The International Film Music Critics Association (IFMCA) is a professional association for online, print and radio journalists who specialize in writing about original film and television music.
The IFMCA was founded in the late 1990s as the Film Music Critics Jury by film music journalist Mikael Carlsson (now the owner of film music record label MovieScore Media), and after period of inactivity was re-launched in 2003 under its new title.
Its membership includes 65 journalists from 16 different countries who write for such high-profile film and soundtrack-related publications and websites as Film Score Monthly, Filmtracks, SoundtrackNet, Music from the Movies, MundoBSO and UnderScores, as well as more mainstream publications such as Ain't It Cool News, Variety, The Hollywood Reporter and the Irish Times. Members of the IFMCA have also been involved in writing liner notes for major film music record labels such as Film Score Monthly, Varèse Sarabande, Intrada Records, La-La Land Records and Music Box Records.
The group maintains a website documenting its activities; operates a central online review interface which provides links to articles, reviews and interviews written by its members; organizes an annual awards event, the IFMCA Awards, celebrating music for films written during the preceding year; and is involved in organizing major international film music festivals, such as those in Tenerife, [1] Úbeda in Spain, [2] Kraków in Poland, [3] and the World Soundtrack Awards in Ghent, Belgium. [4]
The organization is responsible for the annual International Film Music Critics Association Awards, the only awards given to composers by active film music journalists, and which are seen by many as a valuable precursor to the Academy Awards in the absence of a guild for composers. [5] They have been called the "Oscars of film music", [6] have been featured in major daily newspapers in Spain [7] and Portugal, [8] are recognized by major performing rights organizations such as ASCAP in the United States [9] and SGAE in Europe, [10] and most recently have been seen by the video games industry as an important step forward in legitimizing game music as a mainstream creative art form. [11]
Composers as varied as John Debney, [12] Alexandre Desplat, [13] Randy Edelman, [14] George Fenton, [15] Michael Giacchino, [16] James Newton Howard [17] Mark Isham, [18] Andrew Lockington, [19] Abel Korzeniowski, [20] Brian Tyler, [21] Fernando Velázquez [22] and Debbie Wiseman [23] highlight their IFMCA Award wins and nominations in their official biographies.
Grant Kirkhope is a Scottish-American composer and voice actor for video games and film. Some of his notable works include GoldenEye 007, Banjo-Kazooie, Donkey Kong 64, and Perfect Dark, among many others. He has been nominated for various BAFTA, ASCAP, and IFMCA awards.
Brian Theodore Tyler is an American composer, conductor, arranger, and record producer, best known for his film, television, and video game scores. In his 24-year career, Tyler has scored Transformers: Prime, Eagle Eye, The Expendables trilogy, Iron Man 3, Avengers: Age of Ultron with Danny Elfman, Now You See Me, and Crazy Rich Asians, among others. He also re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012). He composed the 2013–2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN and the Formula One theme. He scored seven installments of the Fast & Furious franchise, and the soundtrack for the Paramount TV series Yellowstone. For his work as a film composer, he won the IFMCA Awards 2014 Composer of the Year.
Pinar Toprak is a Turkish-American composer for film, television and video games. She is most well known for composing the score to the hit Marvel movie Captain Marvel (2019). She has won three International Film Music Critics Association Awards for The Lightkeepers (2009), The Wind Gods (2013), and TheTides of Fate (2018), as well as the fanfare of Skydance Media from 2010 to 2022 and contributed music for Fortnite.
Kit Armstrong is an American classical pianist, composer, and former child prodigy of British-Taiwanese parentage.
MovieScore Media is a Swedish record label devoted to original film scores, founded in 2005 by former film music journalist Mikael Carlsson. The label has produced over 500 soundtrack albums, focusing primarily on scores composed by up and coming composers and from smaller, independent feature films. However, the label has also released soundtracks by established composers, including Academy Award-winning composers Dario Marianelli and Gabriel Yared, Grammy Award-nominated composer Ryan Shore, Basil Poledouris and Michael Kamen and Ivor Novello Award-winning composer Francis Shaw, as well as from films and television shows by bigger studios and companies, such as Warner Bros., BBC and Constantin Film.
