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"The Japanese Sandman" | ||||
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Song by Paul Whiteman and His Ambassador Orchestra | ||||
B-side | "Whispering" | |||
Released | September 1920 [1] | |||
Recorded | August 19, 1920 [2] | |||
Studio | Victor Studios, Camden, New Jersey, U.S. | |||
Genre | Jazz, Big band | |||
Label | Victor 18690 | |||
Composer(s) | Richard A. Whiting | |||
Lyricist(s) | Raymond B. Egan | |||
Paul Whiteman and His Ambassador Orchestra singles chronology | ||||
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An instrumental version of "The Japanese Sandman", being performed by Paul Whiteman and His Ambassador Orchestra in August 1920. |
"The Japanese Sandman" is a song from 1920, composed by Richard A. Whiting and with lyrics by Raymond B. Egan. [3] [4] The song was first popularized in vaudeville by Nora Bayes, and then sold millions of copies as the B-side for Paul Whiteman's song "Whispering". [5]
The song is about a sandman from Japan, who exchanges yesterdays for tomorrows. By doing so he "takes every sorrow of the day that is through" and "he'll bring you tomorrow, just to start a life anew." [6] The number has an Oriental atmosphere, and is similar to many other songs from the interwar period that sing about a dreamy, exotic setting.
Nora Bayes made a popular recording of the song in 1920. In the same year, the song was released as the B-side of Paul Whiteman's first record, "Whispering.” It has been subsequently performed by several musical artists like Art Hickman, Benny Goodman, Bix Beiderbecke, Artie Shaw, Earl Hines, Paul Young, Django Reinhardt, the Andrews Sisters, Freddy Gardner, and in 2010, a high-fidelity recording of Whiteman's historic arrangement, by Vince Giordano and his Nighthawks Orchestra.
Additionally, the song was recorded by the Nazi German propaganda band, Charlie and his Orchestra. For propaganda reasons, the lyrics were changed through references to the Japanese Empire.
In 1957, the U.S. doowop band The Cellos recorded "Rang Tang Ding Dong (I Am The Japanese Sandman)", [10] [11] which features the same character, but with different lyrics. Frank Zappa quoted from The Cellos' lyrics in his song "A Little Green Rosetta", from Joe's Garage (1979). [12]
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