On Moonlight Bay | |
---|---|
Directed by | Roy Del Ruth |
Screenplay by | Jack Rose Melville Shavelson |
Based on | Penrod 1914 novel and stories by Booth Tarkington |
Produced by | William Jacobs |
Starring | Doris Day Gordon MacRae Jack Smith |
Cinematography | Ernest Haller |
Edited by | Thomas Reilly |
Music by | Max Steiner |
Distributed by | Warner Bros. |
Release date |
|
Running time | 95 minutes |
Country | United States |
Language | English |
Budget | $1,194,000 [1] |
Box office | $3,730,000 [1] $2.5 million (US rentals) [2] |
On Moonlight Bay is a 1951 American musical film starring Doris Day and Gordon MacRae, and directed by Roy Del Ruth, which tells the story of the Winfield family at the turn of the 20th century. The movie is based loosely on the Penrod stories by Booth Tarkington. [3] The sequel By the Light of the Silvery Moon was made in 1953.
In a small Indiana town in the mid-1910s, the Winfield household has just moved into a larger house in a nicer neighborhood. The family includes George, the father, who is a banker, his wife Alice, their grown tomboyish daughter Margie, their mischievous precocious trouble-making son Wesley, and their exasperated housekeeper Stella. No one but George is happy about the move, until Marjorie meets their new neighbor, William Sherman, home on a break from his studies at Indiana University. The two are immediately attracted to each other, which makes Margie change her focus from baseball to trying to become a proper young woman as perceived by society at the time.
Margie and Bill develop a romantic relationship despite, or perhaps because of, Bill's unconventional thoughts on life, including not believing in the institution of marriage or the role money plays in society.
The road to a happy life between Margie and Bill is hindered by distance (as Bill returns to school), Margie's attempts to learn perceived feminine things, her father’s disapproval and preference for another suitor, her brother’s continual meddling, and the U.S. entry into World War I.
Margie’s father softens when her brother breaks a window with their father’s old slingshot. This ultimately makes the father more receptive to her relationship with Bill and the movie reaches a happy ending. [4]
According to Warner Bros., the film earned $2,738,000 in the U.S. and $992,000 in other markets. [1]
The film was nominated for the American Film Institute's 2006 list AFI's Greatest Movie Musicals. [5]
Albert Gordon MacRae was an American actor, singer, and television and radio host. He appeared in the film versions of two Rodgers and Hammerstein musicals, Oklahoma! (1955) and Carousel (1956), and played the leading man opposite Doris Day in On Moonlight Bay (1951) and sequel By The Light of the Silvery Moon (1953).
Calamity Jane is a 1953 American Technicolor Western musical film starring Doris Day and Howard Keel, and directed by David Butler. The musical numbers were staged and directed by Jack Donohue, who a year later would direct the Day musical Lucky Me (1954). The film is loosely based on the life of Wild West heroine Calamity Jane and explores an alleged romance between her and Wild Bill Hickok.
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois (Leigh), who, after encountering a series of personal losses, seeks refuge with her sister (Hunter) and brother-in-law (Brando) in a dilapidated New Orleans apartment building. The original Broadway production and cast was converted to film, albeit with several changes and sanitizations related to censorship.
By the Light of the Silvery Moon is a 1953 American musical film directed by David Butler and starring Doris Day and Gordon MacRae. As with the film's predecessor On Moonlight Bay, the film is based loosely on the Penrod stories by Booth Tarkington.
Tea for Two is a 1950 American musical romantic comedy film starring Doris Day and Gordon MacRae, and directed by David Butler. The screenplay by Harry Clork was inspired by the 1925 stage musical No, No, Nanette, although the plot was changed considerably from the original book by Otto Harbach and Frank Mandel; and the score by Harbach, Irving Caesar, and Vincent Youmans was augmented with songs by other composers.
Men of the Sky is a 1931 all-talking American pre-Code musical drama film, directed by Albert E. Green which was produced by Warner Bros. in 1930 and released in 1931. Men of the Sky stars Irene Delroy and Jack Whiting. Although aircraft were seen in the film, Men of the Sky was more of a spy drama.
Oh, Sailor, Behave! is a 1930 American pre-Code musical comedy film produced and released by Warner Brothers, and based on the play See Naples and Die, written by Elmer Rice. The film was originally intended to be entirely in Technicolor and was advertised as such in movie trade journals. Due to the backlash against musicals, it was apparently released in black-and-white only.
Penrod is a collection of comic sketches by Booth Tarkington that was first published in 1914. The book follows the misadventures of Penrod Schofield, an eleven-year-old boy growing up in the pre-World War I Midwestern United States, in a similar vein to The Adventures of Tom Sawyer. In Penrod, Tarkington established characters who appeared in two further books, Penrod and Sam (1916) and Penrod Jashber (1929). The three books were published together in one volume, Penrod: His Complete Story, in 1931.
