The Old Fashioned Way | |
---|---|
Directed by | William Beaudine |
Written by | Jack Cunningham W. C. Fields |
Produced by | William LeBaron |
Starring | W. C. Fields Joe Morrison Baby LeRoy Judith Allen Jan Duggan Tammany Young Nora Cecil Oscar Apfel |
Cinematography | Ben F. Reynolds |
Music by | John Leipold |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 70 min. |
Country | United States |
Language | English |
The Old Fashioned Way is a 1934 American comedy film produced by Paramount Pictures. The film was directed by William Beaudine and stars W. C. Fields. The script was written by Jack Cunningham based on a story by "Charles Bogle" (one of Fields's writing pseudonyms).
In 1897, a blustery actor-manager, "The Great McGonigle" (W. C. Fields), and his traveling theater troupe is perpetually underfunded and always just a step ahead of the law and creditors. McGonigle's daughter Betty (Judith Allen) is loyal to her father, and she tries to discourage a suitor named Wally Livingston (Joe Morrison), telling him he should follow his own father's wishes and go to college instead of trying to become an actor. Along with the rest of the troupe is McGonigle's rather dim-witted assistant Marmaduke (Tammany Young).
Wally's wealthy father (Oscar Apfel) arrives in the town where the troupe is scheduled to perform a Victorian melodrama, William H. Smith's popular temperance play, The Drunkard . One of the players has resigned, and Wally wins the part, affording him a chance to act and also to perform a couple of songs in his strong tenor voice. His father is impressed by his son's talent, and his skepticism about Betty is eased when he learns that she has been trying to get Wally to return to college.
McGonigle has an eye on Cleopatra Pepperday (Jan Duggan), a wealthy and untalented widow, and her infant son (Baby LeRoy), and exploits her to stave off the local sheriff, who is Pepperday's boyfriend. To secure her support, McGonigle promises her a cameo role in The Drunkard, with one line: "Here comes the prince." The play has no reference to any prince of course, and act after act comes and goes with her rehearsing her line in fond hope, but her cue never comes. At the end of the play, distraught and crying, she goes off to get the sheriff. After the play concludes, McGonigle comes onstage and performs a juggling act.
McGonigle then learns that the troupe's sponsor is canceling the tour, due to poor advance reports. McGonigle tells Betty and Wally that he has decided to close the show and to seek his fortune in New York City. The bride and groom and his father ride the train back to the Livingston home, and Betty gets a telegram from her father stating that things are going well in the big city. In reality, McGonigle has become a snake-oil salesman.
Fields' "Great McGonigle" character—a riff on the Great Ziegfeld—is rather similar to the carnival operator types he would later play in 1936's Poppy and 1939's You Can't Cheat an Honest Man .
The play depicted in the film, is the American temperance play The Drunkard; or, The Fallen Saved, first performed in 1844. [1] A drama in five acts, it was perhaps the most popular play produced in the United States before the dramatization of Uncle Tom's Cabin in the 1850s. [2] In New York City, P.T. Barnum presented it at his American Museum in a run of over 100 performances. [3] It was among the first of the American temperance plays, and remained the most popular of them until it was eclipsed in 1858 by T. S. Arthur's Ten Nights in a Bar-Room. [2] As the film's centerpiece, the sequence runs about 20 minutes and is performed in the style of the late 1890s. Reaction shots show audience members at a pitch of emotional involvement: an excited elderly spectator is cautioned by his wife to think of his heart; a young sophisticate skeptically asks his pretty date, "Do you think this is a good play?" to which she answers rapturously, eyes glued to the stage, "Oh, yes!" For the 1930s, the film is unusual in that it does not mock but instead nostalgically celebrates the enthusiasm 1890s American small-town audiences had for traveling theatrical companies of all sorts.
McGonigle's juggling act seen in the film affords a rare opportunity to observe Fields's own juggling talent—his famous vaudeville specialty—as he juggles airborne balls and cigar boxes. In this bit, Fields looks relatively fit and slim, in contrast to the plumper look that became part of his trademark in later years.
Our Town is a three-act play created by American playwright Thornton Wilder in 1938. Described by Edward Albee as "the greatest American play ever written", it presents the fictional American town of Grover's Corners between 1901 and 1913 through the everyday lives of its citizens.
William Claude Dukenfield, better known as W. C. Fields, was an American actor, comedian, juggler, and writer. Fields's comic persona was a misanthropic and hard-drinking egotist who remained a sympathetic character despite his supposed contempt for children and dogs.
Kids in the Hall: Brain Candy is a 1996 Canadian comedy film written by and starring the Canadian comedy troupe The Kids in the Hall. Directed by Kelly Makin and filmed in Toronto, it followed the five-season run of their television series The Kids in the Hall, which had been successful in both Canada and the United States.
