Randy Thom | |
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Born | David Randall Thom August 21, 1951 Shreveport, Louisiana, U.S. |
Occupation | Sound Design |
Years active | 1971–present |
David Randall Thom (born August 21, 1951 [1] ) is an American sound designer and the current director of sound design at Skywalker Sound.
Randy Thom began working at FM radio station WYSO at Antioch College in Yellow Springs, Ohio as a volunteer in 1970. After two years he became the station's Program Director, produced a live music show he called “Live Music Crawlin’ Out Your Radio,” and did pieces for NPR’s “All Things Considered.”
In 1975 he moved to Berkeley, California and began working with Erik Bauersfeld at KPFA Radio producing radio plays.
Thom started his film career with a phone call to Walter Murch, who invited him to visit a re-mix of American Graffiti . Thom introduced himself to Murch, Ben Burtt, and Mark Berger, and said he had been working for a radio station in Berkeley, and wanted to work in film sound." [2]
At the end of the day, Murch asked him to write an essay about what he had seen during the visit. A few weeks later, Murch hired Randy to work on Apocalypse Now . His second film sound job would prove to be a turning point in his career, as he assisted Ben Burtt in the sound effects recording for The Empire Strikes Back .
In February 2010, Thom was honored with the Cinema Audio Society Career Achievement Award. The award was presented by Thom's longtime client and friend, Robert Zemeckis.
Thom received the prestigious MPSE Career Achievement Award at the 2014 Golden Reel Awards Gala in Los Angeles. The award was presented by George Lucas.
Thom has been nominated for fifteen Oscars and has won two: one for Best Sound (for The Right Stuff ) and one for Best Sound Editing (for The Incredibles ). He has also received a British Academy Award for The Revenant and a French Academy Award for Le Chant de Loup.
Year | Title | Role | Notes |
---|---|---|---|
1979 | Apocalypse Now | Post-production sound (effects) recordist | |
1983 | Koyaanisqatsi | Sound effects recordist | |
1983 | Star Wars Episode VI: Return of the Jedi | Production sound mixer, re-recording mixer | |
1983 | Never Cry Wolf | Sound mixer - Saul Zaentz | |
1983 | The Right Stuff | Sound re-recording mixer, sound effects recordist (uncredited) - Saul Zaentz | |
1984 | Indiana Jones and the Temple of Doom | Re-recording mixer | |
1985 | Grand Canyon: The Hidden Secrets | Sound designer, sound re-recording mixer (uncredited) | |
1985 | Latino | Sound designer, re-recording mixer | |
1987 | Spaceballs | Sound designer, re-recording mixer | |
1987 | Gardens of Stone | Re-recording mixer | |
1988 | Colors | Sound designer, re-recording mixer | |
1988 | Tucker: The Man and His Dream | Re-recording mixer | |
1989 | Romero | Sound re-recording mixer | |
1989 | Always | Foley artist, re-recording mixer | |
1990 | Wild at Heart | Sound designer, re-recording mixer | |
1990 | Loom | Sound design consultant: Audio Book Cassette | |
1991 | Backdraft | Re-recording mixer | |
1991 | A Brief History of Time | Sound effects, re-recording mixer | |
1993 | The Saint of Fort Washington | Re-recording mixer, sound designer (uncredited) | |
1994 | Forrest Gump | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
1994 | Disclosure | Re-recording mixer | |
1995 | Species | Re-recording mixer | |
1996 | The Frighteners | Sound designer, re-recording mixer | |
1996 | Mars Attacks! | Sound designer, re-recording mixer | |
1996 | Chain Reaction | Sound designer, re-recording mixer (uncredited) | |
1997 | Mimic | Sound designer | |
1997 | Contact | Sound designer, re-recording mixer | |
1998 | Stepmom | Re-recording mixer | |
1999 | Arlington Road | Sound designer, re-recording mixer | |
1999 | Snow Falling on Cedars | Re-recording mixer | |
1999 | The Iron Giant | Sound designer, re-recording mixer (uncredited) | |
1999 | Bicentennial Man | Sound designer, re-recording mixer | |
2000 | Reindeer Games | Sound designer, re-recording mixer (uncredited) | |
2000 | What Lies Beneath | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2000 | Cast Away | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2001 | Osmosis Jones | Sound designer | |
2001 | Final Fantasy: The Spirits Within | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2002 | Windtalkers | Supervising sound editor (uncredited), re-recording mixer | |
2002 | Harry Potter and the Chamber of Secrets | Sound designer, supervising sound editor | |
2003 | Darkness Falls | Sound designer, re-recording mixer | |
