Big Boy (film)

Last updated

Big Boy
Big Boy 1930 Poster.jpg
Directed by Alan Crosland
Written by William K. Wells
Rex Taylor
based on a musical comedy by Harold Atteridge
Starring Al Jolson
Claudia Dell
Louise Closser Hale
Noah Beery
Cinematography Hal Mohr
Edited by Ralph Dawson
Music by Rex Dunn
Alois Reiser
Sam H. Stept
Bud Green
Distributed by Warner Bros.
Release date
  • September 11, 1930 (1930-09-11)
Running time
68 minutes
CountryUnited States
LanguageEnglish
Budget$574,000 [1]
Box office$498,000 [1]

Big Boy is a 1930 American Pre-Code musical comedy film produced by Warner Bros. The film was directed by Alan Crosland and stars Al Jolson, Claudia Dell, Louise Closser Hale, and Noah Beery. The film is based on the 1925 Broadway hit show of the same name in which Jolson also starred.

Contents

Plot

Gus is a loyal stable boy and jockey for a rich family in the South that has been interested in horse racing and breeding horses for generations. (In a flashback to 1870, we see Gus's grandfather working for the same family.) The young heir of the family, Jack, loses a lot of money by gambling and is blackmailed by his creditors for forging a check. They persuade Jack to ask his mother to replace Gus with another jockey for the family's racehorse, Big Boy, but she refuses. They frame Gus for tampering with the horse and he is discharged, replaced by a jockey who has been bought off to lose on purpose. Gus finds work as a waiter in a fancy restaurant, where he uncovers the details about the race throwing plot. With Jack's help, he outsmarts the crooks just in time to ride Big Boy to victory.

Cast

Songs

Box office

According to Warner Bros records the film earned $437,000 domestically and $61,000 foreign. [1]

Preservation

Because of the public apathy to musicals at the time of its release, some of the musical sequences were cut from the picture before release and it was advertised strictly as a comedy picture. This domestic release print survives complete and has been released by Warner Archive on DVD. The film may have been released in a longer version outside the United States where there was never any backlash against musicals. It is unknown whether a copy of this full musical version still exists. [2]

Related Research Articles

<i>She Done Him Wrong</i> 1933 American crime/comedy film by Lowell Sherman

She Done Him Wrong is a 1933 pre-Code American crime/comedy film starring Mae West and Cary Grant, directed by Lowell Sherman. The plot includes melodramatic and musical elements, with a supporting cast featuring Owen Moore, Gilbert Roland, Noah Beery Sr., Rochelle Hudson, and Louise Beavers. The film was adapted from the successful 1928 Broadway play Diamond Lil by Mae West. The film is famous for West's many double entendres and quips, including her best-known "Why don't you come up sometime and see me?". She Done Him Wrong was a box-office success and the film was nominated for an Academy Award for Best Picture.

<i>The Jazz Singer</i> 1927 film by Alan Crosland

The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".

<span class="mw-page-title-main">Wallace Beery</span> American actor (1885-1949)

Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.

This is a list of notable events in music that took place in the year 1930.

<span class="mw-page-title-main">Noah Beery</span> American actor (1882–1946)

Noah Nicholas Beery was an American actor who appeared in films from 1913 until his death in 1946. He was the older brother of Academy Award-winning actor Wallace Beery as well as the father of prominent character actor Noah Beery Jr. He was billed as either Noah Beery or Noah Beery Sr. depending upon the film.

<i>The Singing Fool</i> 1928 film

The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre.

<span class="mw-page-title-main">Louise Closser Hale</span> American dramatist

Louise Closser Hale was an American actress, playwright and novelist.

<span class="mw-page-title-main">Claudia Dell</span> American actress and showgirl (1910–1977)

Claudia Dell was an American showgirl and actress of the stage and movies.

<i>The Show of Shows</i> 1929 film

The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.

