Benjamin David Goodman was an American clarinetist and bandleader, known as the "King of Swing". His orchestra did phenomenally well commercially.
Gustav Heinrich Ernst Martin Wilhelm Furtwängler was a German conductor and composer. He is regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles.
"Bei Mir Bistu Shein" is a popular Yiddish song written by lyricist Jacob Jacobs and composer Sholom Secunda for a 1932 Yiddish language comedy musical, I Would If I Could, which closed after one season at the Parkway Theatre in Brooklyn, New York City. The score for the song transcribed the Yiddish title as "Bay Mir Bistu Sheyn". The original Yiddish version of the song is a dialogue between two lovers. Five years after its 1932 composition, English lyrics were written for the tune by Sammy Cahn and Saul Chaplin, and the English version of the song became a worldwide hit when recorded by The Andrews Sisters under a Germanized spelling of the title, "Bei mir bist du schön", in November 1937.
World War II was the first conflict to take place in the age of electronically distributed music.
Das Reich was a weekly newspaper founded by Joseph Goebbels, the propaganda minister of Nazi Germany, in May 1940. It was published by Deutscher Verlag.
Dutch jazz refers to the jazz music of the Netherlands. The Dutch traditionally have a vibrant jazz scene as shown by the North Sea Jazz Festival as well as other venues.
Germany Calling was an English language propaganda radio programme, broadcast by Nazi German radio to audiences in the British Isles and North America during the Second World War. Every broadcast began with the station announcement: "Germany calling! Here are the Reichssender Hamburg, station Bremen". Today, it is best known for its employment of several radio presenters jointly known as Lord Haw-Haw — most notably, William Joyce, who was German radio's most prominent English language speaker and to whom the name gradually came to be exclusively applied.
An overview of the evolution of Jazz music in Germany reveals that the development of jazz in Germany and its public notice differ from the "motherland" of jazz, the US, in several respects.
Censorship in Nazi Germany was extreme and strictly enforced by the governing Nazi Party, but specifically by Joseph Goebbels and his Reich Ministry of Public Enlightenment and Propaganda. Similarly to many other police states both before and since, censorship within Nazi Germany included the silencing of all past and present dissenting voices. In addition to the further propaganda weaponization of all forms of mass communication, including newspaper, music, literature, radio, and film, by the State, the Ministry of Propaganda also produced and disseminated their own literature, which was solely devoted to spreading Nazi ideology and the Hitler Myth.
The Reich Chamber of Music was a government agency which operated as a statutory corporation controlled by the Ministry of Public Enlightenment and Propaganda that regulated the music industry in Nazi Germany between 1933 and 1945. It promoted "good German music" which was composed by Aryans and seen as consistent with Nazi ideals, while suppressing other, "degenerate" music, which included atonal music, jazz, and, especially, music by Jewish composers. The Chamber was founded in 1933 by Joseph Goebbels as part of the Reich Chamber of Culture, and it operated until the fall of the Nazi Germany in 1945.
Karl Emil Heinrich Schwedler, also known as Charlie Schwedler was a singer and leader of the Nazi propaganda jazz band Charlie and His Orchestra during World War II. He was born in Duisburg, Germany.
The German Dance and Entertainment Orchestra was a musical ensemble formed in 1942 by musicians Franz Grothe and Georg Haentzschel on the initiative of Nazi propaganda minister Joseph Goebbels. It was an attempt to create an acceptable alternative to jazz, which was a popular genre among Germans but was considered a form of degenerate music by the Nazis due to its racial associations. The self-styled "rhythmic dance music" produced by the German Dance and Entertainment Orchestra was intended especially to satisfy the musical desires of military personnel, thus preventing them from listening to British radio broadcasts which also contained anti-Nazi propaganda material. Walter Dobschinski worked with the ensemble.
Willy Berking was a German orchestra conductor, trombonist, and composer.
Negermusik was a derogatory term used by the Nazi Party during the Third Reich to demonize musical styles that had been invented by black people such as blues and jazz. The Nazi Party viewed these musical styles as degenerate works created by an "inferior" race and they were therefore prohibited. The term, at that same time, was also applied to indigenous music styles of black Africans.
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles. The primary concerns of these organizations was to exclude Jewish composers and musicians from publishing and performing music, and to prevent the public exhibition of music considered to be "Jewish", "anti-German", or otherwise "degenerate", while at the same time promoting the work of favored "Germanic" composers, such as Richard Wagner, Ludwig van Beethoven and Anton Bruckner. These works were believed to be positive contributions to the Volksgemeinschaft, or German folk community.
Fritz "Freddie" Brocksieper was a German jazz-musician, drummer, and bandleader.
Ludwig "Lutz" Templin was a German jazz bandleader.
Schwedler is a surname. Notable people with the surname include:
Dick Abraham Willebrandts was a Dutch pianist, composer and bandleader in the swing era.
The Reich Music Days took place from 22 to 29 May 1938 in Düsseldorf. They were a Nazi propaganda event under the patronage of Joseph Goebbels. Goebbels had originally planned an annual return of the Reichsmusiktage. These were held again in May 1939, but ceased to exist after the beginning of the Second World War.
