Braveheart

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Braveheart
Braveheart s6bvs6wz.png
Theatrical release poster
Directed by Mel Gibson
Written by Randall Wallace
Produced by
Starring
Cinematography John Toll
Edited by Steven Rosenblum
Music by James Horner
Production
companies
Distributed by
Release dates
  • May 18, 1995 (1995-05-18)(Seattle)
  • May 24, 1995 (1995-05-24)(United States)
Running time
178 minutes
CountryUnited States [1]
LanguageEnglish
Budget$53–72 million
Box office$209 million

Braveheart is a 1995 American epic historical drama film directed and produced by Mel Gibson, who portrays Scottish warrior William Wallace in the First War of Scottish Independence against King Edward I of England. The film also stars Sophie Marceau, Patrick McGoohan, Catherine McCormack and Angus Macfadyen. The story is inspired by Blind Harry's 15th century epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace and was adapted for the screen by Randall Wallace.

Contents

Development on the film initially started at Metro-Goldwyn-Mayer (MGM) when producer Alan Ladd Jr. picked up the project from Wallace, but when MGM was going through new management, Ladd left the studio and took the project with him. Despite initially declining, Gibson eventually decided to direct the film, and to star as Wallace. Braveheart was filmed in Scotland and Ireland from June to October 1994. The film, which was produced by Gibson's Icon Productions and The Ladd Company, was distributed by Paramount Pictures in North America and by 20th Century Fox internationally.

Released on May 24, 1995, Braveheart received generally positive reviews, with praise for its action scenes and score, and was a critical and commercial success, though it was criticized for its historical inaccuracies. The film also garnered numerous awards. A legacy sequel, Robert the Bruce , was released in 2019.

Plot

In 1280, Edward I of England, known as "Longshanks", conquers Scotland following the death of the Scots' king, who left no heir. Young William Wallace witnesses the aftermath of Longshanks' execution of several Scottish nobles, then loses his father and brother when they resist the English. He leaves home to be raised by his uncle, Argyle.

Years later, Longshanks grants his noblemen land and privileges in Scotland, including jus primae noctis, while his son marries French princess Isabelle. Meanwhile, a grown Wallace returns home and secretly marries his childhood friend Murron MacClannough. Soon after, Wallace rescues Murron from being raped by an English soldier, but Murron is subsequently captured and executed. In retribution, Wallace and the locals overthrow the garrison, execute the magistrate, and begin a rebellion that quickly spreads. Longshanks orders his son to stop Wallace while he campaigns in France. Wallace defeats an army sent by the prince at Stirling, by using long spears to defeat heavy cavalry. He then invades England by sacking York, and killing Longshank's nephew. He also meets Robert the Bruce, a contender for the Scottish crown.

After returning to England, Longshanks sends Isabelle to negotiate with Wallace as a distraction from the movement of Longshanks' forces. Meeting Wallace, Isabelle becomes enamored with him and warns him of Longshanks' plans. Wallace faces Longshanks at Falkirk. During the battle, nobles Mornay and Lochlan withdraw, having been bribed by Longshanks, resulting in Wallace's army being overwhelmed. Wallace also discovers Robert the Bruce had joined Longshanks. After helping Wallace escape, Robert vows to not be on the wrong side again. Wallace kills Mornay and Lochlan for their betrayal and foils an assassination plot with Isabelle's help. Wallace and Isabelle spend the following night together, while Longshanks' health declines. At a meeting in Edinburgh, Wallace is captured. Realizing his father's responsibility for the trap, Robert disowns him. In England, Wallace is condemned to execution. After a final meeting with Wallace, Isabelle tells Longshanks, who can no longer speak, that his bloodline will end upon his death as she is pregnant with Wallace's child and will ensure that Longshanks' son spends as short a time as possible as monarch. At his execution, Wallace refuses to submit, even while being disemboweled. The magistrate encourages Wallace to seek mercy and be granted a quick death. Wallace instead shouts, "Freedom!", while Longshanks dies. Before being beheaded, Wallace sees a vision of Murron in the crowd.

In 1314, Robert, now Scotland's king, faces the English at Bannockburn, and implores his men to fight with him as they did with Wallace. After Wallace's sword is thrown to land point-down in the ground, Robert leads the Scots to a final victory.

Cast

In addition, Peter Hanly portrays Prince Edward, while Alun Armstrong and John Murtagh portray duplicitous Scottish lords Mornay and Lochlan, respectively.

