Andrew Lockington | |
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 Lockington in 2017 | |
| Background information | |
| Born | January 31, 1974 Burlington, Ontario, Canada |
| Occupation(s) | Composer |
| Years active | 1996–present |
Andrew Lockington (born January 31, 1974) is a Canadian film score composer.
Andrew Lockington | |
|---|---|
| Lockington in 2017 | |
| Background information | |
| Born | January 31, 1974 Burlington, Ontario, Canada |
| Occupation(s) | Composer |
| Years active | 1996–present |
Andrew Lockington (born January 31, 1974) is a Canadian film score composer.
Lockington was born in 1974 in Burlington, Ontario, Canada. He is married to Christy Lockington and has three daughters named Cielle Lockington, Kaya Lockington, and Ava Lockington.
He has composed the complete scores for over three dozen films and television series, including Journey to the Center of the Earth (2008), City of Ember (2008), Percy Jackson: Sea of Monsters (2013), San Andreas (2015), The Space Between Us (2017), and Rampage (2018).
He received the Breakout Composer of the Year Award from the 2009 International Film Music Critics Association (IFMCA) Awards, for his scores for Journey to the Center of the Earth and City of Ember. [1] He was also nominated for Best Original Score for a Fantasy/Science Fiction Film, for City of Ember. [2]
Max Richter is a German-born British composer and pianist. He works within postminimalist and contemporary classical styles. Richter is classically trained, having graduated in composition from the University of Edinburgh, the Royal Academy of Music in London, and studied with Luciano Berio in Italy.
Grant Kirkhope is a Scottish composer and voice actor for video games and film. Some of his notable works include GoldenEye 007, Banjo-Kazooie, Donkey Kong 64, and Perfect Dark, among many others. He has won an Ivor Novello Award for Mario + Rabbids Sparks of Hope and a World Soundtrack Award for The King's Daughter as well as being nominated for various BAFTA, ASCAP, and IFMCA awards.
Brian Theodore Tyler is an American composer, conductor, musician, arranger, and record producer, best known for his film, television, and video game scores. In his 26-year career, Tyler has scored seven installments of the Fast & Furious franchise, Rambo, Eagle Eye, The Expendables trilogy, Iron Man 3, Now You See Me, Avengers: Age of Ultron with Danny Elfman, Crazy Rich Asians and The Super Mario Bros. Movie among others. He also composed and re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012), and composed the 2013–2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN and the Formula One theme. He is also behind the soundtrack of many television series including Yellowstone. For his work as a film composer, he won the IFMCA Awards 2014 Composer of the Year.
Jeff Danna is a Canadian film composer. He has composed or co-composed scores for a wide range of films and television, including The Boondock Saints (1999), Resident Evil: Apocalypse (2004), Silent Hill (2006), The Imaginarium of Doctor Parnassus (2009), The Good Dinosaur (2015), Storks (2016), The Breadwinner (2017), The Addams Family (2019), Onward (2020), Guillermo Del Toro’s Tales of Arcadia (2019-2021), Nora Twomey’s My Father’s Dragon (2022) and Julia (2022).
Pinar Toprak is a Turkish-born American composer, conductor, and musician, who specializes in creating thematic scores. She has won numerous awards.
Abel Korzeniowski is a Polish composer of film and theatre scores.
The International Film Music Critics Association (IFMCA) is a professional association for online, print and radio journalists who specialize in writing about original film and television music.
Austin Wintory is an American composer for film and video games. He is known for scoring the video games Flow and Journey, the latter of which made history as the only video game soundtrack to be nominated for the Grammy Award for Best Score Soundtrack for Visual Media.
The International Film Music Critics Association Award for Best Original Score for a Comedy Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for a comedy film deemed to be the best in a given year. The award was first given in 1998, before going a six-year hiatus. It has been awards every year since 2004.
The International Film Music Critics Association Award for Film Composer of the Year is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score or score deemed to be the best in a given year. The award was first given in 1998 till 2000, before going a four-year hiatus. It has been awards every year since 2004.
The International Film Music Critics Association Award for Best Original Score for an Animated Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for an animated film deemed to be the best in a given year. The award was first given in 2007. Previously, animated films were grouped in with live-action films in genre categories. Animated films are still eligible for Film Score of the Year.
The International Film Music Critics Association Award for Best Original Score for Television is an annual award given by the International Film Music Critics Association (IFMCA). Established in 2004, the award is given to the composer of a television score based on two criteria: "the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience." The awarding period runs January 1 through December 31 every year, and IFMCA members vote for the winner the following February.
The International Film Music Critics Association Award for Best Original Score for an Action/Adventure/Thriller Film is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film score for an action, science fiction and/or horror film deemed to be the best in a given year. The award was first given in 1998, but the genres were split, with action films, adventure films and thriller films being grouped into their own categories. In 2005, action and adventure films were grouped together, while horror films were grouped with thriller films. In 2007, action and thriller films were grouped together, with adventure being excluded from the title. They reverted to dual categories the following year. It has been awarded, consecutively, since 2010.
The International Film Music Critics Association Award for Best Original Score for a Documentary is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer of a film or television score for an documentary deemed to be the best in a given year. The award was first given in 2008, for film documentary scores only. Since then, however, documentary series have been included into the category. It has been awarded under its current title since 2020.
The International Film Music Critics Association Award for Best Original Score for a Video Game or Interactive Media is an annual award given by the International Film Music Critics Association (IFMCA). Established in 2007, the award is given to the composer of a video game score based on two criteria: "the effectiveness, appropriateness and emotional impact of the score in the context of the film for which it was written; and the technical and intellectual merit of the composition when heard as a standalone listening experience." The awarding period runs January 1 through December 31 every year, and IFMCA members vote for the winner the following February.
The International Film Music Critics Association Award for Breakthrough Composer of the Year is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to new and/or emerging composers whose body of work in a given year is deemed to be the best in a given year. The award was first given in 1998. It has been awards every year since 2007.
The International Film Music Critics Association Award for Best New Archival Release of an Existing Score – Re-Release or Re-Recording is an annual award given by the International Film Music Critics Association, or the IFMCA. The award is given to the composer(s) of a score's re-release and/or re-recording deemed to be the best in a given year. Recipients of the award also include conductors, album producers, album artwork artists and liner note writers. The award was first given in 1998, and separated into two categories; one for re-releases, and another for re-recordings. It has been awarded every year since 2008.
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