The film tells the story of the Joads, an Oklahoma family of sharecroppers, who, after losing their farm to increased mechanization during the Great Depression in the 1930s, become migrant workers, and end up in California. The motion picture details their arduous journey across the United States as they travel to California in search of work and opportunities for the family members, and features cinematography by Gregg Toland.
After being released from prison, Tom Joad hitchhikes his way to his share-cropper parents' farm in Oklahoma. Along the way, he comes upon Jim Casy, a former preacher who baptized Tom but has since lost his faith. He goes with Tom to the Joad property. It is deserted but they find neighbor Muley Graves, who is hiding out there. Graves describes how the local farmers were forced from their farms by the land deedholders, who knocked down their houses with tractors.
Tom soon reunites with the family at his uncle's house. The Joads are migrating with other evicted families to the promised land of California. They pack everything into a dilapidated car adapted to serve as a truck to make the long journey. Casy decides to accompany them.
The trip along Highway 66 is arduous, and it soon takes a toll on the Joad family. The elderly Grandpa dies along the way. The family parks in a camp and meet a migrant man returning from California. He scoffs at Pa's optimism about opportunities in California and speaks bitterly about his experiences in the West. Grandma dies when they reach California. Eldest son, Noah, leaves the family, while son-in-law, Connie, deserts his pregnant wife, Rose-of-Sharon.
The family arrives at the first transient migrant campground for workers. The camp is crowded with other starving, jobless, and desperate travelers. After seeing trouble between the sheriff and an agitator, the Joads hurriedly leave and go to another migrant camp, the Keene Ranch. After working in the fields, they discover the high food prices in the company store, the only one in the area. When a group of migrant workers is striking, Tom wants to learn more about it. He attends a secret meeting in the dark woods. When the gathering is discovered, Casy is killed by a camp guard. Tom inadvertently kills the guard while defending himself.
Tom suffers a serious cheek wound, making him easily recognizable. That evening, the family hides Tom when guards arrive searching for who killed the guard. Tom avoids being spotted, and the family leaves the Keene Ranch without further incident. After driving awhile, they arrive at the Farmworkers' Weedpatch Camp ("Wheat Patch"), a clean facility run by the Department of Agriculture, complete with indoor toilets and showers, which the Joad children have never seen before.
Later, at one of the weekly Saturday night dances held at the Wheat Patch, a group of strangers arrive to instigate a riot as a pretext for local law enforcement to storm the camp and arrest the leaders. The camp committee men have anticipated this and subdue the strangers when they attempt to start a fight, leaving the law no choice but to abort their plan.
Tom is moved to work for change by what he has witnessed in the various camps. When police officers arrive looking for the murderer of the guard Tom killed, he decides to leave, telling his mother that he plans to carry on Casy's mission by fighting for workers' rights. As the family moves on again, they contemplate the fears and difficulties they faced, with Ma firmly vowing that their kind will continue to live on.
The first part of the film follows the book fairly closely. However, the second half and the ending in particular are significantly different from the book. While the book ends with the downfall and break-up of the Joad family, the film switches the order of sequences so that the family ends up in a "good" camp provided by the government, and things turn out relatively well for them.[6]
In the novel, Rose-of-Sharon ("Rosasharn") Rivers (played in the film by Dorris Bowdon) gives birth to a stillborn baby. Later, she offers her milk-filled breasts to a starving man, dying in a barn. These scenes were not included in the film.
While the film is somewhat stark, it has a more optimistic and hopeful view than the novel, especially when the Joads land at the Department of Agriculture camp – the clean camp.[citation needed] Also, the producers decided to tone down Steinbeck's political references, such as eliminating a monologue using a land owner's description of "reds" as anybody "that wants thirty cents an hour when we're payin' twenty-five," to show that under the prevalent conditions that definition applies to every migrant worker looking for better wages.
The film emphasizes Ma Joad's pragmatic, forward-looking way of dealing with their situation despite Tom's departure, as it concludes with her spiritual "We're the people" speech.[citation needed][7]
Ivy and Sairy Wilson, who attend to Grandpa's death and travel with the Joads until they reach California, are left out of the movie entirely. Noah's departure from the family is passed over in the movie. Instead, he simply disappears without explanation. In the book, Floyd tells Tom about how the workers were being exploited, but in the movie he does not appear until after the deputy arrives in Hooverville. Sandry, the religious fanatic who scares Rose-of-Sharon, is left out of the movie.
Vivian Sobchack argued that the film uses visual imagery to focus on the Joads as a family unit, whereas the novel focuses on their journey as a part of the "family of man". She points out that their farm is never shown in detail, and that the family members are never shown working in agriculture; not a single peach is shown in the entire film. This subtly serves to focus the film on the specific family, as opposed to the novel's focus on man and land together.[8]
In the film, most of the Joad family members are either reduced to background characters – in the case of Al, Noah, and Uncle John – or to being the focus of only one or two relatively minor scenes – like Rose-of-Sharon and Connie. Instead, the film is largely concerned with Tom, Ma, and (to a lesser extent) Jim Casy. Thus, despite the film's focus on the Joads as a specific family rather than a part of the "family of man", the movie explores very little of the members of the family itself.