Production

Development

Producer Alan Ladd Jr. initially had the project at MGM-Pathé Communications when he picked up the script from Randall Wallace. [2] When Metro-Goldwyn-Mayer (MGM) was going through new management in 1993, Ladd left the studio and took some of its top properties, including Braveheart. [3] Mel Gibson came across the script and even though he liked it, he initially passed on it. However, the thought of it kept coming back to him, and he ultimately decided to take on the project. [2] Terry Gilliam was offered to direct the film, but he declined. [4] Gibson was initially interested in directing only and considered Brad Pitt in the role of Sir William Wallace, but later reluctantly agreed to play Wallace as well. [5] He also considered Jason Patric for the role. [6] Sean Connery was approached to play King Edward, but he declined due to other commitments. [7] Gibson said that Connery's pronunciation of "Goulash" helped him for the Scottish accent for the film. [8]

Gibson and his production company, Icon Productions, had difficulty raising enough money for the film. Warner Bros. was willing to fund the project on the condition that Gibson sign for another Lethal Weapon sequel, which he refused. Gibson eventually gained enough financing for the film, with Paramount Pictures financing a third of the budget in exchange for North American distribution rights to the film, and 20th Century Fox putting up the other two-thirds in exchange for international distribution rights. [9] [5]

Filming

Gibson (right) on set with 20th Century Fox executive Scott Neeson Scott Neeson on the set of Braveheart, 1995.jpg
Gibson (right) on set with 20th Century Fox executive Scott Neeson

Filming was initially due to take place fully in the United Kingdom, but most of the shoot was moved to Ireland at late notice after lobbying from the Irish government and their offer to supply 1,600 members of the Irish Army Reserve as extras. Shooting was planned to take 12 weeks on location in Ireland and at Ardmore Studios plus five weeks on location in Scotland. [10] Principal photography on the film began on June 6, 1994. [11] To lower costs, Gibson had the same extras portray both armies. The reservists had been given permission to grow beards and swapped their military uniforms for medieval garb. [12] Principal photography ended on October 28, 1994. [11] The film was shot in the anamorphic format with Panavision C- and E-Series lenses. [13] Gibson also later said that while filming a battle scene a horse nearly "killed him" but his stunt double was able to save him as the horse fell. [14]

Gibson had to tone down the film's battle scenes to avoid an NC-17 rating from the MPAA; the final version was rated R for "brutal medieval warfare". [15] Gibson and editor Steven Rosenblum initially had a film at 195 minutes, but Sherry Lansing, who was the head of Paramount at the time, requested Gibson and Rosenblum to cut the film down to 177 minutes. [16] According to Gibson in a 2016 interview with Collider, there is a four-hour version of the film, and he expressed interest in reassembling it if both Paramount and Fox were interested. [17]

Soundtrack

The score was composed and conducted by James Horner and performed by the London Symphony Orchestra. It is Horner's second of three collaborations with Mel Gibson as director. The score has gone on to be one of the most commercially successful soundtracks of all time. It received considerable acclaim from film critics and audiences and was nominated for a number of awards, including the Academy Award, Saturn Award, BAFTA Award, and Golden Globe Award.

Release

Braveheart premiered at the Seattle International Film Festival on May 18, 1995, and received its wide release in U.S. cinemas six days later. [18] [19]

Home media

Braveheart was released on LaserDisc in both pan and scan and widescreen on March 12, 1996. That same day, it also was made available on VHS in pan and scan only and was re-issued in widescreen on August 27.

The film was released on DVD on August 29, 2000. This edition included the film only in widescreen, a commentary track by Gibson, a behind-the-scenes featurete, along the trailers. [20]

It was released on Blu-ray as part of the Paramount Sapphire Series on September 1, 2009. It included the DVD features along with new bonus material. [21] It was released on 4K UHD Blu-ray as part of the 4K upgrade of the Paramount Sapphire Series on May 15, 2018. [21]

Reception

Box office

Braveheart grossed $75.5 million in the United States and Canada and $133.5 million in other territories, for a worldwide total of $209.0 million, against a budget of $53–$72 million. [22] [10] It spent nine non-consecutive weeks in the Top 10 at the US box office its first seven weeks, then two more weeks during its fifth month in theatres. [23]

Critical response

On the review aggregator website Rotten Tomatoes , 76% of 126 critics' reviews are positive, with an average rating of 7.2/10.The website's consensus reads: "Distractingly violent and historically dodgy, Mel Gibson's Braveheart justifies its epic length by delivering enough sweeping action, drama, and romance to match its ambition." [24] Metacritic , which uses a weighted average , assigned the film a score of 68 out of 100, based on 20 critics, indicating "generally favorable" reviews. [25]

Gibson's work on Braveheart earned him the Academy Award for Best Director. Mel Gibson Cannes 2016 2.jpg
Gibson's work on Braveheart earned him the Academy Award for Best Director.

