Crimson Peak | |
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Directed by | Guillermo del Toro |
Written by |
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Produced by |
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Starring | |
Cinematography | Dan Laustsen |
Edited by | Bernat Vilaplana |
Music by | Fernando Velázquez |
Production companies |
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Distributed by | Universal Pictures |
Release dates |
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Running time | 119 minutes [1] |
Countries | |
Language | English |
Budget | $55 million [4] |
Box office | $74.7 million [4] |
Crimson Peak is a 2015 Gothic romance film [5] directed by Guillermo del Toro and written by del Toro and Matthew Robbins. The film stars Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, and Jim Beaver. The story, set in Victorian-Era England, follows an aspiring author who travels to a remote Gothic mansion in Cumberland, England with her new husband and his sister. There, she must decipher the mystery behind the ghostly visions that haunt her new home.
In 2006, a spec script written by Del Toro and Robbins was sold to Universal Pictures, with Del Toro set to direct. Development was delayed due to scheduling conflicts. The film was described as a "ghost story and gothic romance" heavily inspired by other horror films, such as The Haunting , The Innocents and The Shining . Principal photography began at Pinewood Toronto Studios in Toronto, Ontario on February 10, 2014, with additional filming in Hamilton, and ended on May 16 that year. The film was produced by Legendary Pictures and Del Toro's production company, Double Dare You Productions.
Crimson Peak premiered at Fantastic Fest on September 25, 2015, and was released in the United States on October 16, 2015, in standard and IMAX formats. The film received generally positive reviews from critics, with many praising the production values, performances and direction, but criticized the plot and characters. It grossed $74 million worldwide against its $55 million budget which was considered a box-office disappointment. The film received three nominations at the 21st Empire Awards, including Best Horror. It received nine nominations at the 42nd Saturn Awards, winning three, including Best Horror Film, Best Supporting Actress for Chastain and Best Production Design for Thomas E. Sanders.
In 1887 Buffalo, New York, American heiress Edith Cushing, daughter of wealthy businessman Carter Cushing, is visited by her mother's ghost who warns, "Beware of Crimson Peak."
In 1901, Edith is now a budding author, and meets English baronet Sir Thomas Sharpe and his sister, Lucille. Thomas seeks investors for his invention, a digging machine to revive his family's clay mines, but Mr. Cushing rejects his proposal. Thomas and Edith become romantically attached, leading her father to hire a private detective who uncovers unsavory facts about the Sharpe siblings. Mr. Cushing bribes them to leave America, forcing Thomas to "break Edith's heart" by disparaging her and her novel.
Thomas returns Edith's manuscript with a letter explaining his actions, and they reconcile. Mr. Cushing is brutally murdered, raising the suspicions of Edith's childhood friend, Dr. Alan McMichael. Thomas marries Edith — giving her a ring taken from Lucille — and they arrive at Allerdale Hall, the Sharpes' dilapidated Cumberland mansion, which is sinking into the red clay mine below. Lucille plies Edith with tea made from "firethorn berries" and Thomas persuades her to put her father's fortune toward his machine.
Edith begins to notice Thomas' absence from their shared bedroom during the night. She is plagued by nightmares and continually visited by gruesome red ghosts around Allerdale, one of which tricks her into opening a closet, where she discovers wax phonograph cylinders, before chasing her into the cellars, where she finds a locked trunk engraved with the name "Enola". Soon after this, Thomas tells Edith that the estate is referred to as "Crimson Peak" due to the warm clay from the mine leeching up from the ground and staining the winter snow, turning it bright red. Thomas takes Edith on a trip to the local post office for some fresh air after Edith demands to leave, where she receives a letter addressed to E. Sharpe. Snowed in for the night, they finally make love, which Lucille is infuriated to learn.
Edith steals a key from Lucille bearing the inscription "Enola" and unlocks the trunk to find a gramophone and secret documents. Using the gramophone to listen to the audio recordings on the wax cylinders, and while reading the paper documents, Edith learns that Thomas previously married three other wealthy women — including Enola Sciotti, the letter's intended recipient — and that Lucille has been poisoning Edith with tea as part of the siblings' "marriage and murder" scheme to finance Thomas' inventions. Edith confronts her husband and sister-in-law, catching them in an incestuous embrace, and Lucille pushes her from a balcony.