<i>Noahs Ark</i> (1928 film) 1928 film

Noah's Ark is a 1928 American sound part-talkie epic and disaster film directed by Michael Curtiz and starring Dolores Costello and George O'Brien. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The story is by Darryl F. Zanuck. The film was released by the Warner Bros. studio. Most scenes are silent with a synchronized music score and sound effects, in particular the biblical ones, while some scenes have dialogue.

<i>Sit Tight</i> 1931 film

Sit Tight is a 1931 American Pre-Code musical comedy film, directed by Lloyd Bacon, written by Rex Taylor, edited by James Gibbon, and produced and distributed by Warner Bros. It was originally intended as a full musical, but due to the backlash against musicals, all the songs were cut from the film except for one – sung by Winnie Lightner – in all release prints in the United States.

<i>50 Million Frenchmen</i> (film) 1931 film

Fifty Million Frenchmen is a 1931 American pre-Code musical comedy film directed by Lloyd Bacon. It was photographed entirely in Technicolor. The film was produced and released by Warner Brothers, and was based on Cole Porter's 1929 Broadway musical Fifty Million Frenchmen.

<i>Showgirl in Hollywood</i> 1930 film

Showgirl in Hollywood is a 1930 American pre-Code all-talking musical film with Technicolor sequences, produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Alice White, Jack Mulhall and Blanche Sweet. It was adapted from the 1929 novel Hollywood Girl by J.P. McEvoy.

<i>Paris</i> (1929 film) 1929 film

Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.

<i>Say It with Songs</i> 1929 film

Say It with Songs is a 1929 American pre-Code musical drama film, directed by Lloyd Bacon and released by Warner Bros. The film stars Al Jolson and Davey Lee and was a follow-up to their previous film, The Singing Fool (1928).

<i>Mammy</i> (1930 film) 1930 film

Mammy (1930) is an American pre-Code musical drama film with Technicolor sequences, released by Warner Bros. The film starred Al Jolson and was a follow-up to his previous film, Say It with Songs (1929). Mammy became Al Jolson's fourth feature, following earlier screen efforts as The Jazz Singer (1927), The Singing Fool (1928) and Say It with Songs (1929). The film relives Jolson's early years as a minstrel man. The songs were written by Irving Berlin, who is also credited with the original story titled Mr. Bones.

<i>The Girl of the Golden West</i> (1938 film) 1938 film

The Girl of the Golden West is a 1938 American musical Western film adapted from the 1905 play of the same name by David Belasco, better known for providing the plot of the opera La fanciulla del West by Giacomo Puccini. A frontier woman falls in love with an outlaw.

<i>Go into Your Dance</i> 1935 film by Archie Mayo

Go into Your Dance is a 1935 American musical drama film starring Al Jolson, Ruby Keeler, and Glenda Farrell. The film was directed by Archie Mayo and is based on the novel of the same name by Bradford Ropes. It was released by Warner Bros. on April 20, 1935. An irresponsible Broadway star gets mixed up with gambling and gangsters.

<i>Main Street</i> (1923 film) 1923 film by Harry Beaumont

Main Street is a 1923 American silent drama film based on the 1920 novel of the same name by Sinclair Lewis. It was produced and distributed by Warner Bros. and directed by Harry Beaumont. A Broadway play version of the novel was produced in 1921. It was the first film to be released after the foundation of Warner Bros. Pictures on April 4, 1923.

<i>The Isle of Lost Ships</i> (1929 film) 1929 film

The Isle of Lost Ships is an all-talking 1929 sound film. The picture was produced by Richard A. Rowland and distributed by Warner Bros. Irvin Willat was the director with Jason Robards Sr., Virginia Valli and Noah Beery Sr. in the leads. It is based on the 1909 novel The Isle of Dead Ships by Crittenden Marriott, and is also a remake of Maurice Tourneur's now lost 1923 classic of the same name. A mute copy of this film is preserved at the Library of Congress. The Vitaphone discs which contain the soundtrack to the film are currently lost.

References

  1. 1 2 3 Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 10 doi:10.1080/01439689508604551
  2. Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress <book title> p.16 c.1978 by The American Film Institute