Caryn James of The New York Times praised the film, calling it "one of the most spectacular entertainments in years." [26] Roger Ebert gave the film three and a half out of four stars, calling it "An action epic with the spirit of the Hollywood swordplay classics and the grungy ferocity of The Road Warrior ." [27] In a positive review, Gene Siskel wrote that "in addition to staging battle scenes well, Gibson also manages to recreate the filth and mood of 700 years ago." [28] Peter Travers of Rolling Stone felt that "though the film dawdles a bit with the shimmery, dappled love stuff involving Wallace with a Scottish peasant and a French princess, the action will pin you to your seat." [29] The depiction of the Battle of Stirling Bridge was listed by CNN as one of the best battles in cinema history. [30]

Not all reviews were positive. Richard Schickel of Time magazine argued that "everybody knows that a non-blubbering clause is standard in all movie stars' contracts. Too bad there isn't one banning self-indulgence when they direct." [31] Peter Stack of the San Francisco Chronicle felt "at times the film seems an obsessive ode to Mel Gibson machismo." [32] In a 2005 poll by British film magazine Empire , Braveheart was No. 1 on their list of "The Top 10 Worst Pictures to Win Best Picture Oscar". [33] Empire readers had previously voted Braveheart the best film of 1995. [34]

Alex von Tunzelmann of The Guardian gave the film a grade of C−, saying: "Seemingly intended as a piece of anti-English propaganda, Braveheart offers an even greater insult to Scotland by making a total pig's ear of its heritage. "Historians from England will say I am a liar," intones the voiceover, "but history is written by those who have hanged heroes." Well, that's me told: but, regardless of whether you read English or Scottish historians on the matter, Braveheart still serves up a great big steaming haggis of lies.." [35] In a 2012 article, Nathan Kamal called the film "hugely overrated", criticizing the characters as one-dimensional. [36]

Effect on tourism

The European premiere was on September 3, 1995, in Stirling. [37]

In 1996, the year after the film was released, the annual three-day "Braveheart Conference" at Stirling Castle attracted fans of Braveheart, increasing the conference's attendance to 167,000 from 66,000 in the previous year. [38] In the following year, research on visitors to the Stirling area indicated that 55% of the visitors had seen Braveheart. Of visitors from outside Scotland, 15% of those who saw Braveheart said it influenced their decision to visit the country. Of all visitors who saw Braveheart, 39% said the film influenced in part their decision to visit Stirling, and 19% said the film was one of the main reasons for their visit. [39] In the same year, a tourism report said that the "Braveheart effect" earned Scotland £7 million to £15 million in tourist revenue, and the report led to various national organizations encouraging international film productions to take place in Scotland. [40]

The film generated huge interest in Scotland and in Scottish history, not only around the world, but also in Scotland itself.[ citation needed ] At a Braveheart Convention in 1997, held in Stirling the day after the Scottish Devolution vote and attended by 200 delegates from around the world, Braveheart author Randall Wallace, Seoras Wallace of the Wallace Clan, Scottish historian David Ross and Bláithín FitzGerald from Ireland gave lectures on various aspects of the film.[ citation needed ] Several of the actors also attended including James Robinson (Young William), Andrew Weir (Young Hamish), Julie Austin (the young bride) and Mhairi Calvey (Young Murron).[ citation needed ]

Awards and honors

Braveheart was nominated for many awards during the 1995 awards season, though it was not viewed by many[ who? ] as a major competitor to films such as Apollo 13 , Il Postino: The Postman , Leaving Las Vegas , Sense and Sensibility , and The Usual Suspects . [41] It wasn't until after the film won the Golden Globe Award for Best Director at the 53rd Golden Globe Awards that it was viewed as a serious Oscar contender. [41]

