"Ja-Da (Ja Da, Ja Da, Jing, Jing, Jing!)" is a hit song written in 1918 by Bob Carleton. The title is sometimes rendered simply as "Jada." The song has flourished through the decades as a jazz standard.
In his definitive American Popular Songs, Alec Wilder writes about the song's simplicity:
... It fascinates me that such a trifling tune could have settled into the public consciousness as Ja-Da has. Of course it's bone simple, and the lyric says almost nothing, except perhaps the explanation of its success lies in the lyric itself. "That's a funny little bit of melody—it's soothing and appealing to me." It's cute, it's innocent, and it's "soothing." And, wonderfully enough, the only other statement the lyric makes is "Ja-Da, Ja-Da, Ja-Da, Ja-Da, Jing, Jing, Jing." [1]
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". Rap songs and grime contain rap lyrics that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression.
Hot Tuna is an American blues rock band formed in 1969 by former Jefferson Airplane members Jorma Kaukonen (guitarist/vocals) and Jack Casady (bassist). Although it has always been a fluid aggregation, with musicians coming and going over the years, the band's center has always been Kaukonen and Casady's ongoing collaboration.
The ragtime progression is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. Also typical of parlour music, its use originated in classical music and later spread to American folk music. Growing, "by a process of gradual accretion. First the dominant chord acquired its own dominant...This then acquired its dominant, which in turn acquired yet another dominant, giving":
"You'll Never Know", sometimes referred to as "You'll Never Know (Just How Much I Love You)" in later years, is a popular song with music written by Harry Warren and the lyrics by Mack Gordon. The song is based on a poem written by a young Oklahoma war bride named Dorothy Fern Norris.
The Gang's All Here is a 1943 American Twentieth Century Fox Technicolor musical film starring Alice Faye, Carmen Miranda and James Ellison. The film, directed and choreographed by Busby Berkeley, is known for its use of musical numbers with fruit hats. Included among the 10 highest-grossing films of that year, it was at that time Fox's most expensive production.
"A Night in Tunisia" is a musical composition written by American trumpeter Dizzy Gillespie around 1940–1942. He wrote it while he was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944.
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. Written in 1953, the song has been recorded by Ella Fitzgerald, Carmen McRae, Billy Eckstine, Nancy Wilson, Bobby Short, and many other vocalists. As an instrumental, it has been recorded by hundreds of jazz artists. Its chord progression is well known for its unusual use of chords and opening with a ii-V-I turnaround.
"Truckin'" is a song by the Grateful Dead, which first appeared on their 1970 album American Beauty. It was recognized by the United States Library of Congress in 1997 as a national treasure.
Rose of Washington Square is a 1939 American musical drama film, featuring the already well-known popular song with the same title. Set in 1920s New York City, the film focuses on singer Rose Sargent and her turbulent relationship with con artist Barton DeWitt Clinton, whose criminal activities threaten her professional success in the Ziegfeld Follies.
Keep On Truckin' may refer to:
Burgers is the third album by Hot Tuna, the folk rock offshoot of Jefferson Airplane members Jorma Kaukonen, Jack Casady, and Papa John Creach, released in 1972 as Grunt FTR-1004. It was the band's first studio album, the previous two being live recordings. "Water Song" and "Sunny Day Strut" are instrumentals composed for this album. Hot Tuna did not release the song as a single until June 1982. In 1996, RCA released the CD box set Hot Tuna in a Can which included a remastered version of this album, along with remasters of the albums Hot Tuna, First Pull Up, Then Pull Down, America's Choice and Hoppkorv.
"I've Got My Love to Keep Me Warm" is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by (i) Ray Noble, Howard Barrie, vocalist; (ii) Red Norvo, Mildred Bailey, vocalist; (iii) and Billie Holiday with her orchestra. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, On the Avenue.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters (1945), where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene. Additionally, the pre-chorus would not have been included until later covers in the 1940s, where the song would gain its iconic libretti.
The Best of Hot Tuna is a Hot Tuna compilation album released in 1998. It covers songs from all the Hot Tuna albums released on Grunt Records. Bill Thompson, former manager of Jefferson Airplane and Hot Tuna helped select the songs for inclusion. The artwork on the cover is a painting of Jorma Kaukonen and Jack Casady made by Grace Slick. The album was released as a double CD.
"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). Due to the tune incorporating many of the chords most commonly used in jazz and the multiple key transitions of the B-section, the tune is often recommended by tutors as a core standard to learn early on in a jazz pupil's development. Notably, Charlie Parker learned the tune in his early days in all 12 keys as a training exercise.
"Rose Room", also known as "In Sunny Roseland", is a 1917 jazz standard, music by Art Hickman, lyrics by Harry Williams. It is almost always performed as an instrumental. Composed at a time when the popularity of ragtime was fading in favor of thirty-two-bar form and twelve-bar blues songs, the song has been called "definitely ahead of its time" by composer Alec Wilder. Indeed, while popular in the late 1910s and early 1920s, the song enjoyed its biggest popularity during the swing era. The song was named after the Rose Room in St. Francis Hotel, where Hickman was playing at the time. In 1914, jazz pioneer Bert Kelly was a member of Hickman's band.
A nonsense song is a type of song written mainly for the purpose of entertainment using nonsense syllables at least in the chorus. Such a song generally has a simple melody and a quick tempo and repeating sections.
"I'm Sorry I Made You Cry" is a traditional pop and jazz standard song, written and composed by songwriter Nick .J. Clesi, first published by Triangle Music in New Orleans in 1916. It was republished for national audience in 1918 by Leo Feist, Inc. in New York City, with sheet music cover depicting a US World War I soldier embracing a woman.
Live at New Orleans House: Berkeley, CA 09/69 is an album by the American rock band Hot Tuna. As the name suggests, it was recorded live at the New Orleans House music venue in Berkeley, California in September 1969. It was released in April 2010.