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Michael Z. Land is an American video game composer and musician best known for his scores for various games produced by LucasArts.
From the late 1980s to the early 2000s, LucasArts was well known for their point-and-click graphic adventure games, nearly all of which received high scoring reviews at the time of their release. Their style tended towards the humorous, often irreverent or slapstick humor, with the exceptions of Loom and The Dig. Their game design philosophy was that the player should never die or reach a complete dead-end, although there were exceptions.
Outlaws is a first-person shooter developed and published by LucasArts on April 7, 1997. Set in the Wild West, it follows retired U.S. Marshal James Anderson, who seeks to bring justice to a gang of criminals who killed his wife and kidnapped his daughter. It uses an enhanced version of the Jedi game engine, first seen in Star Wars: Dark Forces. It is also largely credited as the first shooter game with a sniper zoom, as well as one of the first to feature a gun reloading mechanic. LucasArts' INSANE animation engine was used to render computer graphics animation sequences. These have special filters to look hand-drawn, and play between each mission and set up the action in the next area.
iMUSE is an interactive music system used in a number of LucasArts video games. The idea behind iMUSE is to synchronize music with the visual action in a video game so that the audio continuously matches the on-screen events and transitions from one musical theme to another are done seamlessly. iMUSE was developed in the early 1990s by composers Michael Land and Peter McConnell while working at LucasArts. The iMUSE system was patented by LucasArts in 1994, after being added to the fifth version of the SCUMM game engine in 1991.
Richard Adrian Jacques is a British composer of film, television and video game music. He is best known for his scores for games such as Sonic R, Headhunter, Jet Set Radio Future, Mass Effect, James Bond 007: Blood Stone, LittleBigPlanet 2, and Guardians of the Galaxy. Jacques has collaborated with numerous premier TV and movie theatre campaigns for some of the world's largest media agencies including Saatchi & Saatchi and McCann Erickson, and global brands such as Audi, Bacardi, Mercedes-Benz and Stella Artois. His music for television includes top brand shows for the BBC, ITV and Channel 4.
Star Wars: X-Wing is a space simulation video game, the first of the X-Wing combat flight simulation games series. The player's character flies starfighters, including the X-wing, for the Rebel Alliance. The narrative precedes and parallels the events of Star Wars Episode IV: A New Hope.
Jeremy Soule is an American composer of soundtracks for film, television, and video games. He has composed soundtracks for over 60 games and over a dozen other works during his career, including The Elder Scrolls, Guild Wars, Icewind Dale, and the Harry Potter series.
Peter Nelson McConnell, also known as Peter Mc, is an American video game composer and musician. He is best known for his work at LucasArts and for composing the soundtracks for every Sly Cooper game since the second installment.
Martin O'Donnell is an American composer, audio director, and sound designer known for his work on video game developer Bungie's titles, such as the Myth series, Oni, the Halo series, and Destiny. O'Donnell collaborated with his Michael Salvatori for many of the scores; he has also directed voice talent and sound design for the Halo trilogy.
Brian L. Schmidt is a music composer for various video games and pinball machines.
Jack Wall is an American video game music composer. He has worked on video game music for over 20 games including the Myst franchise, Splinter Cell, Jade Empire, Mass Effect, and Call of Duty. Wall earned a degree in civil engineering from Drexel University in Philadelphia, Pennsylvania, and, after a brief stint working in civil engineering, transitioned into music production. He worked with musicians such as John Cale, David Byrne, and Patti Smith, and, after performing increasingly complex production and sound engineering tasks, moved into music composition in 1995.
Chance Thomas is an American composer, author, and entrepreneur. As a composer, he creates original music for animation, video games, movies, television, and virtual reality. His music has received critical acclaim and commercial success, including an Oscar, an Emmy, and billions of dollars in sales worldwide.