When the nominations were announced for the 68th Academy Awards, Braveheart received ten Academy Award nominations, and a month later, won five including Best Picture, Best Director for Gibson, Best Cinematography, Best Sound Effects Editing, and Best Makeup. [42] Braveheart became the ninth film to win Best Picture with no acting nominations and is one of only four films to win Best Picture without being nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, the others being The Shape of Water in 2017, Green Book in 2018, and Nomadland in 2020. [43] [44] [45]

The film also won the Writers Guild of America Award for Best Original Screenplay. [46] In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years. [47]

AwardCategoryRecipient(s)Result
20/20 AwardsBest Cinematography John Toll Nominated
Best Costume Design Charles Knode Nominated
Best Makeup Peter Frampton, Paul Pattison and Lois Burwell Won
Best Original Score James Horner Nominated
Best SoundNominated
Academy Awards Best Picture Mel Gibson, Bruce Davey and Alan Ladd Jr. Won
Best Director Mel GibsonWon
Best Screenplay – Written Directly for the Screen Randall Wallace Nominated
Best Cinematography John TollWon
Best Costume Design Charles KnodeNominated
Best Film Editing Steven Rosenblum Nominated
Best Makeup Peter Frampton, Paul Pattison and Lois BurwellWon
Best Original Dramatic Score James HornerNominated
Best Sound Andy Nelson, Scott Millan, Anna Behlmer and Brian Simmons Nominated
Best Sound Effects Editing Lon Bender and Per Hallberg Won
American Cinema Editors Awards Best Edited Feature Film Steven RosenblumWon
American Cinema Foundation AwardsFeature FilmWon
American Society of Cinematographers Awards Outstanding Achievement in Cinematography in Theatrical Releases John TollWon
Awards Circuit Community AwardsBest DirectorMel GibsonNominated
Best Original ScreenplayRandall WallaceNominated
Best Art Direction Thomas E. Sanders and Peter Howitt Won
Best CinematographyJohn TollNominated
Best Costume DesignCharles KnodeWon
Best Film EditingSteven RosenblumNominated
Best Makeup & HairstylingPeter Frampton, Paul Pattison and Lois BurwellWon
Best Original ScoreJames HornerWon
Best SoundNominated
Best Stunt EnsembleWon
British Academy Film Awards Best Direction Mel GibsonNominated
Best Cinematography John TollWon
Best Costume Design Charles KnodeWon
Best Film Music James HornerNominated
Best Makeup Peter Frampton, Paul Pattison and Lois BurwellNominated
Best Production Design Thomas E. SandersNominated
Best Sound Andy Nelson, Scott Millan, Anna Behlmer and Brian SimmonsWon
Camerimage Golden FrogJohn TollNominated
Cinema Audio Society Awards Outstanding Achievement in Sound Mixing for Motion Pictures Andy Nelson, Scott Millan, Anna Behlmer and Brian SimmonsNominated
Cinema Writers Circle Awards Best Foreign FilmMel GibsonWon [a]
Critics' Choice Awards Best Director Won
Dallas-Fort Worth Film Critics Association Awards Best Picture Nominated
Best Cinematography John TollWon
Directors Guild of America Awards Outstanding Directorial Achievement in Motion Pictures Mel GibsonNominated
Empire Awards Best Film Won
Flaiano Prizes Best Foreign Actress Catherine McCormack Won
Golden Globe Awards Best Motion Picture – Drama Nominated
Best Director – Motion Picture Mel GibsonWon
Best Screenplay – Motion Picture Randall WallaceNominated
Best Original Score – Motion Picture James HornerNominated
Golden Reel Awards Best Sound Editing – Dialogue Mark LaPointeWon
Best Sound Editing – Sound Effects Lon Bender and Per HallbergWon [b]
International Film Music Critics Association Awards Best Archival Release of an Existing Score – Re-Release or Re-Recording James Horner, Dan Goldwasser, Mike Matessino, Jim Titus and Jeff BondNominated
Jupiter Awards Best International DirectorMel GibsonWon
Movieguide Awards Best Movie for Mature AudiencesWon
MTV Movie Awards Best Movie Nominated
Best Male Performance Mel GibsonNominated
Most Desirable Male Nominated
Best Action Sequence Battle of StirlingNominated
National Board of Review Awards Top Ten Films 9th Place
Special Filmmaking AchievementMel GibsonWon
Publicists Guild of America AwardsMotion PictureWon
Saturn Awards Best Action/Adventure Film Nominated
Best Costume Design Charles KnodeNominated
Best Music James HornerNominated
Southeastern Film Critics Association AwardsBest Picture2nd Place
Turkish Film Critics Association Awards Best Foreign Film3rd Place
Writers Guild of America Awards Best Screenplay – Written Directly for the Screenplay Randall WallaceWon
American Film Institute lists