Executive producerDarryl F. Zanuck was nervous about the left-wing political views of the novel, especially the ending. Due to the red-baiting common to the era, Darryl Zanuck sent private investigators to Oklahoma to help him legitimize the film. When Zanuck's investigators found that the "Okies'" predicament was indeed terrible, Zanuck was confident he could defend political attacks that the film was somehow pro-Communist.[9] Critic Roger Ebert believed that World War II also helped sell the film's message, as Communism received a brief respite from American demonizing during that period.[10]
The film score by Alfred Newman is based on the song "Red River Valley". Additionally, the song "Goin' Down the Road Feelin' Bad" is sung in a nighttime scene at a roadside New Mexico camp.
Originally allowed to be shown in the Soviet Union in 1948 because of its depiction of the plight of people under capitalism, it was subsequently withdrawn because audiences were noticing that, as shown in the film, even the poorest Americans could afford a car.[14]
"In the vast library where the celluloid literature of the screen is stored there is one small, uncrowded shelf devoted to the cinema's masterworks, to those films which by dignity of theme and excellence of treatment seem to be of enduring artistry, seem destined to be recalled not merely at the end of their particular year but whenever great motion pictures are mentioned. To that shelf of screen classics Twentieth Century-Fox yesterday added its version of John Steinbeck's The Grapes of Wrath, adapted by Nunnally Johnson, directed by John Ford and performed at the Rivoli by a cast of such uniform excellence and suitability that we should be doing its other members an injustice by saying it was "headed" by Henry Fonda, Jane Darwell, John Carradine and Russell Simpson."[15]
When critic Bosley Crowther retired in 1967, he named The Grapes of Wrath one of the best fifty films ever made.[16]
In a film review written for Time magazine by its editor Whittaker Chambers, he separated his views of Steinbeck's novel from Ford's film, which he liked.
Chambers wrote:
"But people who go to pictures for the sake of seeing pictures will see a great one. For The Grapes of Wrath is possibly the best picture ever made from a so-so book...Camera craft purged the picture of the editorial rash that blotched the Steinbeck book. Cleared of excrescences, the residue is a great human story which made thousands of people, who damned the novel's phony conclusions, read it. It is the saga of an authentic U.S. farming family who lose their land. They wander, they suffer, but they endure. They are never quite defeated, and their survival is itself a triumph."[17]
A review in Variety reported, "Here is outstanding entertainment, projected against a heart-rending sector of the American scene," concluding, "It possesses an adult viewpoint and its success may lead other producers to explore the rich field of contemporary life which films long have neglected and ignored."[18]John Mosher wrote in The New Yorker, "With a majesty never before so constantly sustained on any screen, the film never for an instant falters. Its beauty is of the sort found in the art of Burchfield, Benton and Curry, as the landscape and people involved belong to the world of these painters."[19]
The Film Daily year-end poll of 546 critics nationwide ranked The Grapes of Wrath as the second-best film of 1940, behind only Hitchcock's Rebecca.[20]
The film was one of the first 50 VHS and Beta tapes released by Magnetic Video in 1977. The film was released on VHS in 1988 by Key Video and Laserdisc by CBS/FOX Video. It was later released in video format on March 3, 1998, by 20th Century Fox on its Studio Classic series.
A DVD was released on April 6, 2004, by 20th Century Fox Entertainment. The DVD contains a special commentary track by scholars Joseph McBride and Susan Shillinglaw. It also includes various supplements: an A&E Network biography of Daryl F. Zanuck, outtakes, a gallery, Franklin D. Roosevelt lauds motion pictures at Academy featurette, Movietone news: three drought reports from 1934, etc.
The film was released on Blu-ray on April 3, 2012, and features all supplemental material from the DVD release.
John Ernst Steinbeck was an American writer. He won the 1962 Nobel Prize in Literature "for his realistic and imaginative writings, combining as they do sympathetic humor and keen social perception". He has been called "a giant of American letters."
The Grapes of Wrath is an American realist novel written by John Steinbeck and published in 1939. The book won the National Book Award and Pulitzer Prize for fiction, and it was cited prominently when Steinbeck was awarded the Nobel Prize in Literature in 1962.
Viva Zapata! is a 1952 American Western film directed by Elia Kazan and starring Marlon Brando. The screenplay was written by John Steinbeck, using Edgcomb Pinchon's 1941 book Zapata the Unconquerable as a guide. The cast includes Jean Peters, and in an Academy Award-winning performance, Anthony Quinn.
Darryl Francis Zanuck was an American film producer and studio executive; he earlier contributed stories for films starting in the silent era. He played a major part in the Hollywood studio system as one of its longest survivors. He produced three films that won the Academy Award for Best Picture during his tenure at 20th Century Fox.
