Take It from Me | |
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Directed by | William Beaudine |
Written by | John Meehan Jr. J.O.C. Orton Reginald Purdell |
Produced by | Irving Asher |
Starring | Max Miller Betty Lynne Buddy Baer |
Cinematography | Basil Emmott |
Production company | |
Distributed by | First National Film Distributors |
Release date |
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Running time | 78 minutes |
Country | United Kingdom |
Language | English |
Take It from Me is a 1937 British comedy film directed by William Beaudine and starring Max Miller, Betty Lynne and Buddy Baer. [1] It is often referred to by its working title, Transatlantic Trouble. Ahead of its opening in Australia, the filmmakers were sued there by a Lady Fairhaven who complained that a character in the film with the same name could be confused for her. The case was settled out of court. [2] Existing cast lists only refer to a "Lady Foxham"; it is possible the offending name was ultimately overdubbed. It is now believed to be a lost film. [3]
A British boxing promoter tries to get an opportunity for his man to fight for the title in America.
The following is an overview of 1934 in film, including significant events, a list of films released and notable births and deaths.
Maximilian Adelbert Baer Sr. was an American professional boxer and the world heavyweight champion from June 14, 1934, to June 13, 1935. He was known in his time as the Livermore Larupper and Madcap Maxie. Two of his fights were rated Fight of the Year by The Ring magazine. Baer was also a boxing referee, and had occasional roles in film and television. He was the brother of heavyweight boxing contender Buddy Baer and father of actor Max Baer Jr. Baer is rated #22 on The Ring magazine's list of 100 greatest punchers of all time.
Trog is a 1970 British science fiction horror film directed by Freddie Francis and starring Joan Crawford, Michael Gough and Bernard Kay. The screenplay was by Peter Bryan, John Gilling and Aben Kandel.
Maximilian Adelbert Baer Jr. is an American former actor, producer, comedian, and director widely known for his role as Jethro Bodine, the dim-witted relative of Jed Clampett on The Beverly Hillbillies.
Georgette Lizette "Googie" Withers was an English entertainer. She was a dancer and actress, with a lengthy career spanning some nine decades in theatre, film, and television. She was a well-known actress and star of British films during and after the Second World War.
Jacob Henry "Buddy" Baer was an American boxer and later an actor with parts in seventeen films, as well as roles on multiple television series in the 1950s and 1960s.
Betty Evelyn Box was a prolific British film producer, usually credited as Betty E. Box.
Brass Monkey is a 1948 British comedy thriller with musical asides, directed by Thornton Freeland. It stars Carroll Levis, a radio variety show host and talent scout and American actress Carole Landis in her last film. Also known as The Lucky Mascot, the film features an early appearance by comic actor Terry-Thomas, playing himself.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
The Girl in the Crowd is a 1935 British comedy film directed by Michael Powell starring Barry Clifton, Patricia Hilliard, and Googie Withers.
Mavis Villiers was an Australian-born British actress of stage, film and television. Her parents were John Cooney and Clara Smythe. Her brother, Cecil Cooney, was a camera operator and cinematographer. Her stage name, Villiers, was taken from her maternal grandfather.
It's Not Cricket is a 1937 British comedy film directed by Ralph Ince and starring Claude Hulbert, Henry Kendall, Betty Lynne and Clifford Heatherley. The film depicts a Frenchwoman married to a cricket-mad Englishman.
Over She Goes is a 1937 British musical comedy film directed by Graham Cutts and starring Stanley Lupino, Claire Luce, Laddie Cliff, Gina Malo and Max Baer. It was based on a successful London stage play by Lupino, with music by Billy Mayerl.
Don't Get Me Wrong is a 1937 British comedy film co-directed by Arthur B. Woods and Reginald Purdell and starring Max Miller and George E. Stone. It was made at Teddington Studios with sets designed by Peter Proud. The film was made by the British subsidiary of Warner Brothers, made on a considerably higher budget than many of the quota quickies the studios usually produced.
Educated Evans is a 1936 British comedy film, directed by William Beaudine and starring Max Miller. The film, set in the world of horse racing, was based on the 1924 novel of the same name by the prolific Edgar Wallace. It is one of five films starring Miller which is not known to be extant, and is classed as "missing, believed lost". A sequel Thank Evans was released in 1938; it too is missing. The story was later adapted into a BBC television series Educated Evans in 1957.
Thank Evans is a 1938 British comedy film directed by Roy William Neill and starring Max Miller. The film is sequel to Educated Evans (1936), with Miller, Hal Walters and Albert Whelan all returning to reprise their roles as the hapless horse racing tipster Evans, his pal Nobby and the bungling Sergeant Challoner. The outline of the plot concerns Evans being once again down on his luck, and at the racecourse meeting a friendly and sympathetic Lord who helps him out. Later Evans manages to repay the gentleman's kindness by exposing his horse trainer as a duplicitous con-merchant.
Get Off My Foot is a 1935 British comedy film, directed by William Beaudine and starring Max Miller and Chili Bouchier. It is classed as a lost film.
The Blind Goddess is a 1948 British courtroom drama film directed by Harold French and starring Eric Portman, Anne Crawford and Hugh Williams. The screenplay concerns a secretary who sets out to expose his boss, Lord Brasted, for embezzlement. It was based on a popular 1947 play of the same title by noted barrister Patrick Hastings.
That Lady from Peking is an Australian crime film written, produced and directed by Eddie Davis and starring Carl Betz, Nancy Kwan and Bobby Rydell. Although filmed in 1969, it was not screened commercially until 1975.