The Life of the Party | |
---|---|
Directed by | Roy Del Ruth |
Written by | Darryl F. Zanuck Arthur Caesar |
Starring | Winnie Lightner Irene Delroy |
Cinematography | Devereaux Jennings Frank B. Good (Technicolor) |
Edited by | William Holmes |
Music by | Earle Crooker Sidney D. Mitchell |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 79 minutes |
Country | United States |
Language | English |
Budget | $460,000 [1] |
Box office | $897,000 [1] |
The Life of the Party is a 1930 American pre-Code musical comedy filmed entirely in Technicolor. The musical numbers of this film were cut out before general release in the United States because the public had grown tired of musicals by late 1930. Only one song was left in the picture. The complete film was released intact in countries outside the United States where a backlash against musicals never occurred. [2]
Flo and Dot work in a Broadway music shop. Flo sings while Dot plays the piano. Their boss complains to them that they are not selling as much sheet music as they should, and asks them to change their technique. Flo sings a song for a customer, after which, one of Dot's admirers, Monsieur LeMaire (Charles Judels), an eccentric Frenchman who owns a modiste shop, enters the shop. He begins annoying the boss by chatting with Dot and asking her out. When the boss tells him to come back after they finish working, LeMaire flies into a rage and throws sheet music all over the store. The boss immediately fires Dot and Flo. The scene moves to the apartment where the two women live. Dot is reading the newspaper and finds out her boyfriend has eloped with a rich elderly widow. She is so angry that she accepts Flo's idea that they become gold-diggers. Flo suggests that their first victim be LeMaire and the next day they begin to work for him. LeMaire soon asks Dot and Flo to a private party. Flo tells him they would love to attend but they have no suitable clothes. LeMaire tells them that they can borrow clothes from his modiste shop. Dot and Flo agree to attend the party and then pack off all the clothes they can carry with them. They head off to the train station with their luggage of expensive clothes and decide to go to Havana to make some real money.
Once Flo and Dot arrive in Havana they find that a millionaire, "A.J. Smith", who invented a famous soft drink, is staying at the hotel. They assume that a mean spirited and snobby acting man is the millionaire but the true millionaire is a young, pleasant and down-to-earth man. Dot falls in love with Smith, much to Flo's chagrin. Smith, unbeknownst to Flo and Dot, is actually a gigolo looking for a rich woman to pay his meal ticket. Just as Dot is to marry the gigolo, LeMaire arrives and exposes the two gold-diggers. Smith, who has fallen in love with Dot, writes a check to LeMaire to cover the amount he lost, and he ends up winning Dot as his future wife.
A subplot involves Flo and Colonel Joy (Charles Butterworth), who raises horses. Colonel Joy is attracted to Flo and can't stop talking to her, although she does her best to avoid him. After some time, Flo is convinced by the colonel that his horse can't lose in the upcoming horse-race. She takes a chance and bets all her money, only to lose everything. Eventually they grow fond of each other and Colonel Joy proposes to Flo at the end of the film.
The music heard of the credits at the beginning of the film was added in the 1950s. These credits are also not original but have been redrawn, removing all indication that the film was photographed in Technicolor. The original music survives on Vitaphone disks. The rest of the film, beginning with the first title card ("New York was originally purchased from the Indians..."), has the original sound.
According to Warner Bros records the film earned $685,000 domestically and $212,000 foreign. [1]
The film survives only in a black and white copy (of the United States release print) made in the 1958 from Associated Artists Productions. Only a black and white copy of the cut print released in the United States (without most of the musical numbers) seems to have survived. [3] The complete film was released intact in countries outside the United States where a backlash against musicals never occurred. It is unknown whether a copy of this full version still exists.
King of Jazz is a 1930 American pre-Code color musical film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural appellation. At the time the film was made, "jazz", to the general public, meant jazz-influenced syncopated dance music heard on phonograph records, on radio broadcasts, and in dance halls. In the 1920s Whiteman signed and featured white jazz musicians including Joe Venuti and Eddie Lang, Bix Beiderbecke, Frank Trumbauer, and others.
Mlle. Modiste is an operetta in two acts composed by Victor Herbert with a libretto by Henry Blossom. It concerns hat shop girl Fifi, who longs to be an opera singer, but who is such a good hat seller that her employer, Mme. Cecil, discourages her in her ambitions and exploits her commercial talents. Also, Fifi loves Etienne de Bouvray, who returns her love, but his uncle, Count Henri, opposes their union. The operetta features the song "Kiss Me Again".
Hello, Dolly! is a 1969 American musical romantic comedy film based on the 1964 Broadway production of the same name, which was based on Thornton Wilder's play The Matchmaker. Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong. The film follows the story of Dolly Levi, a strong-willed matchmaker who travels to Yonkers, New York in order to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended and Horace's two clerks to travel to New York.
Gold Dust Gertie is a 1931 American pre-Code musical comedy produced and released by Warner Brothers. It was originally completed as a full musical. Due to the backlash against musicals, however, all the songs were cut from the film in all release prints in the United States. The film was originally known as Red Hot Sinners, but was released as Gold Dust Gertie after the musical numbers had been cut. The film was based on the play The Wife of the Party by Len D. Hollister. The film stars Winnie Lightner, Ole Olsen, Chic Johnson and Claude Gillingwater.
