Dances With Wolves

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Dances With Wolves
Dances with Wolves poster.jpg
Theatrical release poster
Directed by Kevin Costner
Screenplay by Michael Blake
Based on Dances With Wolves
by Michael Blake
Produced by
Starring
Cinematography Dean Semler
Edited by Neil Travis
Music by John Barry
Production
companies
Distributed by Orion Pictures (North America)
Majestic Films International (International)
Release dates
  • October 19, 1990 (1990-10-19)(Uptown Theater)
  • November 9, 1990 (1990-11-09)(United States)
Running time
181 minutes [1]
CountryUnited States
Languages
Budget$22 million [2]
Box office$424.2 million [2]

Dances With Wolves is a 1990 American epic Western film starring, directed, and produced by Kevin Costner in his feature directorial debut. It is a film adaptation of the 1988 novel Dances With Wolves , by Michael Blake, that tells the story of Union Army Lieutenant John J. Dunbar (Costner), who travels to the American frontier to find a military post, and who meets a group of Lakota.

Contents

Costner developed the film with an initial budget of $15 million. [3] Much of the dialogue is spoken in Lakota with English subtitles. It was shot from July to November 1989 in South Dakota and Wyoming, and translated by Doris Leader Charge, [4] of the Lakota Studies department at Sinte Gleska University.

The film earned favorable reviews from critics and audiences, who praised Costner's directing, the performances, screenplay, score, cinematography, and production values. It was a box office hit, grossing $424.2 million worldwide, making it the fourth-highest-grossing film of 1990, and is the highest-grossing film for Orion Pictures. The film was nominated for 12 awards at the 63rd Academy Awards and won 7, including Best Picture, Best Director for Costner, Best Adapted Screenplay, Best Film Editing, Best Cinematography, Best Original Score, and Best Sound Mixing. The film also won the Golden Globe Award for Best Motion Picture – Drama. It is one of only four Westerns to win the Oscar for Best Picture, the other three being Cimarron (1931), Unforgiven (1992), and No Country for Old Men (2007).

It is credited as a leading influence for the revitalization of the Western genre of filmmaking in Hollywood. In 2007, Dances With Wolves was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [5] [6]

Plot

In 1863, 1st Lieutenant John J. Dunbar—serving with the Union Army—is wounded in a stalemated battle at St. David's Field in Tennessee. The surgeon intends to amputate his leg. Choosing death in battle instead, Dunbar steals a horse and rides in front of Confederate lines unarmed, but miraculously survives his suicide attempt. The Union soldiers take advantage of the distraction to mount a successful attack. Dunbar is given medical care that saves his leg and is awarded "Cisco", the horse he rode during his suicide attempt, along with his choice of posting. He requests a transfer to the American frontier so he can see it before it disappears.

Dunbar arrives at Fort Hays where its commander, Major Fambrough, assigns him to the furthest outpost under his jurisdiction: Fort Sedgwick. Fambrough, who is mentally ill, kills himself after Dunbar departs. Dunbar travels with Timmons, a foul-mouthed mule-wagon provisioner, and finds the fort deserted. He decides to rebuild the fort, recording his observations in his diary. Timmons is killed by a band of Pawnee while returning to Fort Hays. The deaths of Timmons and Fambrough leave the army unaware of Dunbar's assignment, so no other soldiers arrive to reinforce the post.

Dunbar encounters his Sioux neighbors when they attempt to steal his horse and intimidate him. Wanting to make peace, he seeks out the Sioux camp. En route, he comes across Stands With A Fist, a white ethnic Sioux woman who was adopted as a girl by the tribe's medicine man, Kicking Bird, after her family was killed by Pawnee. She is mutilating herself in mourning for her late Sioux husband. Dunbar brings her back to the Sioux to recover. Though the Sioux are initially hostile, Dunbar gradually establishes a rapport with them, particularly Kicking Bird, the Sioux fighter Wind In His Hair, and the youth Smiles A Lot. Stands With A Fist acts as an interpreter, speaking Lakota and English.