Alan has learned what Mr. Cushing uncovered about the Sharpes: Thomas's multiple marriages and Lucille's time in a mental institution. He travels to Allerdale Hall to rescue Edith, arriving just after she has been pushed. Tending to her injuries, Alan prepares to leave with Edith, but Lucille stabs him and demands that Thomas finish the job. Thomas, instead, inflicts an intentionally nonfatal stab wound to Alan before hiding him in the cellar.
Lucille forces Edith to sign a transfer deed granting the Sharpes ownership of her estate, and confesses to having murdered Thomas’ previous wives and having borne a child with Thomas that soon died — these are the ghosts who have appeared to Edith. Lucille admits to murdering Edith's father, as well as her own mother when she discovered Lucille and Thomas' sexual relationship. Edith stabs Lucille with her pen and flees, but is confronted by Thomas, who has truly fallen in love with her. He burns the deed and begs his sister to join him and Edith in a new life together, but an enraged Lucille stabs him to death. She pursues Edith with the cleaver she used to kill her mother, but is halted by Thomas' ghost, allowing Edith to kill her with a shovel. Edith silently bids Thomas farewell before he vanishes.
Edith and Alan are rescued by the villagers, and Lucille becomes the ghost of Allerdale Hall, playing her piano for eternity.
The end credits imply that Edith has written a novel based on her experiences, titled Crimson Peak.
But basically what it is, is a really, really, almost classical gothic romance ghost story, but then it has two or three scenes that are really, really disturbing in a very, very modern way. Very, very disturbing, it's a proper R rating. And it's adult.
—Guillermo del Toro [6]
Del Toro and Robbins wrote the original spec script after the release of Pan's Labyrinth in 2006. It was sold quietly to Donna Langley at Universal. Del Toro planned to direct the film, but postponed the project to make Hellboy II: The Golden Army , and then again to work on The Hobbit films. Langley suggested that del Toro produce the film for another director, but he could not find one he deemed suitable. While directing Pacific Rim , del Toro developed a good working relationship with Legendary Entertainment's Thomas Tull and Jon Jashni, who asked what he wanted to do next. Del Toro sent them his screenplays for a film adaptation of At the Mountains of Madness , a Western adaptation of The Count of Monte Cristo , and Crimson Peak. The producers deemed the last of these "the best project for us, just the right size". Universal allowed del Toro to move the project to Legendary, with the caveat that they could put up money for a stake in the film. [7]
Del Toro called the film a "ghost story and gothic romance". He has described it as "a very set-oriented, classical but at the same time modern take on the ghost story", and said that it would allow him to play with the genres' conventions while subverting their rules. [7] He stated, "I think people are getting used to horror subjects done as found footage or B-value budgets. I wanted this to feel like a throwback." [8]
Del Toro wanted the film to honor the "grand dames" of the haunted house genre, namely Robert Wise's The Haunting and Jack Clayton's The Innocents . The director intended to make a large-scale horror film in the tradition of those he grew up watching, such as The Omen , The Exorcist , and The Shining . He cited the latter as "another Mount Everest of the haunted house movie", praising the high production values and Stanley Kubrick's control over the large sets. [7]
British playwright Lucinda Coxon was enlisted to rewrite the script with del Toro, in hopes of bringing it a "proper degree of perversity and intelligence", but she is not credited on the finished film. [8]
Benedict Cumberbatch and Emma Stone were originally cast, but both dropped out of the production. Tom Hiddleston and Mia Wasikowska took over their respective roles, making this film their second collaboration after Only Lovers Left Alive . [9] [10] [11] [12] Crimson Peak is also the second collaboration between Wasikowska and Chastain after starring together in Lawless . The film was titled Haunted Peak while under production, a title used only for the studio booking. [13] In the summer of 2013, Burn Gorman joined the cast in a cameo role. [6]