Elizabeth Mary Driver, was a British actress and singer, best known for her role as Betty Williams in the long-running ITV soap opera, Coronation Street, a role she played for 42 years from 1969 to 2011, appearing in 2732 episodes. She had previously appeared as Mrs Edgley in Coronation Street spin-off Pardon the Expression (1965–1966) opposite Arthur Lowe. In her early career she was a singer, appearing in musical films such as Boots! Boots! (1934), opposite George Formby, and in Penny Paradise (1938), directed by Carol Reed. She was made an MBE in the 2000 New Year Honours.
On the Air is an American television sitcom created by Mark Frost and David Lynch. It was broadcast from June 20 to July 4, 1992 on the American Broadcasting Company (ABC). The series follows the staff of a fictional 1950s television network, Zoblotnick Broadcasting Company (ZBC), as they produce a live variety program called The Lester Guy Show—often with disastrous results. On the Air was produced by Lynch/Frost Productions and followed Lynch and Frost's previous series, Twin Peaks. In the United States only three of the seven filmed episodes were aired, but the first-and-only season was broadcast in its entirety in the United Kingdom and several other European countries.
The Flying Karamazov Brothers (FKB) are a juggling and comedy troupe that has been performing since 1973. They learned their trade busking as street artists starting in Santa Cruz, California, eventually going on to perform nationally and internationally, including on Broadway stages.
Swing Hostess is a 1944 American musical comedy film directed by Sam Newfield for Producers Releasing Corporation and starring Martha Tilton, Iris Adrian, Charles Collins, Betty Brodel, Cliff Nazarro and Harry Holman. The film's sets were designed by the art director Paul Palmentola.
"You’re Driving Me Crazy" is an American popular song composed by Walter Donaldson in 1930 and recorded the same year by Lee Morse, Rudy Vallée & His Connecticut Yankees and Guy Lombardo & His Royal Canadians.
A Drunkard's Reformation is a 1909 American drama film directed by D. W. Griffith. Prints of the film survive in the film archive of the Library of Congress. The American Mutoscope and Biograph Company advertised the feature as "The most powerful temperance lecture ever depicted".
Beth Marion was an American B-movie actress of the 1930s, starring in westerns, her career spanning only about five years, mostly in 1936.
The Drunkard; or, The Fallen Saved is an American temperance play first performed on February 12, 1844. A drama in five acts, it was perhaps the most popular play produced in the United States until the dramatization of Uncle Tom's Cabin premiered in 1853. In New York City, P.T. Barnum presented it at his American Museum in a run of over 100 performances. It was among the first of the American temperance plays, and remained the most popular of them until it was eclipsed in 1858 by T. S. Arthur's Ten Nights in a Bar-Room.
Kentucky Moonshine is a 1938 American comedy musical film directed by David Butler and released by 20th Century Fox.
Sally of the Sawdust is a 1925 American silent comedy film directed by D. W. Griffith and starring W. C. Fields. It was based on the 1923 stage musical Poppy. Fields would later star in a second film version, Poppy (1936).
Ten Nights in a Bar-Room is a 1931 American Pre-Code film directed by William A. O'Connor. The film is a remake of a 1910 movie and follows the storyline in the 1854 novel, Ten Nights in a Bar-Room and What I Saw There by Timothy Shay Arthur.
Soldiers of the King is a 1933 British historical comedy film directed by Maurice Elvey and starring Cicely Courtneidge, Edward Everett Horton and Anthony Bushell. It was Courtneidge's fourth film, and the first she appeared in without her husband Jack Hulbert. Courtneidge plays the matriarch of a music hall family, in a plot that switches between the Victorian era and the 1930s present.
Ten Nights in a Bar-room and What I Saw There is an 1854 novel written by American author Timothy Shay Arthur. The book is a temperance novel, written expressly to discourage readers from drinking alcohol. It was a commercial and popular success upon its release and was later adapted into other media.
Ten Nights in a Bar Room is a 1910 American silent short drama produced by the Thanhouser Company. Adapted from the novel Ten Nights in a Bar-Room and What I Saw There by Timothy Shay Arthur, the production focuses on Joe Morgan after he has become a hopeless drunkard. Often Morgan's young daughter, Mary, comes to beg her father to return home. One day, she appears during a fight between the two men and is fatally struck by a bottle thrown by the saloon-keeper. Before Mary dies she asks her father to promise to swear off alcohol and he accepts. He is reformed and becomes successful, while the saloon-keeper is killed in a fight in an irony of fate. The film was released on November 4, 1910 and met with mixed reviews. The film is presumed lost.
Sweet Genevieve is a 1947 American comedy film directed by Arthur Dreifuss and starring Jean Porter, Jimmy Lydon and Lucien Littlefield. It was produced by Sam Katzman for distribution by Columbia Pictures.
The Drunkard is a 1935 American drama film directed by Albert Herman and starring James Murray, Clara Kimball Young and Janet Chandler. It is based on the 1844 stage melodrama The Drunkard by William H. Smith.
Jan Duggan was an American film and stage actress.