A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
Rhapsody in Blue is a 1924 musical composition written by George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.
Ferdinand Rudolph von Grofé, known as Ferde Grofé was an American composer, arranger, pianist and instrumentalist. He is best known for his 1931 five-movement tone poem, Grand Canyon Suite, and for having orchestrated George Gershwin's Rhapsody in Blue prior to its 1924 premiere.
James Fletcher Hamilton Henderson was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson.
The Grand Canyon Suite is a suite for orchestra by Ferde Grofé, composed between 1929 and 1931. It was initially titled Five Pictures of the Grand Canyon.
Mississippi; Tone Journey is a 1926 orchestral suite in four movements by Ferdie Grofe, depicting scenes along a journey down the Mississippi River from its headwaters of Minnesota down to New Orleans.
"Oh, Lady Be Good!" is a 1924 song by George and Ira Gershwin. It was introduced by Walter Catlett in the Broadway musical Lady, Be Good! written by Guy Bolton, Fred Thompson, and the Gershwin brothers and starring Fred and Adele Astaire. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical.
"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933. Niesen's recording of the song was released by Victor, with the B-side, "Jealousy", featuring Isham Jones and his Orchestra.
Henry Busse Sr. was a German-born jazz trumpeter. A 1948 review in Billboard magazine said that Busse had "a keen sense of musical commercialism".
"It's Only a Paper Moon" is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose.
Roy Fredrick Bargy was an American composer and pianist.
Alfred J. Gallodoro, was an American jazz clarinetist and saxophonist, who performed from the 1920s up until his death. He is notable for having played lead alto sax with the Paul Whiteman Orchestra and bass clarinet for 12 years with the NBC Symphony Orchestra under Arturo Toscanini. Bandleader Jimmy Dorsey praised him as "the best sax player who ever lived."
"Wonderful One" is a popular song recorded by the Paul Whiteman Orchestra on January 25, 1923 in New York and was released as Victor 19019-B. The record reached no. 3 on the Billboard chart. The song was also recorded as "My Wonderful One".
Murray McEachern was a Canadian jazz trombonist and alto saxophonist, perhaps best known for having played trombone for Benny Goodman from 1936 to 1937. McEachern is also remembered for playing both the trombone and alto saxophone for the Casa Loma Orchestra from 1937 to 1941.
Joseph Anthony "Fud" Livingston was an American jazz clarinetist, saxophonist, arranger, and composer.
"Hot Lips" or "He's Got Hot Lips When He Plays Jazz" is a popular song written by jazz trumpeter Henry Busse, Henry Lange, and Lou Davis. The song was a number one hit for Paul Whiteman and His Orchestra. Henry Busse was a founding member of the Paul Whiteman Orchestra, joining in 1920.
"Whispering" is a popular song, first published in 1920 by Sherman, Clay & Co., of San Francisco. The initial 1920 copyright and first publishing attributes the lyrics to Malvin Schonberger and the music to John Schonberger.
A Study in Frustration: The Fletcher Henderson Story is a box set compilation surveying studio recordings of the Fletcher Henderson Orchestra from 1923 to 1938, released in 1961 on Columbia Records, CXK 85470. It initially appeared as a four-album set produced by Frank Driggs and assembled by John Hammond, both of whom also wrote the liner notes. The set was part of a Thesaurus of Classic Jazz series on Columbia which included King of the Delta Blues Singers also worked on by Hammond and Driggs and released in 1961, the first album reissue of songs by blues legend Robert Johnson.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
