William Clement Frawley was an American vaudevillian and actor. Among his credits, he played landlord Fred Mertz in the American television sitcom I Love Lucy, "Bub" O'Casey in the television comedy series My Three Sons, and the political advisor to the judge character in the film Miracle on 34th Street.
Fania Borach, known professionally as Fanny Brice or Fannie Brice, was an American comedian, illustrated song model, singer, and theater and film actress who made many stage, radio, and film appearances. She is known as the creator and star of the top-rated radio comedy series The Baby Snooks Show.
"Pretty Baby" is a song written by Tony Jackson during the Ragtime era. The song was remembered as being prominent in Jackson's repertory before he left New Orleans in 1912, but was not published until 1916.
The Reprise Collection is a 1990 box set by the American singer Frank Sinatra.
"By The Light of the Silvery Moon" or "By the Light of the Silv'ry Moon" is a popular love song. The music was written by Gus Edwards, and the lyrics by Edward Madden. The song was published in 1909 and first performed on stage by Lillian Lorraine in the Ziegfeld Follies of 1909. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was also used in the short-lived Broadway show Miss Innocence when it was sung by Frances Farr.
"Rock-a-Bye Your Baby with a Dixie Melody" is a popular song written by Jean Schwartz, with lyrics by Sam M. Lewis and Joe Young. The song was introduced by Al Jolson in the Broadway musical Sinbad and published in 1918.
"April Showers" is a 1921 popular song composed by Louis Silvers with lyrics by B. G. De Sylva.
That's Right – You're Wrong is a 1939 American musical film directed by David Butler and released by RKO Radio Pictures. The film stars Kay Kyser and his band, with a cast that included Adolphe Menjou, Lucille Ball, Edward Everett Horton, Roscoe Karns, and Ginny Simms. It was the first film to feature Kyser and his band, and its success led to their headlining several more pictures over the next five years. The title was a Kyser catchphrase, used on his radio show when a contestant correctly gave a wrong answer to a "right or wrong" question.
Hobart Cavanaugh was an American character actor in films and on stage.
"Me and My Shadow" is a 1927 popular song. Officially the credits show it as written by Al Jolson, Billy Rose, and Dave Dreyer, with Jolson and Dreyer being shown on the sheet music as being responsible for the music and Rose the lyrics. Al Jolson was often given credits on sheet music so he could earn more money by popularizing them, but he played no actual part in writing this song. Jolson never recorded the song although he did use it in the touring version of "Big Boy" in 1927.
"My Mammy" is an American popular song with music by Walter Donaldson and lyrics by Joe Young and Sam M. Lewis.
"Ja-Da " is a hit song written in 1918 by Bob Carleton. The title is sometimes rendered simply as "Jada." Ja-Da has flourished through the decades as a jazz standard.
James Frederick Hanley was an American songwriter and author.
"Mon Homme" ,also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles and Albert Willemetz. The English lyrics were written by Channing Pollock.
"I'm Just Wild About Harry" is a song written in 1921 with lyrics by Noble Sissle and music by Eubie Blake for the Broadway show Shuffle Along.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters, where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene.
Al Jolson was a Lithuanian-American singer, comedian, actor, and vaudevillian. He was one of the United States' most famous and highest-paid stars of the 1920s, and was self-billed as "The World's Greatest Entertainer." Jolson was known for his "shamelessly sentimental, melodramatic approach" towards performing, as well as for popularizing many of the songs he sang. Jolson has been referred to by modern critics as "the king of blackface performers."
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose referencing Avalon, California. It was introduced by Jolson and interpolated in the musicals Sinbad and Bombo. Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a performer allowed him to claim composer co-credit. Originally, only Rose and Jolson were credited, and DeSylva's name was added later.
Sinatra: London is a 3CD & 1DVD Frank Sinatra box set released on November 25, 2014. It is the third in a series of city-themed box sets following Vegas and New York. The set includes the 1962 album Sinatra Sings Great Songs from Great Britain as recorded in London, as well as unreleased outtake material from those sessions and spoken introductions for each song intended for a BBC radio special. The live material consists of a 1953 session from BBC Radio's The Show Band Show, a full concert recorded in 1984 at the Royal Albert Hall, and two concerts on the DVD, both recorded at the Royal Festival Hall in 1962 and 1970. The liner notes are written by Ken Barnes.
Toot, Toot, Tootsie is a 1922 song with music and lyrics by Gus Kahn, Ernie Erdman and Danny Russo, per the credits on the original sheet music cover. Some other sources also credit Ted Fio Rito and Robert King for the song, but make no mention of Dan Russo. It debuted in the Broadway musical Bombo, where it was a major hit. It was first recorded by Al Jolson with Frank Crumit's orchestra for Columbia Records on September 9, 1922. It was further popularised by the racy singer-comedian Eddie Cantor.
