Old San Francisco | |
---|---|
Directed by | Alan Crosland |
Written by | Jack Jarmuth (titles) |
Screenplay by | Anthony Coldeway |
Story by | Darryl F. Zanuck |
Starring | Dolores Costello |
Cinematography | Hal Mohr |
Edited by | Harold McCord |
Music by | Hugo Riesenfeld |
Production company | |
Distributed by | Warner Bros. Pictures |
Release dates |
|
Running time | 88 minutes; 7,961 feet (2,427 m) [2] |
Country | United States |
Languages | Sound (Synchronized) (English Intertitles) |
Budget | $300,000 [3] |
Box office | $638,000 [3] |
Old San Francisco is a 1927 American synchronized sound historical drama film starring Dolores Costello and featuring Warner Oland. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
Chris Buckwell, cruel and greedy czar of San Francisco's Tenderloin District, is heartless in his persecution of the Chinese, though he himself is secretly a half-caste, part Chinese and part European. Buckwell, eager to possess the land of Don Hernandez Vasquez, sends Michael Brandon, an unscrupulous attorney, to make an offer. Brandon's nephew, Terrence, meets the grandee's beautiful daughter, Dolores, while Vasquez refuses the offer. Terry tries to save the Vasquez land grants, but when Chris causes the grandee's death, Dolores takes an oath to avenge her father. Learning that Chris is half Chinese, Dolores induces his feeble-minded dwarf brother to denounce him; he captures her and Terry, but they are saved from white slavery by the great earthquake of 1906 that kills the villain. [4]
The film's soundtrack was recorded via the Vitaphone sound-on-disc process to produce a synchronized musical score with sound effects. It was the fifth Warner Brothers feature film to have Vitaphone musical accompaniment. Just one month later, on October 6, Warner Bros. released The Jazz Singer with music, sound effects, and spoken dialogue. Warner Bros. later reused some of the footage from Old San Francisco for the 1906 San Francisco earthquake sequence in The Sisters (1938). [5] This is Charles Emmett Mack's final film appearance; he was killed in an automobile accident six months prior to the film's release. [6]
The film was a commercial success but it was considered a sub-par feature for its salacious elements. The New York Post called it "violently melodramatic and preposterous in the extreme -- and one of the silliest pictures ever made." [4]
A slightly later reviewer wondered cynically why it had not been censored: "Just as the villain is giving thanks to Buddha, the San Francisco earthquake intervenes to save [Dolores and Terry], thus explaining a catastrophe that cost many lives. Old San Francisco was not censored because it satisfied the one great tenet of the movie censors: 'God is a force in the world that moves to preserve Christian virginity.' " [7]
According to Warner Bros records the film earned $466,000 domestically and $172,000 foreign. [3]
A print of the film still exists at the Library of Congress, George Eastman House and Wisconsin Center for Film and Theater Research, as well as its Vitaphone soundtrack and has been restored by the UCLA Film and Television Archive in association with other organizations such as the Library of Congress and the Museum of Modern Art. And was released on manufactured-on-demand DVD by the Warner Archive Collection series on September 15, 2009. [8]
Glorious Betsy is a 1928 sound part-talkie drama film. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film is based on the 1908 play of the same name by Rida Johnson Young, and it stars Dolores Costello. It was produced by Warner Bros. and nominated for an Academy Award for Best Writing, Adaptation in 1929. The film was directed by Alan Crosland with cinematography by Hal Mohr.
Don Juan is a 1926 synchronized sound American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
Noah's Ark is a 1928 American part-talkie epic disaster film directed by Michael Curtiz and starring Dolores Costello and George O'Brien. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The story is by Darryl F. Zanuck. The film was released by the Warner Bros. studio. Most scenes are silent with a synchronized music score and sound effects, in particular the biblical ones, while some scenes have dialogue.
The Trail of '98 is a 1928 American synchronized sound action-adventure/drama film featuring Harry Carey and Dolores del Río about the Klondike Gold Rush. While the film has no audible dialog, it was released with a synchronized musical score, with sound effects using both the sound-on-disc and sound-on-film process. The film was originally released by MGM in a short-lived widescreen process called "Fantom Screen". The film is based on the 1910 novel of the same name, written by Robert W. Service.
While London Sleeps is a 1926 Warner Bros. film about a police-dog, Rinty, who helps Scotland Yard defeat a dangerous criminal organisation known as the Mediterranean Brotherhood that operates out of the Limehouse district of London. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the Vitaphone sound-on-disc process. Walter Morosco wrote the screenplay. It was the first of many films directed by Howard Bretherton, and one of several created for Rin Tin Tin, a German Shepherd dog used in films during the 1920s and 1930s. Only the sound discs to the film survive today with the visual film portions being lost. The British release prints censored the more horrific aspects of the film.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Good Time Charley is a 1927 American synchronized sound drama film produced and distributed by Warner Bros. and directed by Michael Curtiz. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. It was considered to be a lost film. However, as of January 2021, the film is listed as extant at the Library of Congress.
