This article needs a plot summary.(March 2021) |
Fugitives | |
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Directed by | William Beaudine |
Written by | |
Based on | The Exiles, and Other Stories 1894 novel by Richard Harding Davis |
Produced by | William Fox Kenneth Hawks (Supv) |
Starring | |
Cinematography | Chester A. Lyons |
Production company | |
Distributed by | Fox Film Corporation |
Release date |
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Running time | 60 minutes |
Country | United States |
Languages | Sound (Synchronized) English |
Fugitives is a 1929 sound American pre-Code drama film directed by William Beaudine and starring Madge Bellamy, Don Terry and Arthur Stone. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. Future stars Jean Harlow and Virginia Bruce both had small parts in the film. [1]
This article needs a plot summary.(August 2024) |
Madge Bellamy was an American stage and film actress. She was a popular leading lady in the 1920s and early 1930s. Bellamy's career declined in the sound era and ended following a romantic scandal in the 1940s.
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Jesse James Meets Frankenstein's Daughter is a low-budget horror Western film released in 1966, in which a fictionalized version of the real-life western outlaw Jesse James encounters the fictional granddaughter of the famous Dr. Frankenstein. The film was originally released as part of a double feature along with Billy the Kid Versus Dracula in 1966. Both films were shot in eight days at Corriganville Movie Ranch and at Paramount Studios in mid-1965; both were the final feature films of director William Beaudine. The films were produced by television producer Carroll Case for Joseph E. Levine.
Billy the Kid Versus Dracula is a 1966 American horror Western film directed by William Beaudine. The film is about Billy the Kid trying to save his fiancée from Dracula. The film was originally released as part of a double feature along with Jesse James Meets Frankenstein's Daughter in 1966. Both films were shot in eight days at Corriganville Movie Ranch and Paramount Studios in mid-1965; both were the final feature films of director Beaudine. The films were produced by television producer Carroll Case for Joseph E. Levine.
Riot Squad is a 1933 American pre-Code crime film directed by Harry S. Webb and starring Madge Bellamy, Pat O'Malley and Addison Richards. It was produced as a second feature and distributed by the independent company Mayfair Pictures.
Penrod and Sam is a 1923 American silent comedy-drama film directed by William Beaudine and starring Ben Alexander, Joe Butterworth, and Buddy Messinger. Wendy L. Marshall stated that "Beaudine had the Midas touch when it came to directing children" in films like this and Boy of Mine. In 1931, Beaudine directed a sound adaptation of the novel.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
Federal Fugitives is a 1941 American film noir directed by William Beaudine. The film stars Neil Hamilton, Doris Day, Victor Varconi, and Charles C. Wilson.
Hard to Get is a 1929 American all-talking sound pre-Code comedy film directed by William Beaudine and starring Dorothy Mackaill, Charles Delaney and James Finlayson.
The Girl from Woolworth's is a 1929 American pre-Code romance film directed by William Beaudine and starring Alice White, Gladden James and Bert Moorhouse. It was released both as a sound film and in a slightly shorter silent version.
Wedding Rings is a 1929 American all-talking sound Pre-Code drama film directed by William Beaudine and starring H.B. Warner, Lois Wilson and Olive Borden. It is considered a lost film. Due to its adult subject matter, the film was banned from being shown by censors in many locations. First National Pictures had previously filmed the story back in 1924 until the title of the source novel, namely, The Dark Swan.
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Second Chance is a 1950 American black-and-white drama film directed by William Beaudine and produced by Paul F. Heard for the Protestant Film Commission. It stars Ruth Warrick, John Hubbard, and Hugh Beaumont. The story centers on a middle-aged woman who has received a dire health prognosis from her doctor and proceeds to look back on her life in flashback, seeing herself change from a sweet and idealistic young bride into a brittle and disillusioned older woman. In the end, the wake-up call is really a dream, but the woman realizes that only by reconnecting with her Christian faith and with God will she manage to improve her life and relationships. The film was not released commercially, but was widely distributed to Protestant denominational churches in the United States and Canada.
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Leave It to the Irish is a 1944 American comedy crime film directed by William Beaudine and starring James Dunn, Wanda McKay and Jack La Rue.
Tonight at Twelve is a 1929 American drama film directed by Harry A. Pollard and written by Matt Taylor, Harry A. Pollard and Owen Davis. It is based on the 1928 play Tonight at 12 by Owen Davis. The film stars Madge Bellamy, Robert Ellis, Margaret Livingston, Vera Reynolds, Norman Trevor and Hallam Cooley. The film was released on September 29, 1929, by Universal Pictures.
A Wonderful Life is a 1951 black-and-white short drama film produced by the National Council of Churches of Christ and distributed by the Protestant Film Commission. It is an adaptation of Frank Capra's 1946 film It's a Wonderful Life for the Christian film industry. Directed by William Beaudine, it stars James Dunn, Allene Roberts, and Arthur Shields. The film retells the life of an ordinary Christian family man in flashback as his family and friends remember all the good he did through his devotion to church and community. The film emphasizes the power of faith, love, and community service for living a meaningful life, together with the message that people do not realize the true worth of others until after they have died. The film was not released commercially, but was distributed to some 30,000 churches throughout the United States and Canada.
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