Doxy (song)

Last updated

"Doxy" is an early composition by jazz saxophonist Sonny Rollins. It was originally recorded by Rollins with Miles Davis in 1954, and it appeared on the 10-inch LP Miles Davis with Sonny Rollins . It was also included on the 1957 Davis album Bags' Groove . The original recording features Davis on trumpet, Rollins on tenor saxophone, Horace Silver on piano, Percy Heath on bass, and Kenny Clarke on drums. When Rollins eventually established his own record label, he named it Doxy Records. The chords are from Bob Carleton's 16-bar song "Ja-Da". [1]

"Doxy" has become a jazz standard, [2] a frequently performed and recorded part of many musicians' repertoires. "Doxy" was written by Rollins during his stopover in England on a European tour. Its name is given for a bread spread that the band was eating in the hotel. [3]

Related Research Articles

<span class="mw-page-title-main">Sonny Rollins</span> American jazz saxophonist and composer (b. 1930)

Walter Theodore "Sonny" Rollins is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser".

<span class="mw-page-title-main">Elvin Jones</span> American jazz drummer (1927–2004)

Elvin Ray Jones was an American jazz drummer of the post-bop era.

<span class="mw-page-title-main">Roy Haynes</span> American jazz drummer and group leader

Roy Owen Haynes is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz drumming. "Snap Crackle" was a nickname given to him in the 1950s.

<span class="mw-page-title-main">Henry Grimes</span> American jazz musician (1935–2020)

Henry Grimes was an American jazz double bassist and violinist.

<span class="mw-page-title-main">Percy Heath</span> American jazz bassist (1923–2005)

Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, Thelonious Monk and Lee Konitz.

<span class="mw-page-title-main">Bob Cranshaw</span> American jazz bassist

Melbourne Robert Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his later involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.

<span class="mw-page-title-main">Sonny Stitt</span> American jazz saxophonist

Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.

The ragtime progression is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. Also typical of parlour music, its use originated in classical music and later spread to American folk music. Growing, "by a process of gradual accretion. First the dominant chord acquired its own dominant...This then acquired its dominant, which in turn acquired yet another dominant, giving":

<i>Quintet/Sextet</i> 1956 studio album by Miles Davis and Milt Jackson

Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August of 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.

"Airegin" is a jazz standard composed by American jazz saxophonist Sonny Rollins in 1954. Rollins chose the name "Airegin", as it is an anadrome of "Nigeria".

Robert Broom Jr. is an American jazz guitarist, composer, and educator. He was born and raised in New York City, then moved to Chicago, which has been his home town since 1984. He performs and records with The Bobby Broom Trio and his organ group, The Bobby Broom Organi-Sation. While versed in the traditional jazz idioms, Broom draws from a variety of American music forms, such as funk, soul, R&B, and blues.

<i>Coltrane Jazz</i> 1961 studio album by John Coltrane

Coltrane Jazz is the sixth studio album by jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated "classic quartet" from 1960 to 1965.

<i>Tenor Madness</i> 1956 studio album by Sonny Rollins

Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.

<span class="mw-page-title-main">Ja-Da</span> Song written & published in 1918

"Ja-Da " is a hit song written in 1918 by Bob Carleton. The title is sometimes rendered simply as "Jada." Ja-Da has flourished through the decades as a jazz standard.

Albert J. McCarthy was an English jazz and blues discographer, critic, historian, and editor.

Clifton Elliot Anderson is an American jazz trombonist.

<i>Sonny Rollins with the Modern Jazz Quartet</i> 1956 compilation album by Sonny Rollins

Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.

<i>2-3-4</i> 1962 studio album by Shelly Manne

2-3-4 is an album by American jazz drummer Shelly Manne featuring performances recorded in 1962 for the Impulse! label.

Alun Morgan was a British jazz critic and writer.

<i>Catalonian Nights Vol. 2</i> 1989 live album by Tete Montoliu

Catalonian Nights Vol. 2 is a live album by pianist Tete Montoliu recorded in Spain in 1980 and released on the Danish label, SteepleChase in 1989.

References

  1. Fox, Charles; McCarthy, Albert (1960). Jazz on record: a critical guide to the first 50 years, 1917–1967. Hanover Books. p. 62.
  2. Martin, Henry; Waters, Keith (2010). Jazz: The First 100 Years. Cengage Learning. p. 248. ISBN   978-1-4390-8333-8.
  3. Fox, Charles; McCarthy, Albert (1960). Jazz on record: a critical guide to the first 50 years, 1917–1967. Hanover Books. p. 15.