| Give and Take | |
|---|---|
 Film still | |
| Directed by | William Beaudine |
| Written by | Harvey F. Thew Albert DeMond |
| Based on | Give and Take by Aaron Hoffman |
| Starring | Jean Hersholt George Sidney |
| Cinematography | Charles Van Enger |
| Distributed by | Universal Pictures |
Release date |
|
Running time | 70 minutes |
| Country | United States |
| Language | Sound (Part-Talkie) |
Give and Take is a 1928 American sound part-talkie comedy film directed by William Beaudine. [1] It was Universal's second sound film. [2]
A recent college graduate convinces his father to adapt social democracy in the father's manufacturing plant so that workers share in profits and have a role in managing operations. [2]
The film featured a theme song entitled "Give And Take" which was composed by Dave Dreyer, Maceo Pinkard, and Josef Cherniavsky.
With no prints of Give and Take located in any film archives, [3] it is a lost film. [4]
Jean Pierre Carl Buron, known professionally as Jean Hersholt, was a Danish-American actor. He is best known for starring on the CBS radio series Dr. Christian (1937–1954) and inspiring later subsequent TV series (1956-1957), along with co-starring in the Shirley Temple film Heidi (1937). Asked how to pronounce his name, he told to The Literary Digest, "In English, her'sholt; in Danish, hairs'hult." Of his total motion picture credits during 1924 to 1955, 75 were silent film and 65 were "talkies" - 140 total; he directed four.
They Knew What They Wanted is a 1940 film directed by Garson Kanin, written by Robert Ardrey, and starring Carole Lombard, Charles Laughton and William Gargan. It is based on the 1924 Pulitzer Prize winning play They Knew What They Wanted by Sidney Howard. For his performance Gargan was nominated for the Academy Award for Best Supporting Actor.
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
George H. Melford was an American stage and film actor and director. Often taken for granted as a director today, the stalwart Melford's name by the 1920s was, like Cecil B. DeMille's, appearing in big bold letters above the title of his films.
The Last Man on Earth is a 1924 American silent comedy film directed by John G. Blystone, starring Earle Foxe and produced by Fox Film Corporation and based on the short story of the same name by John D. Swain that appeared in the November 1923 issue of Munsey's Magazine. The film was remade as the semi-musical comedy It's Great to Be Alive (1933) and in Spanish as El último varon sobre la Tierra (1933), and influenced the sci-fi novel Mr. Adam (1946).
Abie's Irish Rose is a 1928 early sound (part-talkie) film directed by Victor Fleming and starring Charles "Buddy" Rogers, Nancy Carroll, Jean Hersholt, and J. Farrell MacDonald. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film based on the 1922 play Abie's Irish Rose by Anne Nichols. The film was later remade in 1946. In the 1930s, author Nichols revealed that her deal with Paramount brought her $300,000 plus half the film's profits.
The Beast of the City is a 1932 American pre-Code gangster film featuring cops as vigilantes and known for its singularly vicious ending. Written by W.R. Burnett, Ben Hecht (uncredited), and John Lee Mahin, and directed by Charles Brabin, the film stars Walter Huston, Jean Harlow, Wallace Ford, Jean Hersholt, and Tully Marshall.
Mitchell Lewis was an American film actor whose career as a Metro-Goldwyn-Mayer contract player encompassed both silent and sound films.
Babbitt is a 1924 American silent drama film directed by Harry Beaumont and starring Willard Louis, Mary Alden, and Carmel Myers. It is based on the 1922 novel of the same title by Sinclair Lewis, later also adapted into a 1934 sound film.
The Show is a 1927 American silent drama film directed by Tod Browning, based upon Charles Tenney Jackson's 1910 novel The Day of Souls.
The Canary Murder Case is a 1929 American Pre-Code crime-mystery film based on the 1927 novel of the same name by S.S. Van Dine. The film was directed by Malcolm St. Clair, with a screenplay by Wright, Albert Shelby LeVino, and Florence Ryerson. William Powell starred in the role of detective Philo Vance, with Louise Brooks co-starred as "The Canary"; Jean Arthur, James Hall, and Charles Lane also co-starred in other principal roles.
The Battle of the Sexes is a 1928 American synchronized sound comedy film directed by D. W. Griffith. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using both the sound-on-disc and sound-on-film process. The film starred Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil. It was released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
The Cohens and Kellys is a 1926 American silent comedy film directed by Harry A. Pollard and starring Charles Murray, George Sidney, Kate Price, and Jason Robards Sr. The film is the first of the Cohens and Kellys film serials. The film is perhaps best known today as the subject of Nichols v. Universal Pictures Corp., a copyright infringement case, in which Judge Learned Hand articulated the doctrine that copyright protection does not cover the characteristics of stock characters in a story.
Dangerous Innocence is a 1925 American silent romantic comedy film written by Lewis Milestone and James O. Spearing based upon the 1923 novel Ann's an Idiot by Pamela Wynne. Directed by William A. Seiter for Universal Pictures, the film starred Laura La Plante and Eugene O'Brien.
The Cossacks is a 1928 American silent drama film produced and distributed by Metro-Goldwyn-Mayer (MGM) and directed by George Hill and Clarence Brown. Due to the public apathy towards silent films, a sound version was also prepared. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film stars John Gilbert and Renée Adorée and is based on the 1863 novel The Cossacks by Leo Tolstoy.
The Cohens and the Kellys in Paris is a 1928 American silent comedy film directed by William Beaudine. It was the first sequel to The Cohens and Kellys. The film title is sometimes listed as The Cohens and Kellys in Paris.
East of Suez is a 1925 American silent drama film directed by Raoul Walsh and starring Pola Negri. It is based on a play, East of Suez (1922), by W. Somerset Maugham. The film was produced by Famous Players–Lasky and distributed by Paramount Pictures.
The Secret Hour is a lost 1928 silent film romance drama directed by Rowland V. Lee and starring Pola Negri. A sound version was released during the latter half of 1928. While the sound version of the film had no audible dialog, it featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It is based on the 1924 Broadway play, They Knew What They Wanted by Sidney Howard. It was produced by Paramount Famous Lasky Corporation and distributed through Paramount Pictures.
Playing with Souls is a 1925 American silent drama film directed by Ralph Ince and starring Jacqueline Logan, Mary Astor, and Clive Brook.
Jazz Mad is a 1928 American silent drama film directed by F. Harmon Weight and starring Jean Hersholt, Marian Nixon, and George J. Lewis. It was produced and released by Universal Pictures.
 | This 1920s comedy film–related article is a stub. You can help Wikipedia by expanding it. |