An Okie is a person identified with the state of Oklahoma, or their descendants. This connection may be residential, historical or cultural. For most Okies, several of these connections exist and are collectively the source of their being Oklahoman. While not an official demographic used or recognized by the United States Census Bureau, Okies, due to various factors, have developed their own distinct culture within larger social groupings both akin to and separate from Midwestern and Southern influences. Included are their own dialect, music, and Indigenous-derived folklore.
Wally Albright was an American actor, water sportsman, and businessman. As a child actor, he was best known for his role in the Our Gang film series.
Darryl Gerard Hickman was an American actor, screenwriter, television executive, and acting coach. He started his career as a child actor in the Golden Age of Hollywood and appeared in numerous television serials as an adult, including several episodes of the CBS series The Nanny. He appeared in films such as The Grapes of Wrath (1940) and Leave Her to Heaven (1945).
Joad is (commonly) a family name and may refer to:
Dust Bowl Ballads is an album by American folk singer Woody Guthrie. It was released by Victor Records, in 1940. All the songs on the album deal with the Dust Bowl and its effects on the country and its people. It is considered to be one of the first concept albums. It was Guthrie's first commercial recording and the most successful album of his career.
"The Ghost of Tom Joad" is a folk rock song written by Bruce Springsteen. It is the title track to his eleventh studio album, released in 1995. The character Tom Joad, from John Steinbeck's classic 1939 novel The Grapes of Wrath, is mentioned in the title and narrative.
The Grapes of Wrath is an opera in three acts composed by Ricky Ian Gordon to a libretto by Michael Korie based on John Steinbeck’s 1939 novel of the same title. It premiered on February 10, 2007 at the Ordway Center for the Performing Arts in Saint Paul, Minnesota in a production by Minnesota Opera. The work has been revised in subsequent years and has also been performed as a two-act concert version.
"Do Re Mi" is a folk song by American songwriter Woody Guthrie. The song deals with the experiences and reception of Dust Bowl migrants when they arrive in California. It is known for having two guitar parts, both recorded by Guthrie.
Tobacco Road is a 1941 American comedy drama film directed by John Ford and starring Charley Grapewin, Marjorie Rambeau, Gene Tierney and William Tracy. It was based on the 1932 novel of the same name by Erskine Caldwell and the 1933 Broadway play that Jack Kirkland adapted from the novel. The plot was rewritten for the film by Nunnally Johnson, who had worked with Ford on The Grapes of Wrath the previous year; the plot was altered to fit Production Code demands for a lighter tone while retaining plot elements.
Sanora Babb was an American novelist, poet, and literary editor.
Frank Stanley Nugent was an American screenwriter, journalist, and film reviewer. He wrote 21 film scripts, 11 for director John Ford. He wrote almost a thousand reviews for The New York Times before leaving journalism for Hollywood. He was nominated for an Academy Award in 1953 and twice won the Writers Guild of America Award for Best Written American Comedy. The Writers Guild of America, West ranks his screenplay for The Searchers (1956) among the top 101 screenplays of all time.
Arvin Federal Government Camp, also known as the Weedpatch Camp or Sunset Labor Camp, was built by the Farm Security Administration south of Bakersfield, California, in 1936 to house migrant workers during the Great Depression. The National Register of Historic Places placed several of its historic buildings on the registry on January 22, 1996.
"New Timer" is a song by Bruce Springsteen from his 1995 album The Ghost of Tom Joad. Springsteen performs the song solo on the album, with only guitar accompaniment.
The Harvest Gypsies, by John Steinbeck, is a series of feature-story articles written on commission for The San Francisco News about the lives and times of migrant workers in California's Central Valley. Published daily from October 5 to 12, 1936, Steinbeck explores and explains the hardships and triumphs of American migrant workers during the Great Depression, tracing their paths and the stories of their lives and travels from one crop harvest to the next crop harvest as they eked out a stark existence as temporary farmhands.
"Vigilante Man" is a song by Woody Guthrie, recorded and released in 1940 as one of his Dust Bowl Ballads.
Whose Names Are Unknown is an American novel by Sanora Babb, written in the 1930s but not published until 2004. It centers on members of a High Plains farm family during the Great Depression as they endure the poverty inflicted by drought and the Dust Bowl; they ultimately flee to California in hopes of building a better life but encounter a new set of hardships.
References
↑ Solomon, Aubrey (1989). Twentieth Century Fox: A Corporate and Financial History. Lanham, Maryland: Scarecrow Press, p. 240, ISBN978-0-8108-4244-1.
↑ "All-time Film Rental Champs". Variety. October 15, 1990.
↑ Steinbeck, John. The Grapes of Wrath, 1939. Penguin Classics; Reissue edition October 1, 1992.
↑ Sobchack, Vivian C. (1979). "The Grapes of Wrath (1940): Thematic Emphasis Through Visual Style". American Quarterly. 31 (5). The Johns Hopkins University Press: 596–615. doi:10.2307/2712428. JSTOR2712428.
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