adaptation of Trainspotting and agreed to play the role of Spud, saying he felt the characters "were part of my heritage".[19] Boyle had heard about Jonny Lee Miller playing an American in the film Hackers and was impressed when he auditioned by doing a Sean Connery accent.[17] For the role of Begbie, Boyle considered casting Christopher Eccleston for his resemblance to how he imagined the character in the novel, but asked Robert Carlyle instead. Carlyle was initially hesitant, believing he was too short to play the character, but Boyle convinced him by telling him, "No, small psychos are better." Carlyle said, "I've met loads of Begbies in my time. Wander round Glasgow on Saturday night and you've a good chance of running into Begbie."[17] For the role of Diane, Boyle wanted an unknown actress so audiences would not realise that a 19-year-old was playing a 15-year-old.[17] The filmmakers sent flyers to nightclubs and boutiques and approached people on the street, eventually hiring Kelly Macdonald.[17] The casting of Keith Allen as the Dealer was a reference to his role in Shallow Grave with the implication being that he plays the same character in both.[22]
Pre-production
McGregor read books about crack and heroin to prepare for the role. He also went to Glasgow and met people from the Calton Athletic Recovery Group, an organisation of recovering heroin addicts, who play the opposing football team in the opening credits. He was taught how to cook up heroin with a spoon using glucose powder.[23] McGregor considered injecting heroin to better understand the character, but eventually decided against it.[17] Many of the book's stories and characters were dropped to create a cohesive script of adequate length. Danny Boyle had his actors prepare by making them watch older films about rebellious youths like The Hustler and A Clockwork Orange.[24]
The main cast of the film attended Calton Athletic Recovery Group's self-help meetings to prepare for their roles in the film. The Calton Athletic Football Club appears in a cameo scene at the beginning of the film.[25][26][27]
Principal photography
Trainspotting was shot in mid-1995 over seven weeks on a budget of £1.5million with the cast and crew working out of an abandoned cigarette factory in Glasgow.[28] Due to time constraints and a tight budget, most scenes were done in one take, which contributed to the grungy look of the film. For example, when Renton sinks into the floor after overdosing on heroin, the crew built a platform above a trap door and lowered the actor down.[20] The faeces in the 'Worst Toilet in Scotland' scene was made from chocolate.[29][30]
Glasgow. Café D'Jaconelli. 570 Maryhill Road. The café, where Renton and Spud share a milkshake.Glasgow. North Kelvinside. Crosslands pub, where Begbie chucks an empty pint glass from the balcony.
Although set in Edinburgh, almost all of the film was shot in Glasgow, apart from the opening scenes which were shot in Edinburgh, and the final scenes which were shot in London.[31]
Locations in the film include:
The opening scene of Renton and Spud being chased by security for shoplifting is shot in Edinburgh, on Princes Street and Calton Road under Regent Bridge.[31]
The scenes where they do their drug deal take place in Paddington. The scene where they parody the cover of the Beatles album Abbey Road takes place as they walk out of Smallbrook Mews across Craven Road to the Royal Eagle, 26–30 Craven Road, Paddington.[31]
The school attended by Diane is Jordanhill in Glasgow's West End.[31]
The Trainspotting soundtracks were two best-selling albums of music based on the film. The first is a collection of songs featured in the film, while the second includes those left out from the first soundtrack and extra songs that inspired the filmmakers during production.