In October 2013, Chastain went through a full-body cast process for the film. She posted pictures on her Facebook of her getting her head, torso, and fists cast. [14] Composer Fernando Velázquez composed the film's score. [15] Callum Greene, Jon Jashni and Thomas Tull helped produce the film. [16] [17]
Principal photography began in Toronto at Pinewood Toronto Studios on February 10, and ended on May 16, 2014. On April 28, filming started on Queen Street South, between Main Street and King Street in Hamilton, Ontario. That section of roadway was closed to traffic and covered in topsoil to assist in the look of the setting. The building to the west figured prominently. [18] [19] [20] Filming also took place in Kingston, Ontario on April 14, 2014. [21] The trailer features PJ Harvey's cover of "Red Right Hand". [22]
Crimson Peak held its world premiere at Fantastic Fest, in Austin, Texas, on September 25, 2015, with Del Toro in attendance, and was held as a "secret screening". The film was also screened at the UGC Cine Cite Bercy on September 28 in Paris, France. [23] The film premiered at Lincoln Square in New York on October 14, 2015. [24] The film was released theatrically in the United States on October 16, 2015, in standard and IMAX formats. [25] [26]
At San Diego Comic-Con on July 23, 2014, del Toro helped create props for the Legendary Pictures booth by allowing fans to walk through snow-covered gates, and a gallery of props from the set and costumes from the film, including a bloody knife and moth print in the wallpaper that spell out the word "fear". [27] [28] On February 13, 2015, the first trailer for the film was released online. [29] On May 13, 2015, the second trailer was released online, together with an international trailer featuring alternate material. [30]
On June 16, 2015, four character posters were released, featuring the four main cast members. [31] On July 6, 2015, four alternate character posters were released, less than a week prior to Legendary Pictures' Crimson Peak panel at San Diego Comic-Con. [32]
On July 11, 2015, John Murdy, creative director of Universal Studios Hollywood's Halloween Horror Nights, announced that the film would be adapted into a maze for the 2015 season. A novelization of the film, by Nancy Holder, was released on October 20, 2015. Publisher Titan Books had previously published the novelization of del Toro's film Pacific Rim .
Crimson Peak grossed $31.1 million in North America and $43.6 million in other territories for a worldwide total of $74.7 million, against a budget of $55 million. [4]
In the United States and Canada, the film opened simultaneously with Bridge of Spies , Goosebumps , and Woodlawn , on October 16, 2015, in 3,501 theaters, as well as IMAX and premium large formats. [33] Pre-release tracking projected the film to open to around $15–20 million. [34] [35] It made $855,000 from its early Thursday night showings at 2,178 theaters and $5.2 million on its opening day. [36] [37] It ended up opening to $12.8 million, with IMAX comprising $2.3 million from 365 IMAX theaters. The film suffered from a very competitive PG-13 adult market where such films as The Martian and Bridge of Spies were overperforming. Women represented 60% of the film's audience with 55% 25 or older. [38] [39]
Outside North America, Crimson Peak opened in 66 countries. It earned $13.6 million in its opening weekend from 55 territories. [40] It opened at No. 2 in Russia and the CIS ($2.6 million; behind The Martian) and Spain ($1.1 million) and No. 5 in the U.K., Ireland and Malta ($1.5 million). [40] It opened in Belgium, Greece, Israel, Italy, Poland, Portugal, and Trinidad around October 22–23. [40] [41]
Crimson Peak received positive reviews from critics. On Rotten Tomatoes, the film has a 73% approval rating based on 284 reviews, with an average rating of 6.60/10. The site's critical consensus reads, "Crimson Peak offers an engaging – albeit somewhat slight – diversion driven by a delightfully creepy atmosphere and director Guillermo del Toro's brilliant knack for unforgettable visuals." [42] Metacritic gives the film a score of 66 out of 100, based on 37 critics, indicating "generally favorable reviews". [43] On CinemaScore, audiences gave the film an average grade of "B−" on an A+ to F scale. [44]