Garry Schyman is an American film, television, and video game music composer. He graduated from the University of Southern California with a degree in music composition in 1978, and began work in the television industry, writing music for such television series as Magnum, P.I. and The A-Team. By 1986, he was composing for movies such as Judgement and Hit List. At the request of a friend in 1993, he composed the music for the video game Voyeur, but after creating the music for two more games he left the industry, citing the low budgets and poor quality of video game music at the time. He continued to compose for film and television, only to return to video games for 2005's Destroy All Humans!. Finding that in his absence the quality and perceived importance of video game music had risen substantially, he has since composed for several games, writing the scores to BioShock and Dante's Inferno among others. He still composes for film however, his latest being Brush with Danger directed by young Indonesian director Livi Zheng. He has won numerous awards for his video game scores, including several "soundtrack of the year" awards. During his career, he has worked on over 25 television shows, 10 films, and 13 video games.
Jared Nathaniel Emerson-Johnson is an American video game music composer, sound designer, voice director and voice actor. Emerson-Johnson is the Music Supervisor and lead composer at Bay Area Sound, an audio production company specializing in sound design, music and voiceover for video games. His work has been predominantly featured in games developed by Telltale.
GameSoundCon is a conference and seminar on video game music and video game sound design. GameSoundCon began as a multi-city conference providing seminars occurring 2-4 times per year in various cities in the US on creating music and sound effects for videogames. Speakers and panelists from throughout the industry cover topics ranging from composing game music to game sound design and the business of game sound.
Uncharted: Drake's Fortune Original Soundtrack from the Video Game is the soundtrack to the 2007 action-adventure video game Uncharted: Drake's Fortune, developed by Naughty Dog. Composed by Greg Edmonson and performed by the Skywalker Session Orchestra, it was released on November 20, 2007 by the game's publisher, Sony Computer Entertainment.
Gordy Haab is an American film, video game and television composer based in Los Angeles, California. His work has been featured in works associated with franchises including Star Wars Battlefront II, for which he won Video Game Score of the Year from the American Society of Composers, Authors and Publishers. Haab is also known for his work on Microsoft's Halo Wars 2, for which he was nominated for a 2017 HMMA award. His score for Electronic Arts' Star Wars: Battlefront, won three awards at the 2016 GDC G.A.N.G. Awards: Music of the Year, Best Interactive Score, and Best Instrumental Score. Haab was also nominated for a BAFTA Games Awards for his work on Star Wars: Battlefront.
Wilbert Roget II is an American composer known for his work on video game music, particularly Mortal Kombat 11 (2019), Call of Duty: WWII (2017), Lara Croft and the Temple of Osiris, (2014) and Helldivers 2 (2024). His scores have won multiple awards and nominations from the Game Audio Network Guild and the Academy of Interactive Arts & Sciences.
The music for the video game Grim Fandango was composed and produced by Peter McConnell and published by LucasArts in 1998. The soundtrack is a mix of South American folk music, jazz, swing and big band sounds, for the game story filled with adventure and intrigue set in a unique combination of film noir and Mexican folklore's Day of the Dead. The soundtrack garnered critical acclaim and remained subject of positive reviews and inclusion in critics' rankings for the two decades after its first release. The soundtrack was praised both as a stand-alone musical experience, as well as for its outstanding contribution to the overall game experience; capturing the spirit of the game, "gluing" the story together, and becoming "integral" to the success of the game.
The Game Audio Network Guild Awards is an award show that celebrates excellence in video game audio. The awards, which started in 2004, are arranged by the Game Audio Network Guild and held annually during the Game Developers Conference in San Francisco. The first four shows were held at the Fairmont San Jose, before moving to the Moscone Center from the fifth; due to the COVID-19 pandemic, the 18th, 19th, and 20th ceremonies were held virtually.
References
- 1 2 "IMuse Island". Archived from the original on December 8, 2006. Retrieved January 9, 2007.
- ↑ Clint Bajakian's MobyGames profile.
- 1 2 "Blog". Pyramind.com. Archived from the original on November 23, 2013. Retrieved December 20, 2016.
- ↑ Game Audio Network Guild
- 1 2 3 4 5 6 7 "Clint Bajakian (Visual voices guide)".
