International Film Music Critics Association Award for Best Original Score for a Video Game or Interactive Media | |
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First awarded | 2007 |
Most awards | Austin Wintory |
Most nominations | Austin Wintory |
The International Film Music Critics Association Award for Best Original Score for a Video Game or Interactive Media is an annual award given by the International Film Music Critics Association (IFMCA). Established in 2007, the award is given to the composer of a video game score based on two criteria: "the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience." [1] The awarding period runs January 1 through December 31 every year, and IFMCA members vote for the winner the following February.
As of 2022 [update] , 52 composers have been nominated for the International Film Music Critics Association Award for Best Original Score for a Video Game or Interactive Media. The first award was given to John Debney for his work on the video game Lair . The most recent recipients were Mark Mothersbaugh and Wataru Hokoyama for their work on the video game Ratchet & Clank: Rift Apart . Austin Wintory has been nominated eight times and won three; he is the only composer to have been nominated twice in the same year, which happened in 2016. Four other composers (Chris Tilton, Bear McCreary, Neal Acree, and Olivier Deriviere) have been nominated four times.
In the tables below, winners are marked by a light green background and a double-dagger symbol (‡).
Grant Kirkhope is a Scottish composer and voice actor for video games and film. Some of his notable works include GoldenEye 007, Banjo-Kazooie, Donkey Kong 64, and Perfect Dark, among many others. He has won an Ivor Novello Award for Mario + Rabbids Sparks of Hope and a World Soundtrack Award for The King's Daughter as well as being nominated for various BAFTA, ASCAP, and IFMCA awards.
Olivier Derivière is a French video game composer, best known for his work on the Alone in the Dark, Obscure, Remember Me and Streets of Rage 4 soundtracks. His work on Remember Me won the 2013 IFMCA award for Best Original Score for a Video Game or Interactive Media.
Abel Korzeniowski is a Polish composer of film and theatre scores.
Austin Wintory is an American composer for film and video games. He is known for scoring the video games Flow and Journey, the latter of which made history as the only video game soundtrack to be nominated for the Grammy Award for Best Score Soundtrack for Visual Media.
John Paesano is an American composer working primarily in film, television, and video games. He is known for collaborating with director Wes Ball on the Maze Runner film trilogy and Kingdom of the Planet of the Apes, as well as composing for the Marvel Television series Daredevil and The Defenders. As a video game composer, he has contributed music to the acclaimed titles Detroit: Become Human and the three installments in the Marvel's Spider-Man series. Paesano won the BAFTA Games Award for Music, as well as the D.I.C.E. Award for Outstanding Achievement in Original Music Composition.
The International Film Music Critics Association Award for Film Score of the Year is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score deemed to be the best in a given year. The award was first given in 1998 till 2000, before going a four-year hiatus. It has been awarded every year since 2004.
The International Film Music Critics Association Award for Best Original Score for a Comedy Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for a comedy film deemed to be the best in a given year. The award was first given in 1998, before going a six-year hiatus. It has been awards every year since 2004.
The International Film Music Critics Association Award for Best Original Score for a Drama Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for a dramatic film deemed to be the best in a given year. The award was first given in 1998, before going a six-year hiatus. It has been awards every year since 2004.
The International Film Music Critics Association Award for Film Composer of the Year is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score or score deemed to be the best in a given year. The award was first given in 1998 till 2000, before going a four-year hiatus. It has been awards every year since 2004.
The International Film Music Critics Association Award for Best Original Score for an Animated Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for an animated film deemed to be the best in a given year. The award was first given in 2007. Previously, animated films were grouped in with live-action films in genre categories. Animated films are still eligible for Film Score of the Year.
The International Film Music Critics Association Award for Best Original Score for Television is an annual award given by the International Film Music Critics Association (IFMCA). Established in 2004, the award is given to the composer of a television score based on two criteria: "the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience." The awarding period runs January 1 through December 31 every year, and IFMCA members vote for the winner the following February.
The International Film Music Critics Association Award for Best Original Score for a Drama Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for a fantasy, science fiction and/or horror film deemed to be the best in a given year. The award was first given in 1998, but the genres were split, with fantasy films, science fiction films and horror films being grouped into their own categories. In 2005, fantasy and science fiction films were grouped together, while horror films were grouped with thriller films. It was first awarded, in its current form, in 2007, but reverted to dual categories the following year. It has been awarded, consecutively, since 2010.
The International Film Music Critics Association Award for Best Original Score for an Action/Adventure/Thriller Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for an action, science fiction and/or horror film deemed to be the best in a given year. The award was first given in 1998, but the genres were split, with action films, adventure films and thriller films being grouped into their own categories. In 2005, action and adventure films were grouped together, while horror films were grouped with thriller films. In 2007, action and thriller films were grouped together, with adventure being excluded from the title. They reverted to dual categories the following year. It has been awarded, consecutively, since 2010.
The International Film Music Critics Association Award for Best Original Score for a Documentary is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film or television score for an documentary deemed to be the best in a given year. The award was first given in 2008, for film documentary scores only. Since then, however, documentary series have been included into the category. It has been awarded under its current title since 2020.
The International Film Music Critics Association Award for Breakthrough Composer of the Year is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to new and/or emerging composers whose body of work in a given year is deemed to be the best in a given year. The award was first given in 1998. It has been awards every year since 2007.
The International Film Music Critics Association Award for Film Score of the Year is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a single film composition track deemed to be the best in a given year. It has been awards every year since 2006.
The International Film Music Critics Association Award for Best New Archival Release of an Existing Score – Re-Release or Re-Recording is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer(s) of a score's re-release and/or re-recording deemed to be the best in a given year. Recipients of the award also include conductors, album producers, album artwork artists and liner note writers. The award was first given in 1998, and separated into two categories; one for re-releases, and another for re-recordings. It has been awarded every year since 2008.