Romance on the High Seas is a 1948 American musical romantic comedy film directed by Michael Curtiz, and starred Jack Carson, Janis Paige, Don DeFore and Doris Day in her film debut. Busby Berkeley was the choreographer. The film was nominated for two Academy Awards, for Original Song for "It's Magic", and Music, Scoring of a Musical Picture.
The West Point Story is a 1950 musical comedy film starring James Cagney, Virginia Mayo and Doris Day, and directed by Roy Del Ruth.
Starlift is a 1951 American musical film released by Warner Bros. starring Doris Day, Gordon MacRae, Virginia Mayo, Dick Wesson, and Ruth Roman. It was directed by Roy Del Ruth and written by John D. Klorer and Karl Kamb, from a story by Klorer. The film was made during the beginning of the Korean War and centers on a U.S. Air Force flyer's wish to meet a film star, and her fellow stars' efforts to perform for injured men at the air force base.
The Daughter of Rosie O'Grady is a 1950 American musical film directed by David Butler. It stars June Haver and Gordon MacRae. The story is mostly about the lives of musical performers in New York in the closing years of the 19th century. Most of the songs were written for the movie, but "Rose of Tralee" dates from the 19th century, and the song "The Daughter of Rosie O'Grady" dates from 1917.
Lucky Me is a 1954 American musical comedy film starring Doris Day, Robert Cummings and Phil Silvers. It was the first musical film produced in the CinemaScope process and filmed in Warnercolor.
Illicit is a 1931 American pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, James Rennie, Ricardo Cortez, and Natalie Moorhead. Based on a play by Edith Fitzgerald and Robert Riskin, the film is about a young couple living together out of wedlock because the woman does not believe in marriage. When they finally get married, both become unfaithful to each other. Illicit was produced and distributed by Warner Bros.
William Jacobs was an American screenwriter and producer for Warner Bros. He wrote 13 Hollywood films and produced 59 more, including musicals.
Navy Blues is a 1941 American musical comedy film directed by Lloyd Bacon and written by Jerry Wald, Richard Macaulay, Arthur T. Horman and Sam Perrin. The film stars Ann Sheridan, Jack Oakie, Martha Raye, Jack Haley, Herbert Anderson, Jack Carson, Jackie Gleason and William T. Orr. The film was released by Warner Bros. on September 13, 1941.
The Better 'Ole is a 1926 American synchronized sound World War I comedy drama film. Released by Warner Bros. Pictures, Inc., this film is the second full-length film to utilize the Vitaphone sound-on-disc process, two months after the first Vitaphone feature Don Juan; with no audible dialogue, the film does have a synchronized musical score and sound effects. This film was also the second onscreen adaptation of the 1917 musical The Better 'Ole by Bruce Bairnsfather and Arthur Elliot. Charlie Chaplin's eldest brother Sydney Chaplin played the main lead as Old Bill in perhaps his best-known film today. This film is also believed by many to have the first spoken word of dialog, "coffee", although there are those who disagree. At one point during the film, Harold Goodwin's character whispers a word to Sydney Chaplin which is also faintly heard. This was discovered by the UCLA's Robert Gitt, during the restoration of the sound discs for the film. The line was recorded in perfect sync, apparently during the orchestra recording sessions rather than live on set, therefore making it the earliest known use of dubbing in a motion picture.
The Hot Heiress is a 1931 American pre-Code comedy film directed by Clarence G. Badger and written by Herbert Fields, with three songs by Richard Rodgers and Lorenz Hart. The film stars Ben Lyon, Ona Munson, Walter Pidgeon, Tom Dugan, Holmes Herbert and Inez Courtney. The film was released by Warner Bros. on March 28, 1931.
Penrod's Double Trouble is a 1938 American comedy film directed by Lewis Seiler, written by Crane Wilbur, and based on stories by Booth Tarkington. The film stars Billy Mauch, Bobby Mauch, Dick Purcell, Gene Lockhart, Kathleen Lockhart and Hugh O'Connell. The film was released by Warner Bros. on July 23, 1938.
The Making of O'Malley is a 1925 American silent drama film directed by Lambert Hillyer and written by Eugene Clifford. The film stars Milton Sills, Dorothy Mackaill, Helen Rowland, Warner Richmond, Thomas Carrigan and Julia Hurley. The film was released on June 28, 1925, by First National Pictures. The Gerald Beaumont short story was also the basis of the 1937 Warner Bros. film The Great O'Malley, directed by William Dieterle and starring Pat O'Brien and Humphrey Bogart.