The soundtrack for Trainspotting has gone on to become a pop culture phenomenon.[32] Nearly all of the score is pre-recorded music from existing artists.[33][34][35] This score is divided into three distinct groups, all representing a different eras and styles: The first being pop music from the 1970s, by artists such as Lou Reed and Iggy Pop; who are all musicians closely associated with drug use and are referred to throughout the original novel.[33][34][35][36] The second group is the music from the Britpop era in the 1990s, with bands Blur and Pulp. Finally, there is the techno-dance music from the 1990s, including Underworld, Bedrock and Ice MC.[33][34][35] Danny Boyle approached Oasis about contributing a song to the soundtrack but Noel Gallagher turned down the opportunity due to him mistakenly believing it would be a film about actual trainspotters.[37]
Through the years, acclaim for the soundtrack has been sustained. In 2007, Vanity Fair ranked the Trainspotting original soundtrack at number 7 for best motion picture soundtrack in history. Additionally, Entertainment Weekly ranked the Trainspotting soundtrack as 17th on their 100 best movie soundtracks list.[38] In 2013, Rolling Stone listed it as the 13th best soundtrack in their 25 best soundtracks.[39] In 2015, New Musical Express praised it as a "perfect snapshot of 1996 music."[40]
1996 saw a drastic change in British music with the rise of popularity for Britpop, although old-fashioned pop was still firmly rooted in British culture. With Oasis dominating the singles chart and the Spice Girls on the rise,[40] the Trainspotting soundtrack aimed to champion the alternative music legacy of 1996 Britain with a focus on presenting electronic music on equal footing with rock music in a way that had never been done before.[41]
Release
Marketing and theatrical release
MacDonald worked with Miramax Films to sell the film as a British Pulp Fiction,[42] flooding the market with postcards, posters, books, soundtrack albums and a revamped music video for "Lust for Life" by Iggy Pop directed by Boyle.[20]
Prior to its release in the United States, Miramax, the film's US distributor, requested that some of the dialogue be dubbed so the film would be easier to understand for American viewers unfamiliar with Scottish slang and British slang in general.[43]
PolyGram Filmed Entertainment, the company responsible for the distribution of the film, launched a publicity campaign of half as much as the film's production costs (£850,000) in the UK alone, making the film stand out more as a Hollywood blockbuster rather than a smaller European production.[44]
Trainspotting was able to portray itself as British and as an 'exotic' element to the international market while also staying relevant to the American public, making it an international success in its marketing.[44]
Home media
The film was released on VHS after its theatrical release. It was released on DVD on 25 March 1998, and on Blu-ray on 13 September 2011.[45][46] A remastered version of the film was released by The Criterion Collection on Blu-ray and Ultra HD Blu-ray on January 30, 2024.[47]
Reception
Trainspotting was screened at the 1996 Cannes Film Festival but was shown out of competition,[48] according to the filmmakers, due to its subject.[49] It went on to become the festival's one unqualified critical and popular hit.[50]
The film had previews in the UK on 17 screens, grossing £18,970, before opening on 23 February 1996 in a platform release on 57 screens in the West End of London, Scotland and Ireland, grossing £532,950 in its opening weekend and placing fifth at the UK box office.[51] It was the number one film in London.[52] It expanded nationwide to 245 screens in its third week of release and was the number one film in the UK with a gross of £1,422,906 for the weekend.[53]
By the time it opened in North America, on 19 July 1996, the film had grossed more than $18million in Britain. It initially opened in eight theatres in the U.S. and Canada and on its first weekend grossed $33,000 per screen.[20] The film expanded to 357 screens and made $16.4million in North America,[54] one of the biggest grossing films of 1996 in limited release.[55]Trainspotting was the highest-grossing British film of 1996, and at the time it was the fourth highest grossing British film in history.[56] The film grossed £12million in the UK and $72million internationally.[57] Based on a cost-to-return ratio, Trainspotting was the most profitable film of the year.[58]
Critical reception
The film has an approval rating of 90% on Rotten Tomatoes based on 95 reviews collected by the site, with an average score of 8.30/10. The site's critical consensus reads: "A brutal, often times funny, other times terrifying portrayal of drug addiction in Edinburgh. Not for the faint of heart, but well worth viewing as a realistic and entertaining reminder of the horrors of drug use".[59] On Metacritic, the film has a weighted average score of 83 out of 100 based on 28 reviews, indicating "universal acclaim".[60] In his review for The Guardian, Derek Malcolm gave the film credit for tapping into the youth subculture of the time and felt that it was "acted out with a freedom of expression that's often astonishing."[61]Empire magazine gave the film five out of five stars and described the film as "something Britain can be proud of and Hollywood must be afraid of. If we Brits can make movies this good about subjects this horrific, what chance does Tinseltown have?"[62]
