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Those Who Dance | |
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Directed by | William Beaudine |
Screenplay by | Joseph Jackson |
Story by | George Kibbe Turner |
Produced by | Robert North |
Starring | Monte Blue Lila Lee Betty Compson |
Cinematography | Sid Hickox |
Edited by | George Amy |
Distributed by | Warner Bros. Pictures, Inc. |
Release date |
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Running time | 75 minutes |
Country | United States |
Language | English |
Those Who Dance is a 1930 American Pre-Code crime film produced and distributed by Warner Bros., directed by William Beaudine, and starring Monte Blue, Lila Lee, William "Stage" Boyd and Betty Compson. It is a remake of the 1924 silent film Those Who Dance starring Bessie Love and Blanche Sweet. [1] The story, written by George Kibbe Turner, was based on events that occurred among gangsters in Chicago.
A police detective (Monte Blue) is after a famous gangster (William Boyd). The detective disguises himself and lives incognito in the house of the gangster by pretending to be an out-of-town gangster who has just murdered someone. The detective pretends to be the sweetheart of a girl (Lila Lee) who suspects her brother has been framed for murder by Monte Blue. Blue's moll (Betty Compson) is also in on the conspiracy as she became fed up with his cheating, lying and mistreatment. The life of Lee's brother, who has been sentenced to death in the electric chair, depends on their getting evidence against Boyd.
Foreign-language versions were made in Spanish (Los Que Danzan), German ( The Dance Goes On or Der Tanz geht weiter), and French Counter Investigation (Contre-Enquête). They are all apparently lost.[ citation needed ]
The film contains a lot of Pre-Code material. For example, Lila Lee's character is called "a professional virgin" and two unmarried couples live together. There is a reference to homosexuality where a man is vaguely called being "that way" about Tim Brady (played by William Janney), etc.
The complete film survives in 16 mm. It was remastered in this format by Associated Artists Productions in 1956 and included in a package of vintage feature films syndicated to television stations. A 16-mm print is housed at the Wisconsin Center for Film & Theater Research. [2] Another print exists at the Library of Congress. [3]
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
The Spoilers is a 1930 American Pre-Code Western film directed by Edwin Carewe and starring Gary Cooper, Kay Johnson, and Betty Compson. Set in Nome, Alaska during the 1898 Gold Rush, the film is about a gold prospector and a corrupt Alaska politician who fight for control over a gold mine. The film features a spectacular saloon fistfight between Cooper and William "Stage" Boyd.
On with the Show! is a 1929 American pre-Code musical film produced by Warner Bros. Filmed in two-color Technicolor, the film became the first all-talking, all-color feature-length film, and the second color film released by Warner Bros.; the first was the partly color musical The Desert Song (1929).
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
Isle of Escape is a 1930 American pre-Code film produced and released by Warner Bros. The film stars Monte Blue and Myrna Loy and is set in the South Seas. Blue had been playing man-stranded-on-island roles in such films as White Shadows in the South Seas at MGM towards the end of the silent era and continued doing so in this early talkie.
Weary River is a 1929 American sound part-talkie romantic drama film directed by Frank Lloyd and starring Richard Barthelmess, Betty Compson, and William Holden. The film was produced and distributed by First National Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
The Belle of Broadway is a 1926 American silent romantic drama film produced and distributed by Columbia Pictures. It was directed by Harry O. Hoyt and starred Betty Compson.
She Got What She Wanted is a 1930 American pre-Code early talking film comedy-drama directed by James Cruze and starring his actress wife Betty Compson. The film was made for Tiffany Pictures with Cruze and Compson having recently completed The Great Gabbo (1929).
The Widow from Chicago is a 1930 American pre-Code crime drama film directed by Edward F. Cline and starring Alice White, Edward G. Robinson, Neil Hamilton, and Frank McHugh. It was released by First National Pictures, a subsidiary of Warner Bros. Planned as a full-scale musical, the songs were cut from the film before release due to the public's aversion for musicals.
Misbehaving Ladies is a 1931 American Pre-Code comedy film directed by William Beaudine and starring Lila Lee, Ben Lyon and Louise Fazenda. It is also known as The Queen of Main Street.
The Enemy Sex is a 1924 American silent drama film starring Betty Compson and directed by her husband James Cruze. It was produced by Famous Players–Lasky and released by Paramount Pictures. It is taken from the 1914 novel The Salamander by Owen Johnson.
Over The Border is a lost American drama film released by Paramount Pictures in 1922. It stars Betty Compson and Tom Moore in a story about "love and thrills beneath the northern lights". It was adapted from Sir Gilbert Parker's "She of the Triple Chevron".
The Czar of Broadway is a 1930 American pre-Code crime film produced and distributed by Universal Pictures, directed by William James Craft and starring John Wray, Betty Compson, John Harron and Claud Allister.
The Green Temptation is a lost 1922 American silent melodrama film directed by William Desmond Taylor and starring Betty Compson. It was written by Julia Crawford Ivers and Monte Katterjohn based upon the short story "The Noose" by Constance Lindsay Skinner.
The Ladybird is a 1927 American silent crime film directed by Walter Lang and starring Betty Compson. It was produced by the B movie studio Chadwick Pictures. A print is housed in the Library of Congress collection.
Skin Deep is a 1929 American pre-Code drama film directed by Ray Enright and starring Monte Blue. It was produced and distributed by the Warner Brothers. It was also released in the U.S. in a silent version for theaters not equipped yet with sound. The film is a remake of a 1922 Associated First National silent film of the same name directed by Lambert Hillyer and starring Milton Sills.
The Masked Angel is a lost 1928 silent film romantic drama directed by Frank O'Connor and starring Betty Compson. It was produced and distributed by independent studio Chadwick Pictures.
The Intruder is a 1933 Pre code comedy crime film directed by Albert Ray and starring Monte Blue and Lila Lee, two silent screen veterans. The cast also featured Gwen Lee, Arthur Housman and Mischa Auer. Shot at the RKO-Pathé Studios in California, it was produced and distributed by the Poverty Row studio Allied Pictures. The picture survives in the Library of Congress collection.
Killer at Large is a 1936 American mystery film directed by David Selman from a script by Harold Shumate. The film stars Mary Brian, Russell Hardie, Thurston Hall and Henry Brandon as the villain, Mr. Zero. Lon Chaney Jr. appears in a small uncredited role.
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