After attending an early screening, horror writer Stephen King called the film "gorgeous and just fucking terrifying", and said it "electrified" him like Sam Raimi's The Evil Dead , whose distribution he helped secure with a rave review in 1982. King's son, writer Joe Hill, called Crimson Peak "del Toro's blood-soaked Age of Innocence , a gloriously sick waltz through Daphne du Maurier territory". [45] IGN reviewer Scott Collura gave the film an 8.5 out of 10 score, saying, "Featuring memorable performances, amazing production design, and a hard edge that is too often lacking in horror films these days, it nonetheless also manages to subvert some long-standing tropes about the gothic romance genre which inspired it." [46] Writing on Roger Ebert's official website and giving the movie four stars out of four, Sheila O'Malley said "Watching del Toro's films is a pleasure because his vision is evident in every frame. Best of all, though, is his belief that 'what terrifies him will terrify others.' He's right." [47] Robbie Collin of The Daily Telegraph wrote that "Its sombre sincerity and hypnotic, treasure-box beauty make Crimson Peak feel like a film out of time – but Del Toro, his cast and his crew carry it off without a single postmodern prod or smirk. The film wears its heart on its sleeve, along with its soul and most of its intestines." [48] The Guardian lead film critic Peter Bradshaw gave the film four stars out of five, wrote that "Guillermo del Toro's gothic fantasy-romance Crimson Peak is outrageously sumptuous, gruesomely violent and designed to within an inch of its life." [49] Observer critic Mark Kermode considered it the director's best film since Pan's Labyrinth and noted the various gothic and horror influences - including Sheridan Le Fanu, Robert Stevenson's Jane Eyre , and Hitchcock's Rebecca - on "one of the year's most handsomely mounted productions." [50]
Dan Jolin of Empire wrote that "It may be a little overwrought for some tastes, borderline camp at points, but if you're partial to a bit of Victorian romance with Hammer horror gloop and big, frilly night-gowns, GDT delivers an uncommon treat." [51] Bilge Ebiri of Vulture wrote that "It doesn't always seem to know what it wants to be. But it's still full of marvels." [52] Sara Stewart of the New York Post wrote that "Chastain and Wasikowska take center stage while Hiddleston flutters around like one of Allerdale's huge black moths. Watching the women square off within del Toro's eye-popping, painterly palette is a feast for the eyes, if not particularly substantial fare for the mind." [53] A.O. Scott of The New York Times wrote that "The film is too busy, and in some ways too gross, to sustain an effective atmosphere of dread. It tumbles into pastiche just when it should be swooning and sighing with earnest emotion." [54] Michael O'Sullivan of The Washington Post wrote that "The film by the stylish fantasist Guillermo del Toro looks marvelous, but has a vein of narrative muck at its core." [55] Tom Huddleston of Time Out London wrote that "All three actors work hard... and when the melodrama hits fever pitch, Crimson Peak lurches into life. But overall this lacks weight and intensity: a Brontë-esque bauble smeared in twenty-first-century slickness." [56] Peter Debruge of Variety wrote that "Aflame with color and awash in symbolism, this undeniably ravishing yet ultimately disappointing haunted-house meller is all surface and no substance, sinking under the weight of its own self-importance into the sanguine muck below." [57] Chris Nashawaty of Entertainment Weekly wrote that "Crimson Peak is a cobwebs-and-candelabras chamber piece that's so preoccupied with being visually stunning it forgets to be scary." [58]
Award | Category | Recipient(s) | Result | Ref. |
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Empire Awards | Best Horror | Crimson Peak | Nominated | [59] [60] |
Best Costume Design | Crimson Peak | Nominated | ||
Best Make-Up and Hairstyling | Crimson Peak | Nominated | ||
Best Production Design | Crimson Peak | Nominated | ||
Fangoria Chainsaw Awards | Best Wide Release Film | Crimson Peak | Runner-up | [61] |
Best Screenplay | Guillermo del Toro and Matthew Robbins | Nominated | ||
Best Actor | Tom Hiddleston | Runner-up | ||
Best Supporting Actor | Jim Beaver | Nominated | ||
Best Supporting Actress | Jessica Chastain | Won | ||
Best Score | Fernando Velázquez | Runner-up | ||
Golden Trailer Awards | Best Horror | "House" | Nominated | [62] |
Best Horror TV Spot | "Blood" | Nominated | ||