American film critic Roger Ebert gave the film three out of four stars and praised its portrayal of addicts' experiences with each other.[16] In his review for the Los Angeles Times, Kenneth Turan wrote, "in McGregor ... the film has an actor whose magnetism monopolizes our attention no matter what".[63]Entertainment Weekly gave the film an "A" rating and Owen Gleiberman wrote, "Like Scorsese and Tarantino, Boyle uses pop songs as rhapsodic mood enhancers, though in his own ravey-hypnotic style. Whether he's staging a fumbly sex montage to Sleeper's version of "Atomic" or having Renton go cold turkey to the ominous slow build of Underworld's "Dark and Long" ... Trainspotting keeps us wired to the pulse of its characters' passions".[64] In her review for The New York Times, Janet Maslin wrote, "Trainspotting doesn't have much narrative holding it together. Nor does it really have the dramatic range to cope with such wild extremes. Most of it sticks to the same moderate pitch, with entertainment value enhanced by Mr. Boyle's savvy use of wide angles, bright colours, attractively clean compositions and a dynamic pop score".[65]
Rolling Stone's Peter Travers wrote, "the film's flash can't disguise the emptiness of these blasted lives. Trainspotting is 90 minutes of raw power that Boyle and a bang-on cast inject right into the vein".[66] In his review for The Washington Post, Desson Howe wrote, "Without a doubt, this is the most provocative, enjoyable pop-cultural experience since Pulp Fiction".[67]Jonathan Rosenbaum, in his review for the Chicago Reader, wrote, "Like Twister and Independence Day, this movie is a theme-park ride – though it's a much better one, basically a series of youthful thrills, spills, chills, and swerves rather than a story intended to say very much".[68]
The film's release sparked controversy in some countries, including Britain, Australia and the United States, as to whether or not it promoted and romanticised drug use. U.S. SenatorBob Dole accused it of moral depravity and glorifying drug use during the 1996 U.S. presidential campaign, although he later admitted that he had not seen the film.[69] Producer of the film Andrew Macdonald responded to these claims in a BBC interview stating "we were determined to show why people took drugs ... you had to show that it was fun and that it was awful" to which Boyle adds "It's the music and humour that makes people feel it's glamorising drugs."[70] Despite the controversy, it was widely praised and received a nomination for Best Adapted Screenplay in that year's Academy Awards. Time magazine ranked Trainspotting as the third best film of 1996.[71]
Legacy
The film had an immediate effect on popular culture. In 1999, Trainspotting was ranked in the tenth spot by the British Film Institute (BFI) in its list of Top 100 British films of all time,[72] while in 2004 the magazine Total Film named it the fourth greatest British film of all time. That same year, Channel 4 named it as the greatest British film of all time.[73]The Observer polled several filmmakers and film critics who voted it the best British film in the last 25 years.[74] In 2004, the film was voted the best Scottish film of all time by the public in a poll for The List magazine.[75]Trainspotting has developed a cult following.[76] It was recognised as an important film during the 1990s British cultural tour de force known as Cool Britannia.[44] It was also featured in the documentary Live Forever: The Rise and Fall of Brit Pop.[77]
The film title is a reference to a scene in the book where Begbie and Renton meet "an auld drunkard" who turns out to be Begbie's estranged father, in the disused Leith Central railway station, which they are using as a toilet. He asks them if they are "trainspottin'".[78] This scene is later included as a flashback in T2 Trainspotting.
The music video for the 2019 song "Doorman" by English rapper Slowthai contains several references to the film.[79][80]
Boyle had declared his wish to make a sequel to Trainspotting which would take place nine years after the original film, based on Irvine Welsh's sequel, Porno. He was reportedly waiting until the original actors themselves aged visibly enough to portray the same characters, ravaged by time; Boyle joked that the natural vanity of actors would make it a long wait. Ewan McGregor stated in an interview that he would return for a sequel, saying "I'm totally up for it. I'd be so chuffed to be back on set with everybody and I think it would be an extraordinary experience."[83]
On 6 May 2014, during a BBC Radio interview with Richard Bacon, Welsh confirmed that he had spent a week with Boyle, Andrew Macdonald and the creative team behind Trainspotting to discuss the sequel. Welsh stated that the meeting was to "explore the story and script ideas. We're not interested in doing something that will trash the legacy of Trainspotting. ... We want to do something that's very fresh and contemporary."[84] Welsh did not however confirm any kind of timeline for the film, unlike Boyle's comments about wanting the film to come out in 2016.