Abel Korzeniowski is a Polish composer of film and theatre scores.
The music for the fantasy TV series Game of Thrones is composed by Ramin Djawadi. The music is primarily non-diegetic and instrumental with occasional vocal performances, and is created to support musically the characters and plots of the show. It features various themes, the most prominent being the "main title theme" that accompanies the series' title sequence. In every season, a soundtrack album was released. The music for the show has won a number of awards, including a Primetime Emmy Award for Outstanding Music Composition for a Series in 2018 and 2019.
Roque Baños López is a Spanish music composer. Baños graduated from Boston's Berklee College of Music in 1995 and has since scored both Spanish and English-language films. He has received numerous awards for his compositional work, including the Spanish Goya Award for Best Original Score in both 2008 and 2009.
Austin Wintory is an American composer for film and video games. He is known for scoring the video games Flow and Journey, which made history as the only video game soundtrack to be nominated for the Grammy Award for Best Score Soundtrack for Visual Media.
Federico Jusid is an Argentine composer who resides and works between Madrid and Los Angeles. He has written the scores for more than 40 feature films and over 25 television series.
His work includes the score for the Academy Award®-winner for Best Foreign Film The Secret in Their Eyes, for which he received the nomination for the Spanish Academy Goya Award® for Best Original Score.
He has recently worked with Alberto Iglesias writing additional compositions for the original score of Ridley Scott's Exodus: Gods and Kings, and he has also composed the OST for Kidnap with Halle Berry, and Happy 140. Other notable scores include The Life Unexpected, Everybody Has a Plan, The Escape, The Hidden Face, I Want to Be a Soldier, and more recently Magallanes, Getulio, The Ignorance of Blood, Betibu or Francis, Father Jorge.
On television, his most recognised work is the soundtrack for the Spanish historical drama Isabel, with whom he won several awards, such as International Film Music Critics Association (IFMCA) Award and Reel Music Award. In 2015 he made the score for the TV series Under Suspicion and The Refugees and just released the historic drama Charles, King Emperor, sequel of Isabel.
He has also composed works for concert hall premiered throughout Europe and America by recognized soloist and chamber ensembles. As a pianist and composer, he has performed and toured prestigious theaters in Europe, Asia and America. He recorded for labels BMG, IRCO, Magenta Discos and Melopea.
Zacarías Martínez de la Riva is a Spanish film composer. Notable for his work in Tad, The Lost Explorer, Riva has worked on psychological thrillers, romantic comedies, dramas, documentaries, and animated films, as well as short films and television programs.
The soundtrack album of the third season of HBO series Game of Thrones, titled Game of Thrones: Season 3, was released digitally on June 4, 2013, and on CD on July 2, 2013. The album was composed by Ramin Djawadi.
The International Film Music Critics Association Award for Best Original Score for a Comedy Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for a comedy film deemed to be the best in a given year. The award was first given in 1998, before going a six-year hiatus. It has been awards every year since 2004.
The International Film Music Critics Association Award for Best Original Score for Television is an annual award given by the International Film Music Critics Association (IFMCA). Established in 2004, the award is given to the composer of a television score based on two criteria: "the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience." The awarding period runs January 1 through December 31 every year, and IFMCA members vote for the winner the following February.
The International Film Music Critics Association Award for Best Original Score for a Video Game or Interactive Media is an annual award given by the International Film Music Critics Association (IFMCA). Established in 2007, the award is given to the composer of a video game score based on two criteria: "the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience." The awarding period runs January 1 through December 31 every year, and IFMCA members vote for the winner the following February.
The International Film Music Critics Association Award for Best New Archival Release of an Existing Score – Re-Release or Re-Recording is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer(s) of a score's re-release and/or re-recording deemed to be the best in a given year. Recipients of the award also include conductors, album producers, album artwork artists and liner note writers. The award was first given in 1998, and separated into two categories; one for re-releases, and another for re-recordings. It has been awarded every year since 2008.
Amie Doherty is an Irish composer and orchestrator for film and television. She is the first woman to score an animated feature for DreamWorks.
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