Dunbar comes to respect and appreciate the Sioux. He is accepted into their group after he tells them of a migrating herd of buffalo and participates in the hunt. He also befriends a wolf he dubs "Two Socks" for its white forepaws. Observing Dunbar and Two Socks chasing each other, he is given a name that translates as Dances With Wolves. Dunbar learns the Lakota language, and he and Stands With A Fist grow close. He gives the Sioux firearms to help them defend against Pawnee attack. He eventually earns Kicking Bird's approval to marry Stands With A Fist.

Because of the threat of encroaching white settlers, Chief Ten Bears decides to move his group to its winter camp. Dunbar decides to accompany them but first goes to retrieve his diary from Fort Sedgwick, as it would help the U.S. Army locate the group at its new location. When he arrives, he finds the fort reoccupied by the army. Because of his Sioux clothing, the soldiers open fire, killing Cisco, and capture Dunbar. He cannot prove his story as one of the soldiers had stolen his diary. Refusing to help the army hunt down the Sioux, he is charged with desertion, and the soldiers begin to transport him back east as a prisoner. Two Socks attempts to follow Dunbar but is shot dead by the soldiers.

His Sioux friends track and attack the convoy, killing the soldiers and freeing Dunbar. They meet the others at the winter camp. Dunbar decides to leave with Stands With A Fist because his presence would endanger the group. As they leave, Dunbar and Kicking Bird exchange parting gifts; Smiles A Lot returns the diary, which he recovered during Dunbar's rescue; Wind In His Hair proclaims his everlasting friendship to Dunbar.

U.S. troops search the mountains but cannot locate Dunbar or the Sioux. The film's epilogue text states that the last of the free Sioux would surrender at Fort Robinson, Nebraska, thirteen years later.

Cast

Production

Originally written as a speculative script by Michael Blake, it went unsold in the mid-1980s. However, Kevin Costner had starred in Blake's only previous film, Stacy's Knights (1983) and encouraged Blake in early 1986 to turn the Western screenplay into a novel to improve its chances of being produced. The novel was rejected by numerous publishers, but finally was published in paperback in 1988. The rights were purchased by Costner, with an eye on directing it. [7]

Costner and his producing partner, Jim Wilson, had difficulty in raising money for the film. The project was turned down by several studios due to the Western genre no longer being popular, following the disastrous box office of Heaven's Gate (1980), as well as the length of the script. After the project languished at both Nelson Entertainment and Island Pictures due to budget reasons, Costner and Wilson enlisted producer Jake Eberts to manage foreign rights in several countries for Costner to retain final cut rights. [8] The two then made a deal with Orion Pictures, in which the studio would distribute the film in North America. [8]

Actual production lasted from July 17 or 18 to November 21 or 23, 1989. [9] [10] Most of the movie was filmed on location in South Dakota, mainly on private ranches near Pierre and Rapid City, with a few scenes filmed in Wyoming. Specific locations included the Badlands National Park, the Black Hills, the Sage Creek Wilderness Area, and the Belle Fourche River area. The bison hunt scenes were filmed at the Triple U Buffalo Ranch outside Fort Pierre, South Dakota, as were the Fort Sedgewick scenes on a custom set. [7]

Reception

As of 7 December 2023, the film holds an approval rating of 87% on Rotten Tomatoes, based on 131 reviews, with an average rating of 8/10. The website's critical consensus reads: "Dances With Wolves suffers from a simplistic view of the culture it attempts to honor, but the end result remains a stirring western whose noble intentions are often matched by its epic grandeur." [11] Metacritic gave the film a score of 72 out of 100 based on 20 critical reviews, indicating "generally favorable reviews". [12] CinemaScore reported that audiences gave the film a rare "A+" grade. [13]

Dances With Wolves was named one of the top ten films of 1990 by over 115 critics and was named the best film of the year by 19 critics. [14]