In a newspaper interview with The Scotsman on 17 November 2014, Welsh said that McGregor and Boyle had resolved their differences and had held meetings about the film, saying "I know Danny and Ewan are back in touch with each other again. There are others in the cast who've had a rocky road, but now also reconciled. With the Trainspotting sequel the attention is going to be even more intense this time round because the first was such a great movie—and Danny's such a colossus now. We're all protective of the Trainspotting legacy and we want to make a film that adds to that legacy and doesn't take away from it."[85]
In a September 2015 interview with ComingSoon.net, Boyle said that a script for the sequel had been written, and that filming would take place between May and June 2016, in the hope of releasing the film that year to commemorate Trainspotting's 20th anniversary.[86]
T2 Trainspotting was released in the UK on 27 January 2017, and worldwide in February and March 2017. It received generally positive reviews from critics and was a commercial success, grossing $42.1 million against a production budget of $18 million. It is a black comedy-drama film, directed by Boyle and written by John Hodge. Set in and around Edinburgh, it is based on characters created by Welsh in his 1993 novel Trainspotting and its 2002 follow-up Porno. T2 stars the original ensemble cast, including leads Ewan McGregor, Ewen Bremner, Jonny Lee Miller, and Robert Carlyle, with Shirley Henderson, James Cosmo, and Kelly Macdonald. The film features a new character, Veronika, played by Anjela Nedyalkova, and includes clips, music, and archive sound from the first film.
Irvine Welsh is a Scottish novelist and short story writer. His 1993 novel Trainspotting was made into a film of the same name. He has also written plays and screenplays, and directed several short films.
Daniel Francis Boyle is an English director and producer. He is known for his work on the films Shallow Grave (1994), Trainspotting (1996) and its sequel T2 Trainspotting (2017), The Beach (2000), 28 Days Later (2002), Sunshine (2007), Slumdog Millionaire (2008), 127 Hours (2010), Steve Jobs (2015), and Yesterday (2019).
Trainspotting is the first novel by Scottish writer Irvine Welsh, first published in 1993. It takes the form of a collection of short stories, written in either Scots, Scottish English or British English, revolving around various residents of Leith, Edinburgh, who either use heroin, are friends of the core group of heroin users, or engage in destructive activities that are effectively addictions. The novel is set in the late 1980s and has been described by The Sunday Times as "the voice of punk, grown up, grown wiser and grown eloquent". The title is an ironic reference to the characters’ frequenting of the disused Leith Central railway station.
Porno is a novel published in 2002 by Scottish writer Irvine Welsh, the sequel to Trainspotting. The book describes the characters of Trainspotting ten years after the events of the earlier book, as their paths cross again, this time with the pornography business as the backdrop rather than heroin use. A number of characters from Glue make an appearance as well.
Renton may refer to:
Kelly Macdonald is a Scottish actress. Known for her performances on film and television, she has received various accolades including a BAFTA Award, a Primetime Emmy Award, and four Screen Actors Guild Awards.
Shallow Grave is a 1994 British black comedy crime film directed by Danny Boyle, in his feature directorial debut, and starring Ewan McGregor, Christopher Eccleston, and Kerry Fox. Its plot follows a group of flatmates in Edinburgh who set off a chain of events after dismembering and burying a mysterious new tenant who died and left behind a large sum of money. The film was written by John Hodge, marking his first screenplay.
John Hodge is a Scottish screenwriter and dramatist from Glasgow, who adapted Irvine Welsh's novel Trainspotting into the script for the film of the same title. His first play Collaborators won the 2012 Olivier Award for Best New Play. His films include Shallow Grave (1994), Trainspotting (1996) A Life Less Ordinary (1997), The Beach (2000), The Final Curtain (2002), and the short film Alien Love Triangle (2002).
Filth is a 1998 novel by Scottish writer Irvine Welsh. It was adapted into a 2013 film of the same name, directed by Jon S. Baird with James McAvoy in the lead role. A sequel, Crime, was published in 2008.
Ewen Bremner is a Scottish actor. His roles have included Julien in Julien Donkey-Boy and Daniel "Spud" Murphy in Trainspotting and its 2017 sequel T2 Trainspotting.
Mark Renton is a fictional character who appears as the protagonist in the novels Trainspotting (1993) and Porno (2002) written by Irvine Welsh. He also appears in the 1996 film adaptation of Trainspotting and its sequel T2 Trainspotting (2017), in both of which he is portrayed by Ewan McGregor.
Skagboys is a 2012 novel by Scottish writer Irvine Welsh. It is a prequel to his 1993 novel Trainspotting, and its 2002 sequel Porno. It follows the earlier lives of characters Renton and Sick Boy as they first descend into heroin addiction.
Reheated Cabbage is a collection of short stories by Scottish writer Irvine Welsh. It was released in the United Kingdom in July 2009.
