Three Wise Girls | |
---|---|
Directed by | William Beaudine |
Written by | Agnes Christine Johnston (adaptation) Robert Riskin (dialogue) |
Based on | Blonde Baby (1931 novel) by Wilson Collison |
Starring | Jean Harlow Mae Clarke Walter Byron Marie Prevost Andy Devine |
Cinematography | Ted Tetzlaff |
Edited by | Jack Dennis |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 66-68 minutes |
Country | United States |
Language | English |
Three Wise Girls is a 1932 American pre-Code romantic drama film directed by William Beaudine and featuring Jean Harlow in her first starring role. The supporting cast features a young Andy Devine. This film is preserved in the Library of Congress collection.
A young small-town woman heads to New York City, where she and her two friends have romantic troubles. [1] [2]
Variety Tuesday, February 9, 1932
"While the title might suggest an effort to adapt 'The Greeks Had a Word for Them,' this is based on a far older foundation which has been used at least once or twice each season for the past several years. Still seems to possess an appeal and stands a chance of reaching further down the line than the more sophisticated yarns because it essays to point a moral."
Variety Tuesday, February 16, 1932
"Jean Harlow has often expressed a longing to play a 'good girl' In pictures, 'Three Wise Girls' (Beacon) grants her wish. In it she's just as good as good can be. But a good girl to picture audiences has to do more than act that way; she's got to look that way. However, it is a physical impossibility for Miss Harlow to assume the straight ascetic outlines which are the basis of virtue; to film audiences, her contours and manner of displaying them will never allow her to sneak into the good girl category no matter how sincerely she longs for it. Mae Clarke, who looks like a good girl and is cast for a bad one, and Marie Prevost, who doesn't aspire for a millionaire, but is happy with a chauffeur and a wedding band, complete the trio of girls laughingly called 'Wise' in this pleasant little yarn's title."
The Public Enemy is a 1931 American all-talking pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman and stars James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago. In 1998, The Public Enemy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Jean Harlow was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema. Often nicknamed the "Blonde Bombshell" and the "Platinum Blonde", Harlow was popular for her "Laughing Vamp" screen persona. Harlow was in the film industry for only nine years, but she became one of Hollywood's biggest movie stars, whose image in the public eye has endured. In 1999, the American Film Institute ranked Harlow No. 22 on their greatest female screen legends of classical Hollywood cinema list.
Mae Clarke was an American actress. She is widely remembered for playing Henry Frankenstein's bride Elizabeth, who is chased by Boris Karloff in Frankenstein, and for being on the receiving end of James Cagney's halved grapefruit in The Public Enemy. Both films were released in 1931.
Red Dust is a 1932 American pre-Code romantic drama film directed by Victor Fleming, and starring Clark Gable, Jean Harlow, and Mary Astor. It is based on the 1928 play of the same name by Wilson Collison, and was adapted for the screen by John Mahin. Red Dust is the second of six movies Gable and Harlow made together. More than 20 years later, Gable starred in a remake, Mogambo (1953), with Ava Gardner starring in a variation on the role Harlow played and Grace Kelly playing a part similar to one portrayed by Astor in Red Dust.
Double Wedding is a 1937 American romantic comedy film starring William Powell and Myrna Loy, and featuring Florence Rice, John Beal, Jessie Ralph, and Edgar Kennedy. This was the seventh pairing of Powell and Loy, with another seven to go. It was directed by Richard Thorpe from a screenplay by Jo Swerling based on the unpublished play Nagy szerelem by Ferenc Molnár.
Dinner at Eight is a 1933 American pre-Code comedy-drama film directed by George Cukor from a screenplay by Frances Marion and Herman J. Mankiewicz, based on George S. Kaufman and Edna Ferber's 1932 play of the same title. The film features an ensemble cast of Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore, Lee Tracy, Edmund Lowe, and Billie Burke.
Platinum Blonde is a 1931 American pre-Code romantic comedy motion picture starring Jean Harlow, Robert Williams, and Loretta Young. The film was written by Jo Swerling and directed by Frank Capra. Platinum Blonde was Robert Williams' last screen appearance; he died of peritonitis three days after the film's October 31 release.
Bombshell is a 1933 American pre-Code romantic screwball comedy film directed by Victor Fleming and starring Jean Harlow, Lee Tracy, Frank Morgan, C. Aubrey Smith, Mary Forbes and Franchot Tone. It is based on the unproduced play of the same name by Caroline Francke and Mack Crane, and was adapted for the screen by John Lee Mahin and Jules Furthman.
Night World is a 1932 American pre-Code drama film featuring Lew Ayres, Mae Clarke, and Boris Karloff. The supporting cast includes George Raft and Hedda Hopper.
Small Town Girl is a 1936 romantic comedy film directed by William A. Wellman and starring Janet Gaynor, Robert Taylor, and James Stewart. The supporting cast features Binnie Barnes, Andy Devine, Lewis Stone and Edgar Kennedy.
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The Greeks Had a Word for Them is a 1932 American pre-Code comedy film directed by Lowell Sherman, produced by Samuel Goldwyn, and released by United Artists. It stars Ina Claire, Joan Blondell, and Madge Evans and is based on the play The Greeks Had a Word for It by Zoe Akins. The studio originally wanted actress Jean Harlow for the lead after her success in Public Enemy (1931), but she was under contract to Howard Hughes, and he refused to loan her out. The film served as inspiration for films such as Three Blind Mice (1938), Moon Over Miami (1941), and How to Marry a Millionaire (1953). Ladies in Love (1936) also has a similar pattern and produced like "Three Blind Mice" by Darryl F. Zanuck.
Safe in Hell is a 1931 American pre-Code thriller film directed by William A. Wellman and starring Dorothy Mackaill and Donald Cook, with featured performances by Morgan Wallace, Ralf Harolde, Nina Mae McKinney, Clarence Muse, and Noble Johnson. The screenplay by Joseph Jackson and Maude Fulton is based on a play by Houston Branch.
Wise Girl is a 1937 American romantic comedy film directed by Leigh Jason and starring Miriam Hopkins, Ray Milland and Walter Abel. The screenplay concerns a wealthy socialite who tries to gain custody of her orphaned nieces.
The Rise of Jennie Cushing is a 1917 American silent drama film directed by Maurice Tourneur, produced by Famous Players-Lasky, and distributed by Artcraft Pictures, an affiliate of Paramount Pictures. The story based upon the novel The Rise of Jennie Cushing by Mary Watts and stars Broadway's Elsie Ferguson. The film marked Ferguson's second motion picture. It is a lost film.
Parole Girl is a 1933 American pre-Code romantic drama film directed by Edward Cline. The film stars Mae Clarke and Ralph Bellamy.
Jean Harlow was an American actress who made her uncredited debut in two 1928 films: Honor Bound for Fox Film; and Moran of the Marines for Paramount Pictures. While waiting for a friend at the studio in 1928, she was discovered by studio executives who gave her letters of introduction to casting agencies, where she was offered the two small roles that subsequently launched her film career. During the initial two years of her career, Harlow appeared uncredited in 16 films, including several Hal Roach productions developed for Laurel and Hardy. Her first speaking role was a bit part in the 1929 American pre-Code romantic comedy The Saturday Night Kid, starring Clara Bow and Jean Arthur. The film has since been preserved by the UCLA Film and Television Archive.
The Good Bad Girl is a 1931 American romance film based on a novel by Winifred Van Duzer.
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