| How Baxter Butted In | |
|---|---|
 Film advert | |
| Directed by | William Beaudine |
| Written by | Owen Davis |
| Starring | Dorothy Devore |
| Cinematography | David Abel |
| Edited by | Warner Bros. |
| Distributed by | Warner Bros. |
Release date |
|
Running time | 70 minutes |
| Country | United States |
| Language | Silent (English intertitles) |
How Baxter Butted In is a 1925 American silent comedy film directed by William Beaudine. [1] [2]
As described in a film magazine review, [3] Henry Baxter is bashful and fails to get ahead in the world because people do not understand him. That is, all but Beulah Dyer, whom he loves blindly. His hard luck increases when a widowed sister-in-law and her two children descend upon his household. He works days at the office and nights doing clerical work for a druggist until his health fails him. Walter Higgins, his office boss, has stolen Henry's idea of boosting newspaper circulation by giving valor banquets to heroes. When Henry recovers from his illness, he is invited to one and finds that his struggles are appreciated as real heroism. When his home catches fire, and spurred on by the desire to be the other sort of hero, Henry thrusts aside the firemen and rescues the children himself.
With no prints of How Baxter Butted In located in any film archives, [4] it is a lost film.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
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