Tenderloin is a 1928 American sound part-talkie crime film directed by Michael Curtiz, and starring Dolores Costello. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects, along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. It was produced and released by Warner Bros. Tenderloin is considered a lost film, with no prints currently known to exist.
Glad Rag Doll is a 1929 American sound part-talkie pre-Code drama film directed by Michael Curtiz, and starring Dolores Costello, Ralph Graves, and Audrey Ferris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects, along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This is one of many lost films of the 1920s, no prints or Vitaphone discs survive, but the trailer survives. The film's working title was Alimony Annie, but was changed match the title of the theme song. The theme song is entitled Glad Rag Doll both played and sung throughout the soundtrack.
Women They Talk About is a 1928 American sound part-talkie comedy drama film directed by Lloyd Bacon and starring Irene Rich and Audrey Ferris. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was produced and distributed by Warner Bros. It is considered to be a lost film.
When a Man Loves is a 1927 American synchronized sound historical drama film directed by Alan Crosland and produced and distributed by Warner Bros. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The picture stars John Barrymore and features Dolores Costello in the frequently filmed story of Abbe Prevost's 1731 novel Manon Lescaut. The lovers suffer, but the film has an optimistic ending, as they head to America. Manon dies at the end of the novel. The UK release title was His Lady.
The Midnight Taxi is a 1928 American early sound part-talkie thriller picture from Warner Bros. directed by John G. Adolfi and starring Antonio Moreno, Helen Costello, and Myrna Loy. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
The Heart of Maryland (1927) is a silent film costume Vitaphone drama produced and distributed by Warner Bros. and directed by Lloyd Bacon. The film stars Dolores Costello as the title character, and features Jason Robards, Sr. It is based on David Belasco's 1895 play The Heart of Maryland performed on Broadway. The film is the last silent version of the oft-filmed Victorian story, other versions having been produced in 1915 and 1921.
The Redeeming Sin is a 1929 crime drama sound part-talkie film. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. It was produced and distributed by Warner Bros. and stars Dolores Costello. This film is a lost film.
The Little Irish Girl is a 1926 American silent romantic drama film produced and distributed by Warner Bros., directed by Roy Del Ruth and starring Dolores Costello. Based on the story The Grifters, written by Edith Joan Lyttleton, it is considered to be a lost film.
Sailor Izzy Murphy is a 1927 synchronized sound comedy-drama film released from Warner Bros. Pictures starring George Jessel, Audrey Ferris, Warner Oland and John Milijan. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film was a follow-up to a previous film starring Jessel titled Private Izzy Murphy. The premiere was set for October 8, 1927, at Warners' Theater, two days after the premiere of The Jazz Singer, the first talking film (part-talkie) starring Al Jolson.
One-Round Hogan is a lost 1927 American synchronized sound boxing-drama film produced and distributed by Warner Bros. and directed by Howard Bretherton. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film starred Monte Blue and Leila Hyams. Blue also appears in the 1925 predecessor called Hogan's Alley, written by Darryl F. Zanuck.
A Race for Life is a 1928 American synchronized sound drama film directed by D. Ross Lederman. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. Originally, the film was presumed to be lost. However, according to the Library of Congress Database, the film was found in the Netherlands. The film was released with a Vitaphone soundtrack with a synchronised musical score and sound effects.
The Better 'Ole is a 1926 American synchronized sound World War I comedy drama film. Released by Warner Bros. Pictures, Inc., this film is the second full-length film to utilize the Vitaphone sound-on-disc process, two months after the first Vitaphone feature Don Juan; with no audible dialogue, the film does have a synchronized musical score and sound effects. This film was also the second onscreen adaptation of the 1917 musical The Better 'Ole by Bruce Bairnsfather and Arthur Elliot. Charlie Chaplin's eldest brother Sydney Chaplin played the main lead as Old Bill in perhaps his best-known film today. This film is also believed by many to have the first spoken word of dialog, "coffee", although there are those who disagree. At one point during the film, Harold Goodwin's character whispers a word to Sydney Chaplin which is also faintly heard. This was discovered by the UCLA's Robert Gitt, during the restoration of the sound discs for the film. The line was recorded in perfect sync, apparently during the orchestra recording sessions rather than live on set, therefore making it the earliest known use of dubbing in a motion picture.
Domestic Troubles is a lost 1928 American synchronized sound comedy film directed by Ray Enright and starring Clyde Cook, Louise Fazenda and Betty Blythe. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was produced and released by Warner Brothers.