Cultural effects and accusations of Anglophobia

Lin Anderson, author of Braveheart: From Hollywood To Holyrood, credits the film with playing a significant role in affecting the Scottish political landscape in the mid- to late 1990s. [48] Peter Jackson cited Braveheart as an influence in making the Lord of the Rings film trilogy. [49]

Sections of the English media accused the film of harbouring Anti-English sentiment. The Economist called it "xenophobic", [50] and John Sutherland writing in The Guardian stated that: "Braveheart gave full rein to a toxic Anglophobia". [51] [52] [53] In The Times , Colin McArthur said "the political effects are truly pernicious. It's a xenophobic film." [52] Ian Burrell of The Independent has said, "The Braveheart phenomenon, a Hollywood-inspired rise in Scottish nationalism, has been linked to a rise in anti-English prejudice". [54]

Wallace Monument

Tom Church's controversial statue of Gibson as Wallace Braveheart Statue Sep 2007.jpg
Tom Church's controversial statue of Gibson as Wallace

In 1997, a 12-foot (3.7 m), 13-tonne (13-long-ton; 14-short-ton) sandstone statue depicting Mel Gibson as William Wallace in Braveheart was placed in the car park of the Wallace Monument near Stirling, Scotland. The statue, which was the work of Tom Church, a monumental mason from Brechin, [55] included the word 'Braveheart' on Wallace's shield. The installation became the cause of much controversy; one local resident stated that it was wrong to "desecrate the main memorial to Wallace with a lump of crap". [56]

In 1998, someone wielding a hammer vandalized the statue's face. After repairs were made, the statue was encased in a cage every night to prevent further vandalism. This only incited more calls for the statue to be removed, as it then appeared that the Gibson/Wallace figure was imprisoned. The statue was described as "among the most loathed pieces of public art in Scotland". [57] In 2008, the statue was returned to its sculptor to make room for a new visitor centre being built at the foot of the Wallace Monument. [58]

Historical inaccuracy

Randall Wallace, who wrote the screenplay, has acknowledged Blind Harry's 15th-century epic poem The Acts and Deeds of Sir William Wallace, Knight of Elderslie as a major inspiration for the film. [59] In defending his script, Randall Wallace has said, "Is Blind Harry true? I don't know. I know that it spoke to my heart and that's what matters to me, that it spoke to my heart." [59] Blind Harry's poem is not regarded as historically accurate, and although some incidents in the film that are not historically accurate are taken from Blind Harry (e.g. the hanging of Scottish nobles at the start), [60] there are large parts that are based neither on history nor Blind Harry (e.g. Wallace's affair with Princess Isabella). [61]

Elizabeth Ewan describes Braveheart as a film that "almost totally sacrifices historical accuracy for epic adventure". [62] It has been described as one of the most historically inaccurate modern films. [61] [63] Sharon Krossa noted that the film contains numerous historical inaccuracies, beginning with the wearing of belted plaid (feileadh mór léine), which was not introduced until the 16th century, [64] by Wallace and his men. In that period "no Scots [...] wore belted plaids (let alone kilts of any kind)." Moreover, when Highlanders finally did begin wearing the belted plaid, it was not "in the rather bizarre style depicted in the film". She compares the inaccuracy to "a film about Colonial America showing the colonial men wearing 20th-century business suits, but with the jackets worn back-to-front instead of the right way around." [65] In a previous essay about the film, she wrote, "The events aren't accurate, the dates aren't accurate, the characters aren't accurate, the names aren't accurate, the clothes aren't accurate—in short, just about nothing is accurate." [66] Peter Traquair has referred to Wallace's "farcical representation as a wild and hairy highlander painted with woad (1,000 years too late) running amok in a tartan kilt (500 years too early)." [67] Caroline White of The Times described the film as being made up of a "litany of fibs." [68] Irish historian Seán Duffy remarked that "the battle of Stirling Bridge could have done with a bridge." [69]

