Lawrence Mervil Tibbett was an American opera singer and recording artist who also performed as a film actor and radio personality. A baritone, he sang leading roles with the Metropolitan Opera in New York City more than 600 times from 1923 to 1950. He performed diverse musical theatre roles, including Captain Hook in Peter Pan in a touring show.
The Rogue Song is a 1930 American pre-Code romantic and musical film that tells the story of a Russian bandit who falls in love with a princess, but takes his revenge on her when her brother rapes and kills his sister. The Metro-Goldwyn-Mayer production was directed by Lionel Barrymore and released in two versions, with and without sound. Hal Roach wrote and directed the Laurel and Hardy sequences and was not credited. The film stars Metropolitan Opera singer Lawrence Tibbett—who was nominated for an Academy Award for Best Actor for his performance—and Catherine Dale Owen. Laurel and Hardy were third-billed; their sequences were filmed at the last minute and interspersed throughout the film in an attempt to boost its potential box-office appeal.
Ezio Fortunato Pinza was an Italian opera singer. Pinza possessed a rich, smooth and sonorous voice, with a flexibility unusual for a bass. He spent 22 seasons at New York's Metropolitan Opera, appearing in more than 750 performances of 50 operas. At the San Francisco Opera, Pinza sang 26 roles during 20 seasons from 1927 to 1948. Pinza also sang to great acclaim at La Scala, Milan and at the Royal Opera House, Covent Garden, London.
Robert Merrill was an American operatic baritone and actor, who was also active in the musical theatre circuit. He received the National Medal of Arts in 1993.
Dale Duesing is an American baritone. As an opera singer, he has had an international career spanning five decades.
Julius Lorenzo Cobb Bledsoe was an American baritone and one of the first African-American artists to gain regular employment on Broadway.
Risë Stevens was an American operatic mezzo-soprano and actress. Beginning in 1938, she sang for the Metropolitan Opera in New York City for more than two decades during the 1940s and 1950s. She was most noted for her portrayals of the central character in Carmen by Georges Bizet. From 1963 to 1968 she was director of the Metropolitan Opera National Company.
Giovanni Martinelli was an Italian operatic spinto tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
The Virginian is a 1929 American pre-Code Western film directed by Victor Fleming and starring Gary Cooper, Walter Huston, and Richard Arlen. The film was based on the 1902 novel The Virginian by Owen Wister and adapted from the popular 1904 theatrical play Wister had collaborated on with playwright Kirke La Shelle.
Charlie Chan at the Opera is considered by many to be the best Warner Oland Charlie Chan film, probably due to the presence of Boris Karloff as the principal suspect, as well as faux operatic music composed by Oscar Levant. This is the 13th film starring Oland as Chan; it was directed by H. Bruce Humberstone for 20th Century-Fox in 1936.
Frederick Jagel was an American tenor, primarily active at the Metropolitan Opera in the 1930s and 1940s.
Thomas T. Hayward was an American operatic tenor. He was a cousin of opera singer Lawrence Tibbett.
Under Your Spell is a 1936 American romantic comedy film with music directed by Otto Preminger. The screenplay by Frances Hyland and Saul Elkins is based on a story by Sy Bartlett and Bernice Mason.
Walter Cassel was an American operatic baritone and actor. He began his career singing on the radio during the mid-1930s and appeared in a couple of Hollywood musical films in the late 1930s. He made his first stage appearances in a handful of Broadway productions during the late 1930s and early 1940s. He began his opera career at the Metropolitan Opera in 1942, and went on to have a long and fruitful association with that house that lasted until his retirement from the stage in 1974. In addition to working with the Met, Cassel was also a regular performer with the New York City Opera between 1948 and 1954 and worked frequently as a freelance artist with important opera companies on the international stage as well as in the United States.
The King's Henchman is an opera in three acts composed by Deems Taylor to an English language libretto by Edna St. Vincent Millay. The libretto is based on both legend and historical figures documented in the Anglo-Saxon Chronicle including Edgar the Peaceful, Elfrida of Devon, and Dunstan. It tells the story of a love triangle between King Eadgar, his henchman Aethelwold, and Aelfrida, daughter of the Thane of Devon. It premiered on 17 February 1927 at the Metropolitan Opera in New York City in a performance conducted by Tullio Serafin.
The Emperor Jones is an opera in two acts with a prologue and interlude composed by Louis Gruenberg to an English-language libretto adapted by the composer from Eugene O'Neill's 1920 play, The Emperor Jones. It premiered on January 7, 1933, at the Metropolitan Opera in New York City with Lawrence Tibbett in the title role. Set on an unnamed island in the West Indies, the opera tells the story of African American Brutus Jones, a former Pullman porter and ex-convict who escaped to the island, set himself up as its tyrannical "Emperor", and became rich by exploiting the natives. The natives start a revolt against him, and as he tries to escape through the jungle, he is haunted by visions of his past life and the man he had murdered. As the natives close in, he commits suicide using the silver bullet which he had worn around his neck as a good-luck charm. With a score that incorporates elements of jazz and negro spirituals, The Emperor Jones was the eleventh American opera to premiere at the Met, and has continued to be performed into the 21st century, albeit rarely.
Brian Mulligan is an American operatic baritone who has performed in major opera houses and concert halls all over the world.
The Cuban Love Song is a 1931 American pre-Code musical film directed by W.S. Van Dyke and written by C. Gardner Sullivan, Bess Meredyth, John Lynch, John Colton, Gilbert Emery, Robert E. Hopkins and Paul Hervey Fox. The film stars Lawrence Tibbett, Lupe Vélez, Ernest Torrence, Jimmy Durante, Karen Morley and Louise Fazenda. The film was released on December 5, 1931 by Metro-Goldwyn-Mayer.
Louis D'Angelo was an American bass-baritone of Italian birth who was particularly known for his performances at the Metropolitan Opera during the first half of the 20th century. He created roles in the world premieres of seven operas at the Met, including Marco in Puccini's Gianni Schicchi in 1917.
Melchiorre Luise was a leading exponent of the operatic basso buffo repertoire.