Best Motion/Title Graphics | "House" | Nominated | ||
Saturn Awards | Best Horror Film | Crimson Peak | Won | [63] [64] |
Best Director | Guillermo del Toro | Nominated | ||
Best Writing | Guillermo del Toro and Matthew Robbins | Nominated | ||
Best Actress | Mia Wasikowska | Nominated | ||
Best Supporting Actress | Jessica Chastain | Won | ||
Best Music | Fernando Velázquez | Nominated | ||
Best Production Design | Thomas E. Sanders | Won | ||
Best Costume Design | Kate Hawley | Nominated | ||
Best Make-up | David Martí, Montse Ribé and Xavi Bastida | Nominated | ||
Doug Jones is an American actor, contortionist, and mime artist. He is best known for portraying non-human creatures, usually via heavy make-up and visual effects. He has most notably collaborated with acclaimed filmmaker Guillermo del Toro, appearing in the films Mimic (1997), Hellboy (2004), Pan's Labyrinth (2006), Hellboy II: The Golden Army (2008), Crimson Peak (2015), and The Shape of Water (2017).
Charles Matthew Hunnam is an English actor. He is best known for his role as Jax Teller in the FX series Sons of Anarchy (2008–2014). His portrayal was nominated twice for the Critics' Choice Television Award for Best Actor.
Guillermo del Toro Gómez is a Mexican filmmaker, author, and artist. His work has been characterized by a strong connection to fairy tales, gothicism and horror often blending the genres, with an effort to infuse visual or poetic beauty in the grotesque. He has had a lifelong fascination with monsters, which he considers symbols of great power. He is also known for his use of insectile and religious imagery, his themes of Catholicism, anti-fascism, and celebrating imperfection, underworld motifs, practical special effects, and dominant amber lighting.
The Devil's Backbone is a 2001 gothic horror film directed by Guillermo del Toro, and written by del Toro, David Muñoz, and Antonio Trashorras. Set in Spain, 1939, during the final year of the Spanish Civil War, the film follows a boy who is left in an orphanage operated by Republican loyalists and haunted by the ghost of a recently-deceased boy. It stars Marisa Paredes, Eduardo Noriega, Federico Luppi, Irene Visedo, Fernando Tielve, and Íñigo Garcés. Released in Spain by Warner Sogefilms on 20 April 2001, the film received highly positive reviews from critics.
Thomas William Hiddleston is an English actor. He gained international fame portraying Loki in the Marvel Cinematic Universe (MCU), beginning with Thor in 2011 and including the Disney+ series Loki since 2021.
Mia Wasikowska is an Australian actress. She made her screen debut on the Australian television drama All Saints in 2004, followed by her feature film debut in Suburban Mayhem (2006). She first became known to a wider audience following her critically acclaimed work on the HBO television series In Treatment (2008). She was nominated for the Independent Spirit Award for Best Supporting Female for the film That Evening Sun (2009).
Jessica Michelle Chastain is an American actress and producer. Known for primarily starring in projects with feminist themes, she has received various accolades, including an Academy Award and a Golden Globe, in addition to nominations for two Tony Awards and a Primetime Emmy Award. Time magazine named her one of the 100 most influential people in the world in 2012.
Goosebumps is a 2015 American horror comedy film directed by Rob Letterman and written by Darren Lemke, based on R. L. Stine's children's horror book series of the same name. The film stars Jack Black as a fictionalized version of Stine, who teams up with his neighbor and his teenage daughter, to save their hometown after all the monsters from the Goosebumps franchise escape from his works, wreaking havoc in the real world. It also stars Amy Ryan, Ryan Lee and Jillian Bell in supporting roles.
Pacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro, starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Robert Kazinsky, Max Martini, and Ron Perlman, and the first film in the Pacific Rim franchise. The screenplay was written by Travis Beacham and del Toro from a story by Beacham. The film is set in the future, when Earth is at war with the Kaiju, colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers, gigantic humanoid mechas, each controlled by two co-pilots whose minds are joined by a mental link. Focusing on the war's later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.
