Three Weeks in Paris | |
---|---|
Directed by | Roy Del Ruth |
Written by | Daryl Zanuck (story; as Gregory Rogers) Daryl Zanuck (scenario; as Daryl Zanuck) |
Starring | Matt Moore |
Cinematography | David Abel |
Edited by | Clarence Kolster |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 6 reels (approximately 60 minutes) |
Country | United States |
Language | silent (English intertitles) |
Three Weeks in Paris is a 1925 American silent comedy film from Warner Bros. starring Matt Moore and Dorothy Devore. [1]
As described in a film magazine review, [2] Oswald Bates is getting married, but the wedding day has many bad omens as the date is Friday the thirteenth, a black cat crosses his path, and he breaks a mirror. After the wedding, just after he and his bride Mary leave the church, he is separated from her and gets a telegram which compels him to sail for Paris within the hour to complete a business deal. Although he tries, he is unsuccessful and leaves France without completing the deal. However, Oswald has been reported dead to Mary and she collects on the life insurance. Therefore, Oswald is forced to assume a disguise during his trip back home. Matters are complicated by a detective on board the ship and seas that cause many to become seasick. Just as he is reunited with Mary, the overseas deal is unexpectedly completed and provides the money which can repay the insurance so the couple can any avoid jail sentence.
With no prints of Three Weeks in Paris located in any film archives, [3] it is a lost film. [4]
The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
James Lawrence Brooks is an American director, producer, screenwriter and co-founder of Gracie Films. He co-created the sitcoms The Mary Tyler Moore Show, Taxi, and The Simpsons and directed the films Terms of Endearment (1983), Broadcast News (1987), and As Good as It Gets (1997). He received numerous accolades including three Academy Awards, 22 Emmy Awards, and a Golden Globe Award.
Matt Moore was an Irish-born American actor and director. He appeared in at least 221 motion pictures from 1912 to 1958.
Thoroughly Modern Millie is a 1967 American musical-romantic comedy film directed by George Roy Hill and starring Julie Andrews. The screenplay, by Richard Morris based on the 1956 British musical Chrysanthemum, follows a naïve young woman who finds herself in a series of madcap adventures when she sets her sights on marrying her wealthy boss. The film also stars Mary Tyler Moore, James Fox, John Gavin, Carol Channing, and Beatrice Lillie.
One Night in the Tropics is a 1940 musical film notable as the film debut of Abbott and Costello. They are listed as supporting actors but have major exposure with five of their classic routines, including an abbreviated version of "Who's on First?" Their work earned them a two-picture deal with Universal, and their next film, Buck Privates, made them bona fide stars. Songs in the film were written by Jerome Kern with lyrics by Dorothy Fields.
Dorothy Devore was an American silent film actress and comedian.
Quick Millions is a 1931 pre-Code crime film directed by Rowland Brown and starring Spencer Tracy, Marguerite Churchill, Sally Eilers, and featuring George Raft as the sidekick with a solo eccentric dance performance.
Taxi! is a 1932 American pre-Code film directed by Roy Del Ruth and starring James Cagney and Loretta Young.
June Bride is a 1948 American comedy film directed by Bretaigne Windust. The screenplay, which was based on the unproduced play Feature for June by Eileen Tighe and Graeme Lorimer, was nominated for the Writers Guild of America Award for Best Written American Comedy. The film starred Bette Davis and Robert Montgomery. The Warner Bros. release marked the screen debut of Debbie Reynolds, although her appearance was uncredited.
A Kiss Before Dying is a 1956 American color film noir directed by Gerd Oswald in his directorial debut. The screenplay was written by Lawrence Roman based on Ira Levin's 1953 novel of the same name, which won the 1954 Edgar Award for Best First Novel. The film stars Robert Wagner, Jeffrey Hunter, Virginia Leith, Mary Astor and Joanne Woodward in one of her first film roles. It was remade in 1991 under the same title.
Gold Diggers of 1937 is a Warner Bros. movie musical directed by Lloyd Bacon with musical numbers created and directed by Busby Berkeley. The film stars Dick Powell and Joan Blondell, who were married at the time, with Glenda Farrell and Victor Moore.
Don't Bet on Blondes is a 1935 American romantic comedy film.
Sincerely Yours is a 1955 Warner Color film romantic music comedy starring Liberace. It was Liberace's first starring motion picture and was a recreation of his concert performances and a remake of the Warner Bros. 1932 film The Man Who Played God, which was itself a remake of the 1922 film The Man Who Played God, also based on the 1914 Jules Eckert Goodman play The Silent Voice.
Three Week-Ends is a 1928 American comedy drama film directed by Clarence G. Badger and starring Clara Bow and Neil Hamilton. It is believed lost. "Three Week-Ends" is the title given in the AFI Catalog of Feature Films, with alternate titles being "Three Week Ends" and "3 Weekends".
Bought is a 1931 American Pre-Code drama film produced and released by Warner Bros. and directed by Archie Mayo. The movie stars Constance Bennett and features Ben Lyon, Richard Bennett and Dorothy Peterson. It is based on the 1930 novel Jackdaw's Strut by Harriet Henry.
The Narrow Street is a 1925 American silent comedy film directed by William Beaudine and starring Matt Moore.
How Baxter Butted In is a 1925 American silent comedy film directed by William Beaudine.
The Man Upstairs is a 1926 American silent comedy film directed by Roy Del Ruth and starring Monte Blue. It was produced and distributed by Warner Brothers. The film is based on the 1916 novel The Agony Column by Earl Derr Biggers.
His Majesty, Bunker Bean is a 1925 American silent comedy film directed by Harry Beaumont and starring Matt Moore. It is based on a 1916 play, His Majesty, Bunker Bean by Lee Wilson Dodd, taken from a novel Bunker Bean by Harry Leon Wilson. It was produced and distributed by Warner Bros.
A Lost Lady is a 1924 American drama film directed by Harry Beaumont and written by Dorothy Farnum. It is based on the 1923 novel A Lost Lady by Willa Cather. The film stars Irene Rich, Matt Moore, June Marlowe, John Roche, Victor Potel, and George Fawcett. The film was released by Warner Bros. on December 18, 1924.