Richard Smith is a Welsh musician and composer. He is a founding member of British electronic music group Underworld and an acclaimed composer, having collaborated extensively with director Danny Boyle, most notably as the musical director for the London 2012 Summer Olympics Opening Ceremony, alongside Underworld's Karl Hyde. He is also a founding member of the multi-discipline design and film collective Tomato.
Andrew Imre Flint Macdonald is a Scottish film producer, best known for his collaborations with screenwriter John Hodge and director Danny Boyle (including Shallow Grave, Trainspotting, The Beach and 28 Days Later, and writer-director Alex Garland.
Ewan McGregor made his acting debut in 1993 in the British television series Lipstick on Your Collar. He followed this one year later by appearing in Bill Forsyth's Being Human and Danny Boyle's thriller Shallow Grave. Two years later, he played heroin addict Mark Renton in Danny Boyle's Trainspotting which won him international recognition.
T2 Trainspotting is a 2017 British black comedy-drama film directed by Danny Boyle and written by John Hodge. Set in and around Edinburgh, Scotland, it is based on characters created by Irvine Welsh in his 1993 novel Trainspotting and its 2002 follow-up Porno. A sequel to Boyle's 1996 film Trainspotting, T2 stars the original ensemble cast, including leads Ewan McGregor, Ewen Bremner, Jonny Lee Miller, and Robert Carlyle, with Shirley Henderson, James Cosmo, and Kelly Macdonald. The film features a new character, Veronika, played by Anjela Nedyalkova, and includes clips, music, and archive sound from the first film.
The Blade Artist is a 2016 novel by Scottish writer Irvine Welsh. The story follows on from Welsh's previous novels, Trainspotting and Porno, catching up with Begbie's past and present.
Dead Men's Trousers is a 2018 novel by Scottish writer Irvine Welsh. It is a sequel to his earlier books Trainspotting, Porno, Skagboys and The Blade Artist. Set in 2015, it follows the characters Renton, Sick Boy, Spud and Begbie as they meet up again as middle-aged men.
The Crosslands was a public house in the Maryhill area of Glasgow, Scotland, that featured in the 1996 film Trainspotting. It is now known as BrewHaus.
↑ Walker, Alexander (2005). Icons in the Fire: The Rise and Fall of Practically Everyone in the British Film Industry 1984–2000. Orion Books. p.237. ISBN978-0752864846.
↑ Murray, Jonathan. "Trainspotting"(PDF). Dundee Contemporary Arts. Edinburgh College of Art. Archived(PDF) from the original on 1 October 2020. Retrieved 6 September 2015.
↑ Jeffers, Jennifer M. (2005). "Rhizome National Identity: "Scatlin's Psychic Defense" in "Trainspotting"". Journal of Narrative Theory. 35: 89. doi:10.1353/jnt.2005.0012. S2CID55976364.
↑ Dolan, Jon; Hermes, Will; Hoard, Christian; Sheffield, Rob (29 August 2013). "The 25 Greatest Soundtracks of All Time". Rolling Stone. Archived from the original on 3 November 2017. Retrieved 3 November 2017.
↑ Lash, Scott; Lury Celia (2007) Global Culture Industry: The Mediation of Things, Polity, ISBN978-0-7456-2482-2, p. 167.
↑ Petrie, Duncan J (2004). "Contemporary Scottish Fictions—Film, Television, and the Novel: Film, Television and the Novel" (1sted.). Edinburgh University Press. pp.101–102. ISBN978-0748617890.
↑ Klady, Leonard (10 February 1997). "Pix get ratio-active". Variety. p.1.
↑ Travers, Peter (23 February 1996). "Trainspotting". Rolling Stone. Archived from the original on 12 October 2019. Retrieved 16 April 2009. Believe him or not, Trainspotting looks hard at the alternatives to living in oblivion. They're not as trendy as stealing and shooting up to a pulsating Brit-pop score (Elastica, Primal Scream, Pulp), but the film's flash can't disguise the emptiness of these blasted lives. Trainspotting is 90 minutes of raw power that Boyle and a bang-on cast inject right into the vein.
Irvine Welsh's Trainspotting: A Reader's Guide, by Robert A. Morace. Published by Continuum International Publishing Group, 2001. ISBN0-8264-5237-X.
Working-class Fiction: From Chartism to Trainspotting, by Ian Haywood. Published by Northcote House in association with the British Council, 1997. ISBN0-7463-0780-2.
Trainspotting: Director, Danny Boyle, by Martin Stollery. Published by Longman, 2001. ISBN0-582-45258-9.
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