In 2009, the film was second on a list of "most historically inaccurate movies" in The Times . [61] In the humorous non-fictional historiography An Utterly Impartial History of Britain (2007), author John O'Farrell claims that Braveheart could not have been more historically inaccurate, even if a Plasticine dog had been inserted in the film and the title changed to "William Wallace and Gromit ". [70]

In the DVD audio commentary of Braveheart, Mel Gibson acknowledged the historical inaccuracies but defended his choices as director, noting that the way events were portrayed in the film was much more "cinematically compelling" than the historical fact or conventional mythos. [61]

Jus primae noctis

Edward Longshanks is shown invoking Jus primae noctis in the film, allowing the lord of a medieval estate to take the virginity of his serfs' maiden daughters on their wedding nights. Critical medieval scholarship regards this supposed right as a myth: "the simple reason why we are dealing with a myth here rests in the surprising fact that practically all writers who make any such claims have never been able or willing to cite any trustworthy source, if they have any." [71] [72]

Occupation and independence

The film suggests Scotland had been under English occupation for some time, at least during Wallace's childhood, and in the run-up to the Battle of Falkirk Wallace says to the younger Bruce, "[W]e'll have what none of us have ever had before, a country of our own." In fact, Scotland had been invaded by England only the year before Wallace's rebellion; before the death of King Alexander III it had been a fully separate kingdom. [73]

Portrayal of William Wallace

As John Shelton Lawrence and Robert Jewett writes, "Because [William] Wallace is one of Scotland's most important national heroes and because he lived in the very distant past, much that is believed about him is probably the stuff of legend. But there is a factual strand that historians agree to", summarized from Scots scholar Matt Ewart:

Wallace was born into the gentry of Scotland; his father lived until he was 18, his mother until his 24th year; he killed the sheriff of Lanark when he was 27, apparently after the murder of his wife; he led a group of commoners against the English in a very successful battle at Stirling in 1297, temporarily receiving appointment as guardian; Wallace's reputation as a military leader was ruined in the same year of 1297, leading to his resignation as guardian; he spent several years of exile in France before being captured by the English at Glasgow, this resulting in his trial for treason and his cruel execution. [74]

A. E. Christa Canitz writes about the historical William Wallace further: "[He] was a younger son of the Scottish gentry, usually accompanied by his own chaplain, well-educated, and eventually, having been appointed Guardian of the Kingdom of Scotland, engaged in diplomatic correspondence with the Hanseatic cities of Lübeck and Hamburg". She finds that in Braveheart, "any hint of his descent from the lowland gentry (i.e., the lesser nobility) is erased, and he is presented as an economically and politically marginalized Highlander and 'a farmer'—as one with the common peasant, and with a strong spiritual connection to the land which he is destined to liberate." [75]

Colin McArthur writes that Braveheart "constructs Wallace as a kind of modern, nationalist guerrilla leader in a period half a millennium before the appearance of nationalism on the historical stage as a concept under which disparate classes and interests might be mobilised within a nation state." Writing about Braveheart's "omissions of verified historical facts", McArthur notes that Wallace made "overtures to Edward I seeking less severe treatment after his defeat at Falkirk", as well as "the well-documented fact of Wallace's having resorted to conscription and his willingness to hang those who refused to serve." [76] Canitz posits that depicting "such lack of class solidarity" as the conscriptions and related hangings "would contaminate the movie's image of Wallace as the morally irreproachable primus inter pares among his peasant fighters." [75]

Portrayal of Isabella of France

Isabella of France is shown spending a night with Wallace after the Battle of Falkirk. She later tells Edward I she is pregnant with Wallace's child, implied to be Edward III. In reality, Isabella was a child and living in France at the time of the Battle of Falkirk, was not married to Edward II until he was already king, and Edward III was born seven years after Wallace died. [77] [61] The breakdown of the couple's relationship over his liaisons, and the menacing suggestion to a dying Longshanks that she would overthrow and destroy Edward II mirror and foreshadow actual facts; although not until 1326, over 20 years after Wallace's death, Isabella and her lover Roger Mortimer would depose – and later allegedly murder – Edward II. [78]

