| A Broadway Butterfly | |
|---|---|
 Film still | |
| Directed by | William Beaudine |
| Written by | "Gregory Rogers" (Darryl F. Zanuck) |
| Story by | Pearl Keating |
| Starring | Dorothy Devore |
| Cinematography | Ray June |
Production company | |
| Distributed by | Warner Bros. |
Release date |
|
Running time | 70 minutes |
| Country | United States |
| Language | Silent (English intertitles) |
A Broadway Butterfly is a 1925 American silent comedy film directed by William Beaudine. [1] [2]
As described in a film magazine review, [3] Irene Astaire is befriended by Cookie Dale and gets a job in the chorus, although Cookie is dismissed to please male backers of the show. Irene falls in love with a wealthy youth, Ronald Steel, but Crane Wilder wants Irene and plots with Thelma to disgrace Irene. Cookie foils them although Donald sees Wilder leaving Irene’s apartment, and he turns to Thelma. Irene is discouraged and seeks diversion on Broadway. Cookie saves her again and it then develops Cookie is the runaway daughter of a wealthy family and Donald and Irene are once more united.
With no prints of A Broadway Butterfly located in any film archives, [4] it is a lost film.
Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century.
George Randolph Scott was an American film actor, whose Hollywood career spanned from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in dramas, comedies, musicals, adventures, war, horror and fantasy films, and Westerns. Out of his more than 100 film appearances, more than 60 of them were Westerns.
The Story of Vernon and Irene Castle is a 1939 American biographical musical comedy directed by H.C. Potter. The film stars Fred Astaire, Ginger Rogers, Edna May Oliver, and Walter Brennan. The film is based on the stories My Husband and My Memories of Vernon Castle, by Irene Castle. The movie was adapted by Oscar Hammerstein II, Dorothy Yost and Richard Sherman. This was Astaire and Rogers' ninth and last film together with RKO. Their final pairing was The Barkleys of Broadway (1949) at MGM.
Edna May Oliver was an American stage and film actress. During the 1930s, she was one of the better-known character actresses in American films, often playing tart-tongued spinsters.
Irene is a musical with a book by James Montgomery, lyrics by Joseph McCarthy, and music by Harry Tierney. Based on Montgomery's play Irene O'Dare, it is set in New York City's Upper West Side and focuses on immigrant shop assistant Irene O'Dare, who is introduced to Long Island's high society when she is hired to tune a piano for a society gentleman.
Daddy Long Legs (1955) is a musical comedy film set in France, New York City, and the fictional college town of Walston, Massachusetts. The film was directed by Jean Negulesco, and stars Fred Astaire, Leslie Caron, Terry Moore, Fred Clark, and Thelma Ritter, with music and lyrics by Johnny Mercer. The screenplay was written by Phoebe Ephron and Henry Ephron, loosely based on the 1912 novel Daddy-Long-Legs by Jean Webster.
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
Carefree is a 1938 American musical comedy film directed by Mark Sandrich and starring Fred Astaire, Ginger Rogers and Ralph Bellamy. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
Ida Darling was an American actress of the stage and in silent motion pictures.
Sally, Irene, and Mary is a 1925 American silent comedy drama film starring Constance Bennett, Sally O'Neil, and Joan Crawford. It is based on the 1922 play of the same name by Eddie Dowling and Cyrus Woods and takes a behind-the-scenes look at the romantic lives of three chorus girls and the way their preferences in men affect their lives. The play was adapted again in 1938, again titled Sally, Irene, and Mary and directed by William A. Seiter. That version stars Alice Faye, Joan Davis, and Marjorie Weaver in the title roles, and co-starred Tony Martin, Fred Allen, and Jimmy Durante.
So This Is Marriage is a lost 1924 American silent drama film directed by Hobart Henley. The film was originally released with sequences filmed in the Technicolor 2-color process that depicted the story of David and Bathsheba from the Book of Samuel.
A Trip to Chinatown is a 1926 American silent comedy film produced and distributed by the Fox Film Corporation and starring Margaret Livingston and Earle Foxe. The supporting cast includes Anna May Wong and Charles Farrell. The movie was scripted by Beatrice Van from Charles Hale Hoyt's hit 1891 Broadway musical of the same name and directed by Robert P. Kerr.
The Sporting Venus is a 1925 American silent romantic drama film directed by Marshall Neilan. The film was the second MGM release of Neilan, and starred his wife, actress Blanche Sweet, who allegedly sported the lowest waistline of 1925. This is the first of two feature films that paired Ronald Colman with Blanche Sweet, the second being His Supreme Moment, which was released in May 1925.
The Climbers is a 1919 American silent comedy-drama film produced and distributed by the Vitagraph Company of America. It is based on Clyde Fitch's 1901 Broadway play. This film was directed by Tom Terriss and stars Corinne Griffith.
The Charmer is a 1925 American silent drama film produced by Famous Players–Lasky and distributed by Paramount. It was directed by Sidney Olcott with Pola Negri in the leading role.
Any Woman is a 1925 American silent drama film directed by Henry King and written by Randolph Bartlett, Jules Furthman, Arthur Somers Roche and Beatrice Van. The film stars Alice Terry, Donald Reed, Margarita Fischer, Lawson Butt, Aggie Herring, James Neill, and Henry Kolker. The film was released on May 4, 1925, by Paramount Pictures.
No Trespassing is a lost 1922 American silent drama film directed by Edwin L. Hollywood and starring Irene Castle and Ward Crane. It was distributed by W. W. Hodkinson and is based upon a novel by Joseph C. Lincoln, The Rise of Roscoe Paine.
French Heels is a lost 1922 American silent romantic comedy film directed by Edwin L. Hollywood and starring Irene Castle. Based on short story "Knots and Windshakes" by Clarence Budington Kelland which appeared in Everybody's Magazine, it was distributed by W. W. Hodkinson.
The Fool is a lost 1925 American silent drama film directed by Harry Millarde. It is based on the 1922 play The Fool by Channing Pollock.
Douglas Gilmore was an American actor. He appeared in numerous films and theater productions.