Mama is a 2013 supernatural horror film directed and co-written by Andy Muschietti in his directorial debut and based on his 2008 Argentine short film Mamá. The film stars Jessica Chastain, Nikolaj Coster-Waldau, Megan Charpentier, Isabelle Nélisse, Daniel Kash, and Javier Botet as the title character.
The Strain is an American horror drama television series that aired on FX from July 13, 2014, to September 17, 2017. It was created by Guillermo del Toro and Chuck Hogan, based on their novel trilogy of the same name. Carlton Cuse served as executive producer and showrunner. Del Toro and Hogan wrote the pilot episode, "Night Zero", which del Toro directed. A thirteen-episode first season was ordered on November 19, 2013. The pilot episode premiered at the ATX Television Festival in Austin, Texas, in early June 2014.
The Gothic romance film is a Gothic film with feminine appeal. Diane Waldman wrote in Cinema Journal that Gothic films in general "permitted the articulation of feminine fear, anger, and distrust of the patriarchal order" and that such films during World War II and afterward "place an unusual emphasis on the affirmation of feminine perception, interpretation, and lived experience". Between 1940 and 1948, the Gothic romance film was prevalent in Hollywood, being produced by well-known directors and actors. The best-known films of the era were Rebecca (1940), Suspicion (1941), and Gaslight (1944). Less well-known films were Undercurrent (1946) and Sleep, My Love (1948). Waldman describes these films' Gothic rubric: "A young inexperienced woman meets a handsome older man to whom she is alternately attracted and repelled." Other films from the decade include The Enchanted Cottage (1945) and The Heiress (1949).
The 42nd Saturn Awards, presented by the Academy of Science Fiction, Fantasy and Horror Films and honoring the best in science fiction, fantasy, horror, and other genres in film, television, home entertainment, and local theatre in 2015 and early 2016, were held on June 22, 2016, in Burbank, California, and hosted by actor John Barrowman. Nominations were announced on February 24, 2016. This ceremony featured several major changes on the television side, with all "Best Television Series" categories being replaced by new ones, with the exception of Best Superhero Adaptation Television Series.
The following is a list of unproduced Guillermo del Toro projects in roughly chronological order. During his decades-long career, Mexican filmmaker and author Guillermo del Toro has worked on a number of projects that never progressed beyond the pre-production stage. Some of these projects fell into development hell and are presumably canceled, while some were taken over and completed by other filmmakers.
Jon Jashni is an American media investor and advisor.
Haunted Mansion is a 2023 American supernatural horror comedy film directed by Justin Simien from a screenplay by Katie Dippold. It stars LaKeith Stanfield, Tiffany Haddish, Owen Wilson, Danny DeVito, Rosario Dawson, Dan Levy, Jamie Lee Curtis and Jared Leto. Produced by Walt Disney Pictures and Rideback, it is the second film adaptation of Walt Disney's eponymous theme park attraction, following the 2003 version. In the film, a single mother and her son enlist the aid of an astrophysicist turned tour guide (Stanfield), a struggling psychic (Haddish), a conman posing as a priest (Wilson) and a college historian (DeVito) to help exorcise the ghostly inhabitants of the titular building that they have recently moved into.
Guillermo del Toro's Cabinet of Curiosities is a horror anthology television miniseries created by Guillermo del Toro for Netflix. It features eight modern horror stories in the traditions of the Gothic and Grand Guignol genres. Two are co-written by del Toro himself, while the others are written and directed by various filmmakers. It premiered on October 25, 2022, and received positive reviews.
Crimson Peak (Original Motion Picture Soundtrack) is the soundtrack to the 2015 film of the same name directed by Guillermo del Toro and starred Mia Wasikowska, Jessica Chastain and Tom Hiddleston. The soundtrack features 36 tracks from the original score composed by Fernando Velázquez and was released by Quartet Records digitally on October 16, 2015 and in physical formats on October 23. The soundtrack was further published in vinyl by Waxwork Records and released on June 2, 2023.