2003 | Lara Croft Tomb Raider: The Cradle of Life | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2004 | Ghost in the Shell 2: Innocence | Sound designer | |
2004 | Shrek 2 | Sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2004 | The Polar Express | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2004 | The Incredibles | Sound designer, re-recording mixer, supervising sound editor | |
2005 | War of the Worlds | Sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2005 | Harry Potter and the Goblet of Fire | Sound designer, supervising sound editor | |
2006 | Ice Age: The Meltdown | Sound designer, re-recording mixer, supervising sound editor | |
2006 | Over the Hedge | Re-recording mixer | |
2006 | Monster House | Sound designer, re-recording mixer, supervising sound editor | |
2006 | Eragon | Sound designer, re-recording mixer, supervising sound editor | |
2007 | Ratatouille | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2007 | The Simpsons Movie | Sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2007 | Bee Movie | Sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2007 | Enchanted | Sound designer, re-recording mixer, supervising sound editor | |
2007 | Beowulf | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2008 | Standard Operating Procedure | Sound designer (uncredited), supervising sound editor | |
2008 | Horton Hears a Who! | Sound designer, re-recording mixer, supervising sound editor | |
2008 | Bolt | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2008 | Madagascar: Escape 2 Africa | Sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2009 | Coraline | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2009 | Ice Age: Dawn of the Dinosaurs | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2009 | A Christmas Carol | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2010 | Percy Jackson & the Olympians: The Lightning Thief | Sound designer, re-recording mixer, supervising sound editor | |
2010 | How to Train Your Dragon | Voice of Toothless, sound designer, re-recording mixer, supervising sound editor | |
2010 | Despicable Me | Sound designer (uncredited), re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2010 | The Last Airbender | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2011 | Mars Needs Moms | Supervising sound designer | |
2011 | Rio | Sound designer, re-recording mixer, supervising sound editor | |
2012 | The Lorax | Sound designer, re-recording mixer, supervising sound editor | |
2012 | Ice Age: Continental Drift | Sound designer, re-recording mixer, supervising sound editor, additional voices | |
2012 | Flight | Sound designer, re-recording mixer, supervising sound editor | |
2013 | The Croods | Voice of Sandy Crood, sound designer, re-recording mixer, supervising sound editor, ADR group | |
2013 | Epic | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2013 | Free Birds | Re-recording mixer, supervising sound designer | |
2014 | Rio 2 | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2014 | How to Train Your Dragon 2 | Voice of Toothless, sound designer, re-recording mixer, supervising sound editor | |
2015 | Home | Sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2015 | The Peanuts Movie | Sound designer, re-recording mixer, supervising sound editor, additional voices: Snoopy vocals | |
2015 | Crimson Peak | Sound designer, supervising sound editor, re-recording mixer (uncredited) | |
2015 | The Walk | Sound designer, supervising sound editor, re-recording mixer | |
2016 | Pete's Dragon | Additional supervising sound designer | |
2017 | Despicable Me 3 | Re-recording mixer, sound design consultant | |
2017 | Ferdinand | Sound designer, re-recording mixer, supervising sound editor | |
2019 | How to Train Your Dragon: The Hidden World | Voices of Toothless and Light Fury, sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited) | |
2019 | Spies in Disguise | Sound designer, re-recording mixer, supervising sound editor (uncredited) | |
2019 | Abominable | Special thanks | |
2020 | The Croods: A New Age | Sound designer, re-recording mixer (uncredited), supervising sound editor (uncredited), ADR group | |
2020 | The Witches | Sound designer, re-recording mixer | |
2021 | Vivo | Sound designer, re-recording mixer, additional voices | |
2022 | Wendell & Wild | Sound designer | |
2023 | The Super Mario Bros. Movie [3] | Sound designer |
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Skywalker Sound is the American sound effects, sound editing, sound design, sound mixing and music recording division of Lucasfilm. Founded in 1975, the company's main facilities are located at George Lucas's Skywalker Ranch in Lucas Valley, near Nicasio, California.