Kiss Me Again is a 1931 American pre-Code musical operetta film filmed entirely in Technicolor. It was originally released in the United States as Toast of the Legion late in 1930, but was quickly withdrawn when Warner Bros. realized that the public had grown weary of musicals. The Warner Bros. believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to the film.
Manhattan Parade is a 1931 American pre-Code musical comedy film photographed entirely in Technicolor. It was originally intended to be released, in the United States, early in 1931, but was shelved due to public apathy towards musicals. Despite waiting a number of months, the public proved obstinate and the Warner Bros. reluctantly released the film in December 1931 after removing all the music. Since there was no such reactions to musicals outside the United States, the film was released there as a full musical comedy in 1931.
Fifty Million Frenchmen is a 1931 American pre-Code musical comedy film directed by Lloyd Bacon. It was photographed entirely in Technicolor. The film was produced and released by Warner Brothers, and was based on Cole Porter's 1929 Broadway musical Fifty Million Frenchmen.
The Runaround is a 1931 comedy-drama film that was photographed entirely in Technicolor. It was directed by William James Craft, from a screenplay by Alfred Jackson and Barney Sarecky, based on a story by Zandah Owen. The film stars Mary Brian, Joseph Cawthorn, Marie Prevost, Johnny Hines, and Geoffrey Kerr. Produced and directed by RKO Radio Pictures, it premiered in New York City on August 7, 1931, and was released national on August 22. It was the first film to be shot in a new Technicolor process which removed grain, resulting in a much improved color. The film was released in Great Britain as Waiting for the Bride.
No, No, Nanette is a 1930 American pre-Code musical comedy film with Technicolor sequences that was directed by Clarence G. Badger and released by First National Pictures. It was adapted from the play of the same title by Otto A. Harbach and Frank Mandel. No, No, Nanette was a popular show on Broadway, running for 321 performances, and was produced and directed by Harry Frazee.
Mammy (1930) is an American pre-Code musical drama film with Technicolor sequences, released by Warner Bros. The film starred Al Jolson and was a follow-up to his previous film, Say It with Songs (1929). Mammy became Al Jolson's fourth feature, following earlier screen efforts as The Jazz Singer (1927), The Singing Fool (1928) and Say It with Songs (1929). The film relives Jolson's early years as a minstrel man. The songs were written by Irving Berlin, who is also credited with the original story titled Mr. Bones.
God's Gift to Women is a 1931 American pre-Code romantic musical comedy film directed by Michael Curtiz, starring Frank Fay, Laura LaPlante, and Joan Blondell. The film, based on the play The Devil Was Sick by Jane Hinton, was originally completed as a musical film; however, because of audience dislike for musicals at that time, all the songs were cut in American prints. The full film was released intact in other countries, where there was no such decline in popularity.
Sunny is a 1930 American pre-Code musical comedy film directed by William A. Seiter and starring Lawrence Gray, O. P. Heggie, and Inez Courtney. It was produced and released by First National Pictures. The film was based on the Broadway stage hit, Sunny, produced by Charles Dillingham, which played from September 22, 1925, to December 11, 1926. Marilyn Miller, who had played the leading part in the Broadway production, was hired by Warner Brothers to reprise the role that made her the highest-paid star on Broadway.
Good News is a 1947 American Metro-Goldwyn-Mayer musical film based on the 1927 stage production of the same name. It starred June Allyson, Peter Lawford, Mel Tormé, and Joan McCracken. The screenplay by Betty Comden and Adolph Green was directed by Charles Walters in Technicolor.
Children of Pleasure is a 1930 American pre-Code MGM musical comedy film directed by Harry Beaumont, originally released with Technicolor sequences. It was adapted from Crane Wilbur's 1929 play, The Song Writer.
Joy Mangano is an American inventor and entrepreneur known for inventions such as the self-wringing Miracle Mop. She was the president of Ingenious Designs, LLC, and appeared regularly on the U.S. television shopping channel HSN until her departure in late 2018. Mangano is the founder and CEO of Clean Boss, a company that develops and sells cleaning products.
The Wizard of Oz is a 1933 Canadian-American animated short film directed by Ted Eshbaugh. The story is credited to "Col. Frank Baum." Frank Joslyn Baum, a lieutenant colonel in the United States Army and eldest son of writer L. Frank Baum, was involved in the film's production, and may have had an involvement in the film's script, which is loosely inspired by the elder Baum's 1900 novel, The Wonderful Wizard of Oz. It runs approximately eight and a half minutes and is nearly wordless, working mainly with arrangements of classical music created by Carl W. Stalling.
Pointed Heels is a 1929 American pre-Code early sound musical comedy film from Paramount Pictures that was directed by A. Edward Sutherland and starring William Powell, Helen Kane, Richard "Skeets" Gallagher, and Fay Wray. This film was originally filmed in color sequences by Technicolor, but today those color sequences only survive in black-and-white. One of these color sequences was the "Pointed Heels" ballet with Albertina Rasch and her Dancers.
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.
College Lovers is a 1930 American talkie Pre-Code comedy film produced and released by First National Pictures, a subsidiary of Warner Bros., and directed by John G. Adolfi. The movie stars Jack Whiting, Marian Nixon, Frank McHugh and Guinn 'Big Boy' Williams. The film was based on the story by Earl Baldwin.