Portrayal of Robert the Bruce

Robert the Bruce did change sides between the Scots loyalists and the English more than once in the earlier stages of the Wars of Scottish Independence, but he probably did not fight on the English side at the Battle of Falkirk (although this claim does appear in a few medieval sources). [79] Later, the Battle of Bannockburn was not a spontaneous battle soon after Wallace's execution; he had already been fighting a guerrilla campaign against the English for eight years. [80] His title before becoming king was Earl of Carrick, not Earl of Bruce. [81] [82] Bruce's father is portrayed as an infirm leper, although it was Bruce himself who allegedly suffered from leprosy in later life. The actual Bruce's machinations around Wallace, rather than the meek idealist in the film, suggests the father–son relationship represent different aspects of the historical Bruce's character. [83] [84] In the film, Bruce's father betrays Wallace to his son's disgust, calling it the price of his son's crown, when in real life Wallace was betrayed by the nobleman John de Menteith. [85]

Portrayal of Longshanks and Prince Edward

The actual Edward I was ruthless and temperamental, but the film exaggerates his negative aspects for effect. Edward enjoyed poetry and harp music, was a devoted and loving husband to his wife Eleanor of Castile, and as a religious man, he gave generously to charity; the film's scene where he scoffs cynically at Isabella for distributing gold to the poor after Wallace refuses it as a bribe would have been unlikely. Furthermore, Edward died almost two years after Wallace's execution, not on the same day. [86]

The depiction of the future Edward II as an effeminate homosexual drew accusations of homophobia against Gibson.

We cut a scene out, unfortunately ... where you really got to know that character [Edward II] and to understand his plight and his pain ... But it just stopped the film in the first act so much that you thought, 'When's this story going to start?' [87]

Gibson defended his depiction of Prince Edward as weak and ineffectual, saying:

I'm just trying to respond to history. You can cite other examples—Alexander the Great, for example, who conquered the entire world, was also a homosexual. But this story isn't about Alexander the Great. It's about Edward II. [88]

In response to Longshanks's murder of the Prince's male lover Phillip, Gibson replied: "The fact that King Edward throws this character out a window has nothing to do with him being gay ... He's terrible to his son, to everybody." [89] Gibson asserted that the reason Longshanks kills his son's lover is that the king is a "psychopath". [90]

Wallace's military campaign

"MacGregors from the next glen" joining Wallace shortly after the action at Lanark is dubious, since it is questionable whether Clan Gregor existed at that stage, and when they did emerge their traditional home was Glen Orchy, some distance from Lanark. [91]

Wallace did win an important victory at the Battle of Stirling Bridge, but the version in Braveheart is highly inaccurate, as it has no bridge (or Andrew Moray, joint commander of the Scots army, who was fatally injured in the battle). Later, Wallace did carry out a large-scale raid into the north of England, but he did not get as far south as York, nor did he kill Edward I's nephew. [92]

The "Irish conscripts" at the Battle of Falkirk are unhistorical; there were no Irish troops at Falkirk (although many of the English army were, in fact, Welsh). [93]

The two-handed long swords used by Gibson in the film were not in wide use in the period. A one-handed sword and shield would have been more accurate and more efficient, since in the enemy army there were a lot of archers. [94] [ better source needed ]

Sequel

A sequel, Robert the Bruce (2019), continues directly on from Braveheart and features Robert the Bruce, with Angus Macfadyen reprising his role from Braveheart. [95]

See also

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<span class="mw-page-title-main">Battle of Bannockburn</span> 1314 battle during the First War of Scottish Independence

The Battle of Bannockburn was fought on 23–24 June 1314, between the army of Robert the Bruce, King of Scots, and the army of King Edward II of England, during the First War of Scottish Independence. It was a decisive victory for Robert Bruce and formed a major turning point in the war, which ended 14 years later with the de jure restoration of Scottish independence under the Treaty of Edinburgh–Northampton. For this reason, the Battle of Bannockburn is widely considered a landmark moment in Scottish history.

Randall Wallace is an American screenwriter, film director and producer who came to prominence by writing the screenplay for the historical drama film Braveheart (1995). His work on the film earned him a nomination for the Academy Award for Best Original Screenplay and a Writers Guild of America Award in the same category. He has since directed films such as The Man in the Iron Mask (1998), We Were Soldiers (2002), Secretariat (2010) and Heaven Is for Real (2014).

<span class="mw-page-title-main">Battle of Falkirk</span> 1298 battle of the First War of Scottish Independence

The Battle of Falkirk, on 22 July 1298, was one of the major battles in the First War of Scottish Independence. Led by King Edward I of England, the English army defeated the Scots, led by William Wallace. Shortly after the battle Wallace resigned as Guardian of Scotland.