Walter Scott Murch is an American film editor, director, writer and sound designer. His work includes THX 1138, Apocalypse Now, The Godfather I, II, and III, American Graffiti, The Conversation, Ghost and The English Patient, with three Academy Award wins.
Benjamin Burtt Jr. is an American sound designer, film director, film editor, screenwriter, and voice actor. As a sound designer, his credits include the Star Wars and Indiana Jones film series, Invasion of the Body Snatchers (1978), E.T. the Extra-Terrestrial (1982), WALL-E (2008), and Star Trek (2009).
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Mark Berger is an American sound engineer. He has won four Academy Awards for Best Sound. He holds the Academy Award record for "perfect score" with 4 nominations and 4 wins. He is best known for his work on The Godfather Part II (1974), One Flew Over the Cuckoo's Nest (1975) and Apocalypse Now (1979). He has worked on more than 170 films since 1973.
Michael J. Kohut was an American audio engineer. He was a seven-time Academy Award nominee for Best Sound, a BAFTA award winner for Best Sound for Fame and was President of Post Production Facilities at Sony Pictures Studios. During his tenure at Sony Pictures Studios, he led the American team in the development of Sony Dynamic Digital Sound the discrete eight-channel playback system for motion picture sound.
Tom Scott is an American sound engineer. He has won two Academy Awards for Best Sound. From 1985 to 1992, he was the chief engineer of Skywalker Sound.
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Doc Kane is an American sound engineer. He has been nominated for four Academy Awards in the category Best Sound, and won Best Sound Editing at the 77th Academy Awards for The Incredibles. He has worked on nearly 500 films since 1984.
Paul Massey is an English sound engineer working based in Southern California. He has been nominated for ten Academy Awards in the category Best Sound. He has worked on 200-plus films since 1982. He won the Academy Award for Best Sound Mixing in 2019 for Bohemian Rhapsody along with John Casali and Tim Cavagin. In 2022 Massey received the Cinema Audio Society’s Career Achievement Award at the 58th annual CAS Awards.
Gary Rizzo is an American re-recording mixer. He studied audio engineering at Full Sail University and works at Lucasfilm's Skywalker Sound. He has won two Academy Awards for Best Sound Mixing and has been nominated for another three. He has worked on more than 200 films since 1994.
Paul N. J. Ottosson is a Swedish sound designer. The recipient of numerous accolades, including three Academy Awards, a BAFTA Award, and a Primetime Emmy Award, he has worked on more than 130 films since 1995.
Richard L. Anderson is an American sound effects editor, best known for Raiders of the Lost Ark. He has been nominated twice for sound editing, and received a Special Achievement Academy Award in 1981. He has nearly 140 film credits since his start in 1972.
Gloria Borders is a sound effects editor, best known for Terminator 2: Judgment Day for which she won an Oscar as well for Best Sound Editing. She was also the General Manager for Skywalker Sound.
Michael Silvers is a sound editor who has often worked with Pixar. He has worked on nearly every Pixar feature film.
Dennis Leonard is a sound editor. He was nominated at the 77th Academy Awards for the film The Polar Express in the category of Best Sound Editing. His nomination was shared with Randy Thom.