Because of the film's popularity and lasting impact on the image of Native Americans, members of the Lakota Sioux Nation held a ceremony in Washington, D.C., "to honor Kevin [Costner] and Mary [McDonnell] and Jim [Wilson] on behalf of the Indian Lakota nation", explained Floyd Westerman (who plays Chief Ten Bears in the movie). Albert Whitehat, a Lakota elder who served as a cultural adviser on the film, adopted Costner into his family, and two other families adopted McDonnell and Wilson. Westerman continued, that this is so "They will all become part of one family." [15] At the 63rd Academy Awards ceremony in 1991, Dances With Wolves earned 12 Academy Award nominations and won seven, including Best Writing, Adapted Screenplay (Michael Blake), Best Director (Costner), and Best Picture. In 2007, the Library of Congress selected Dances With Wolves for preservation in the United States National Film Registry. [16]

Some of the criticism of the film centered on the lack of authenticity of the Lakota language used in the film, as only one of the actors was a native speaker of the language. Oglala Lakota activist and actor Russell Means was critical of the film's lack of accuracy. In 2009, he said, "Remember Lawrence of Arabia ? That was Lawrence of the Plains. The odd thing about making that movie is that they had a woman teaching the actors the Lakota language, but Lakota has a male-gendered language and a female-gendered language. Some of the Natives and Kevin Costner were speaking in the feminine way. When I went to see it with a bunch of Lakota guys, we were laughing." [17]

Michael Smith (Sioux), the director of San Francisco's long-running annual American Indian Film Festival, said that despite criticisms, "There's a lot of good feeling about the film in the Native community, especially among the tribes. I think it's going to be very hard to top this one." [18] However, Blackfeet filmmaker George Budreau countered, "I want to say, 'how nice',... But no matter how sensitive and wonderful this movie is, you have to ask who's telling the story. It's certainly not an Indian." [18]

Though promoted as a breakthrough in its use of an indigenous language, earlier English-language films, such as Eskimo (1933), Wagon Master (1950), and The White Dawn (1974) also have native dialogue. [19]

David Sirota of Salon referred to Dances With Wolves as a "white savior" film, as Dunbar "fully embeds himself in the Sioux tribe and quickly becomes its primary protector". He argued that its use of the "noble savage" character type "preemptively blunts criticism of the underlying White Savior story". [20]

Accolades

In addition to becoming the first Western film to win an Academy Award for Best Picture since 1931's Cimarron, [21] Dances With Wolves swept the Motion Picture Academy Awards that year, with a record, for the genre, of seven Oscars (including Best Picture), by far the most of any Western film in history. [22] It also won a number of additional awards, making it one of the most honored films of 1990. [23]

Home media

The film was released on home video in the United States in September 1991 by Orion Home Video and beat the rental record set by Ghost , at 649,000 units. [24] The extended Special Edition was released on DVD on May 20, 2003, in a two-disc set. [25] [26] Dances With Wolves was then released on Blu-ray and DVD on January 11, 2011, and was re-released on Blu-ray on January 13, 2015, and again on November 13, 2018. [27]

Cancelled sequel

The Holy Road, a sequel novel by Michael Blake, the author of both the original novel and the movie screenplay, was published in 2001. [28] It picks up 11 years after the events of Dances With Wolves. John Dunbar is still married to Stands With A Fist, and they have three children. Stands With A Fist and one of the children are kidnapped by a party of white rangers, and Dances With Wolves must mount a rescue mission.

Salvador Carrasco was attached to direct the sequel, but the film was not realized. [29] [30] As of 2007, Blake was writing a film adaptation. [31] However, Costner stated in a 2008 interview that he would "never make a sequel". [32] A third book titled The Great Mystery was planned, but Blake died in 2015.

