The Hottentot | |
---|---|
Directed by | Roy Del Ruth |
Screenplay by | Harvey Thew (adaptation) |
Based on | The Hottentot by William Collier, Sr. and Victor Mapes |
Starring | Edward Everett Horton Patsy Ruth Miller |
Cinematography | Barney McGill |
Edited by | Owen Marks |
Music by | Cecil Copping Alois Reiser |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 79 minutes |
Country | United States |
Languages | Sound (All-Talking) English |
The Hottentot is a lost [1] [2] 1929 American all-talking sound pre-Code comedy film directed by Roy Del Ruth and starring Edward Everett Horton and Patsy Ruth Miller. It is based on the 1920 Broadway play The Hottentot by William Collier, Sr. and Victor Mapes. [3]
A previous silent version was produced by Thomas H. Ince in 1922, starring Douglas MacLean. [4] [5]
Sam Harrington (Edward Everrett Horton) is a simple horse lover who is mistaken for a champion steeplechase jockey and prevailed upon by Peggy Fairfax (Patsy Ruth Miller) to take part in an upcoming race.
The sound disc for the International Sound Version are extant. This version of the film had all dialogue replaced with music and foreign language inter-titles while any non-dialogue portions of the film (e.g., those that featured music or sound effects) remained intact.
Sonny Boy is a 1929 sound part-talkie film released by Warner Bros., directed by Archie Mayo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Davey Lee, Edward Everett Horton, and Betty Bronson.
Patsy Ruth Miller was an American film actress who played Esméralda in The Hunchback of Notre Dame (1923) opposite Lon Chaney.
Show Boat is a 1929 American pre-Code sound part-talkie romantic drama film based on the 1926 novel Show Boat by Edna Ferber. The film initially did not use the 1927 stage musical of the same name as a source, but scenes were later added into the film incorporating two of the songs from the musical as well as other songs. Many of these songs from the stage show were featured in a special prologue that was added to the picture before it was released. This film was produced and released by Universal. Like the majority of films during the early sound era, a silent version was made for movie theatres that had not yet converted to sound.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
The First Auto is a 1927 American synchronized sound drama film directed by Roy Del Ruth about the transition from horses to cars and the rift it causes in one family. While the film has no audible dialog, it was released with a synchronized musical score with sound effects, some spoken words, cheering, and laughter, using the Vitaphone sound-on-disc process. The film stars Charles Emmett Mack and Patsy Ruth Miller, with Barney Oldfield having a guest role in the movie. As of January 1, 2023, the film is in the public domain.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Glad Rag Doll is a 1929 American sound part-talkie pre-Code drama film directed by Michael Curtiz, and starring Dolores Costello, Ralph Graves, and Audrey Ferris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects, along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This is one of many lost films of the 1920s, no prints or Vitaphone discs survive, but the trailer survives. The film's working title was Alimony Annie, but was changed match the title of the theme song. The theme song is entitled Glad Rag Doll both played and sung throughout the soundtrack.
The Aviator is a 1929 American Pre-Code Vitaphone comedy film produced and released by Warner Bros. Directed by Roy Del Ruth, the film was based on the play of the same name by James Montgomery and stars Edward Everett Horton and Patsy Ruth Miller. The Aviator is similar to the silent comedy The Hottentot (1922), where a hapless individual has to pretend to be a famous steeplehorse jockey. The Aviator today is considered a lost film.
The Midnight Taxi is a 1928 American early sound part-talkie thriller picture from Warner Bros. directed by John G. Adolfi and starring Antonio Moreno, Helen Costello, and Myrna Loy. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
The Terror is a 1928 American pre-Code horror film written by Harvey Gates and directed by Roy Del Ruth, based on the 1927 play of the same name by Edgar Wallace. It was the second "all-talking" motion picture released by Warner Bros., following Lights of New York. It was also the first all-talking horror film, made using the Vitaphone sound-on-disc system.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Wide Open is a 1930 American pre-Code romantic comedy film directed by Archie Mayo, starring Edward Everett Horton and Patsy Ruth Miller, and featuring Louise Fazenda, T. Roy Barnes and Edna Murphy. Released by Warner Bros., it is based on the 1924 novel The Narrow Street by Edward Bateman Morris.
So Long Letty is a 1929 American pre-Code musical comedy directed by Lloyd Bacon and starring Charlotte Greenwood, reprising her role from the 1916 Broadway stage play. The story had previously been filmed as a silent under the same title in 1920 with Colleen Moore.
The Man and the Moment is a formerly lost 1929 sound part-talkie romantic comedy film directed by George Fitzmaurice and starring Billie Dove. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film survives in a copy of the International Sound Version. The sound of the domestic part-talkie version was synchronized to the surviving print of the international sound version. Because of this, many scenes feature intertitles shown immediately after the spoken dialogue conveying the same words. The talking sequences on the international sound version were muted with music and intertitles were inserted to convey the dialogue replaced in the appropriate foreign language. Therefore, intertitles were left in the talking sequences during the restoration to maintain synchronization with the Vitaphone soundtrack. The story is from a 1914 novel by Elinor Glyn, the famous novelist. The film was produced by Richard A. Rowland and released by First National Pictures. A British silent film had been film of the same story in 1918.
The Hottentot is a 1922 American silent comedy film directed by James W. Horne and Del Andrews and starred Douglas MacLean. It is based on the 1920 Broadway play The Hottentot by William Collier, Sr. and Victor Mapes. Thomas H. Ince produced the feature with distribution by Associated First National.
Broken Hearts of Hollywood is a 1926 American silent comedy drama film released by Warner Bros. and directed by Lloyd Bacon. It is unknown, but the film might have been released with a Vitaphone soundtrack. A print of the film exists.
No Defense is a 1929 American sound part-talkie romantic drama film directed by Lloyd Bacon and starring Monte Blue. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was distributed by Warner Brothers.
Five and Ten Cent Annie is a 1928 American sound part-talkie comedy film directed by Roy Del Ruth and starring Louise Fazenda, Clyde Cook and William Demarest. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
The Sap is a 1929 American sound part-talkie comedy film directed by Archie Mayo and written by De Leon Anthony and Robert Lord. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is based on the 1924 play The Sap by William A. Grew. The film stars Edward Everett Horton, Alan Hale Sr., Patsy Ruth Miller, Russell Simpson, Jerry Mandy and Edna Murphy. The film was released by Warner Bros. on November 9, 1929. This film was the last "part-talkie" produced by the studio.