<span class="mw-page-title-main">John Comyn III of Badenoch</span> Late 13th-century Scottish noble

John Comyn III of Badenoch, nicknamed the Red, was a leading Scottish baron and magnate who played an important role in the First War of Scottish Independence. He served as Guardian of Scotland after the forced abdication of his uncle, King John Balliol, in 1296, and for a time commanded the defence of Scotland against English attacks. Comyn was stabbed to death by Robert the Bruce before the altar at the church of the Greyfriars at Dumfries.

<span class="mw-page-title-main">Scottish nationalism</span> Political ideology

Scottish nationalism promotes the idea that the Scottish people form a cohesive nation and national identity.

<span class="mw-page-title-main">Wallace Monument</span> Tower on the summit of Abbey Craig in Scotland

The National Wallace Monument is a 67 m (220 ft) tower on the shoulder of the Abbey Craig, a hilltop overlooking Stirling in Scotland. It commemorates Sir William Wallace, a 13th- and 14th-century Scottish hero.

Robert de Brus, 6th Lord of Annandale, jure uxoris Earl of Carrick (1252–1292), Lord of Hartness, Writtle and Hatfield Broad Oak, was a cross-border lord, and participant of the Second Barons' War, Ninth Crusade, Welsh Wars, and First War of Scottish Independence, as well as father to the future king of Scotland Robert the Bruce.

<span class="mw-page-title-main">Hugh de Cressingham</span> 13th-century English nobleman

Sir Hugh de Cressingham was the treasurer of the English administration in Scotland from 1296 to 1297. He was an adviser to John de Warenne, 6th Earl of Surrey at the Battle of Stirling Bridge. He suggested a full-scale attack across the bridge, which cost the English the battle and led to his death.

<span class="mw-page-title-main">Simon Fraser (died 1306)</span>

Sir Simon Fraser of Oliver and Neidpath was a Scottish knight who fought in the Wars of Scottish Independence, for which he was hanged, drawn, and quartered in 1306.

<span class="mw-page-title-main">Dunipace</span> Human settlement in Scotland

Dunipace is a village in the west of the Falkirk council area of Scotland. The village is 6.3 miles (10.1 km) south of Stirling and 5.3 miles (8.5 km) north-west of Falkirk. The village is situated on the north bank of the River Carron and adjoins the town of Denny, to the south of the river. Dunipace is part of the historic county of Stirlingshire.

Charles E. Knode was an Oscar nominated and an Emmy and BAFTA award-winning British costume designer. He studied at Wimbledon School of Art.

The action at Lanark was an attack at Lanark, Scotland during the First War of Scottish Independence in May 1297. The Scotsman William Wallace led an uprising against the English and killed the Sheriff of Lanark, William Heselrig. The attack was not an isolated incident, but rather saw Wallace joining in with uprisings taking place across Scotland.

King Robert I of Scotland, also known as Robert the Bruce has been depicted in literature and popular culture many times. This list includes some examples.

The Barns of Ayr was, according to Blind Harry in The Wallace, a site in Ayr, Scotland, which was used as English barracks. According to Blind Harry, a number of Scottish barons of Ayrshire were called to a meeting with King Edward I of England at a barn used as an English military barracks, only to be massacred and hanged, including Sir Ronald Crawford Sheriff of Ayr, Sir Bryce Blair of Blair, Sir Neil Montgomerie of Cassillis, Crystal of Seton, and Sir Hugh Montgomerie. In revenge, William Wallace burned the barracks with the English inside.

The English invasion of Scotland of 1298 was a military campaign undertaken by Edward I of England in retaliation to a Scottish uprising in 1297, the defeat of an English army at the Battle of Stirling Bridge and Scottish raids into Northern England.

<i>Robert the Bruce</i> (film) 2019 war film by Richard Gray

Robert the Bruce is a 2019 British epic historical fiction war film directed by Richard Gray concerning the renowned king of the same name. It is a spin-off/sequel to Mel Gibson's Braveheart (1995), with Angus Macfadyen reprising his role as Robert the Bruce. A character-driven ensemble piece, it portrays Robert's relationship with a peasant family as a galvanising influence on his struggle for independence and his ensuing reign.

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Notes

  1. Tied with Ed Wood .
  2. Tied with George Watters II for Crimson Tide .