Historical references

Judith A. Boughter wrote: "The problem with Costner's approach is that all of the Sioux are heroic, while the Pawnees are portrayed as stereotypical villains. Most accounts of Sioux–Pawnee relations see the Pawnees, numbering only 4,000 at that time, as victims of the more powerful Sioux." [33]

The history and context of Fort Hays is radically different from that portrayed in the movie. Historic Fort Hays was founded in 1867, with the iconic stone blockhouse being built immediately. [34] Its predecessor, Fort Fletcher (1865–1868), was abandoned for a few months and then relocated a short distance away in 1866. [35] Fort Hays was founded in Cheyenne territory rather than Sioux. Rather than a desolate site, the fort was host to thousands of soldiers, railroad workers, and settlers from the start. The Kansas Pacific Railway and the settlements of Rome and Hays City were built next to the fort in 1867; each was a perceived violation of Cheyenne and Arapaho territory, resulting in immediate warfare with the Dog Soldiers. [36] The fort was Sheridan's headquarters at the center of the 1867–1868 conflict. A historic seasonal Pawnee tipi village had been located only 9 miles (14 km) from Fort Hays, but the Pawnee had been excluded from it by other dominant tribes for some time by the 1860s. [37] [38]

A Christian missionary named John Dunbar worked among the Pawnee in the 1830s and 1840s, and sided with the Native Americans in a dispute with government farmers and a local Indian agent. [39] According to screenwriter Michael Blake, the film character's name was chosen at random from lists of Civil War veterans and was merely coincidence.[ citation needed ]

The fictional Lieutenant John Dunbar of 1863 is correctly shown in the film wearing a gold bar on his officer shoulder straps, indicating his rank as a first lieutenant. From 1836 to 1872, the rank of first lieutenant was indicated by a gold bar; after 1872, the rank was indicated by a silver bar. Similarly, Captain Cargill is correctly depicted wearing a pair of gold bars, indicating the rank of captain at that time. [40]

Author and screenwriter Michael Blake said that Stands With A Fist was actually based upon Cynthia Ann Parker, the white girl captured by Comanches and mother of Quanah Parker. [41]

Extended version

One year after the original theatrical release of Dances With Wolves, a four-hour version of the film opened at select cinemas in London. This longer cut was titled Dances With Wolves: The Special Edition, and it restored nearly an hour's worth of scenes that had been removed to keep the original film's running time under three hours. [42] In a letter to British film reviewers, Kevin Costner and producer Jim Wilson addressed their reasons for presenting a longer version of the film:

Why add another hour to a film that by most standards pushes the time limit of conventional movie making? The 52 additional minutes that represent this "new" version were difficult to cut in the first place, and ... the opportunity to introduce them to audiences is compelling. We have received countless letters from people worldwide asking when or if a sequel would be made, so it seemed like a logical step to enhance our film with existing footage ... making an extended version is by no means to imply that the original Dances With Wolves was unfinished or incomplete; rather, it creates an opportunity for those who fell in love with the characters and the spectacle of the film to experience more of both. [43]

The genesis of the four-hour version of the film was further explained in an article for Entertainment Weekly that appeared ten months after the premiere of the original film. "While the small screen has come to serve as a second chance for filmmakers who can't seem to let their babies go, Kevin Costner and his producing partner, Jim Wilson, hope that their newly completed version will hit theater screens first."

"I spent seven months working on it", Wilson says of the expanded Wolves. He's quick to defend the Oscar-winning version as "the best picture we had in us at the time", yet Wilson also says he's "ecstatic" over the recut. "It's a brand-new picture", he insists. "There's now more of a relationship between Kevin and Stands With A Fist, more with the wolf, more with the Indians—stuff that's integral all through the story." Of course, exhibitors may not want a longer version of an already widely seen movie, but Wilson remains optimistic. "I don't think the time is now", he acknowledges, "but ideally, there is a point at which it would come out with an intermission, booked into the very best venues in America." [44]

Costner later stated that he did not work on the creation of the Special Edition at all. [45]

Soundtrack

See also

Related Research Articles

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Further reading