The White Dawn | |
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Directed by | Philip Kaufman |
Screenplay by | |
Adaptation by | Martin Ransohoff |
Based on | The White Dawn: An Eskimo Saga by James Houston |
Produced by | Martin Ransohoff |
Starring | |
Cinematography | Michael Chapman |
Edited by | Douglas Stewart |
Music by | Henry Mancini |
Production companies |
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Distributed by | Paramount Pictures |
Release date |
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Running time | 110 minutes |
Countries |
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Languages |
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The White Dawn is a 1974 drama film directed by Philip Kaufman and starring Warren Oates, Timothy Bottoms, and Louis Gossett Jr. It portrays the conflict between aboriginal peoples' traditional way of life and Europeans' eagerness to take advantage of them. The film employs authentic Inuit language dialogue. It is based on the 1971 novel The White Dawn: An Eskimo Saga by James Archibald Houston, who co-wrote the screenplay.
When three whalers become stranded in Northern Canada's Arctic in 1896, they are rescued by Inuit. In the beginning, the Inuit accept the strangers' European ways, but as this increasingly influences and affects their customs, things slowly fall apart and cultural tension grows until the climax. The film was made by a "skeleton crew" and was filmed "entirely on location" on Baffin Island. [1] The three lead actors were the only ones with any film experience and the other performers were Inuit who were speaking their own language, which was subtitled in the film. [1]
The film featured nudity of the female Inuit and scenes of hunting and was initially given an R rating in the United States, which Vincent Canby of The New York Times called absurd [2] and which baffled other people in the industry. The Movie Report, which advised young people and parents on the content of films, told its readers to ignore the rating. [3] After an initial appeal, the MPAA did not revise the rating [3] but later reduced it to a PG-Rating. [4]
In a generally negative review, Vincent Canby wrote, "As an Arctic travelogue, it is sometimes so striking that I spent much of the time wondering how certain scenes were photographed; long shots of men walking across ice-flows, the killing of a polar bear, a walrus hunt, the capsizing of a boat that sends the actors into icy water." Canby described the plot as "bland" and concluded that "It's the story of how the three sailors have the bad judgment to be so rude and boorish to their hosts that they invite a fate that they never understand." [2] In a 2004 review following the release of the DVD, David Sanjek wrote, "The White Dawn is episodic, devoid of a now familiar hyped-up velocity. As a consequence, some may find it slow, while others may appreciate its attention to ethnographic detail and refusal to succumb to stereotypes. Even if the voyage made by Billy, Daggett and Portagee ends in calamity, it remains a trip well worth making and a reminder of the diversity of Hollywood fare before focus groups." [1]
Inuit throat singing, or katajjaq, is a distinct type of throat singing uniquely found among the Inuit. It is a form of musical performance, traditionally consisting of two women who sing duets in a close face-to-face formation with no instrumental accompaniment, in an entertaining contest to see who can outlast the other; however, one of the genre's most famous practitioners, Tanya Tagaq, performs as a solo artist. Several groups, including Tudjaat, The Jerry Cans, Quantum Tangle and Silla + Rise, also now blend traditional throat singing with mainstream musical genres such as pop, folk, rock and dance music.
The Motion Picture Associationfilm rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively.
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States.
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