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Gothic fiction, sometimes called Gothic horror in the 20th century, is a genre of literature and film that covers horror, death and at times romance. It is said to derive from the English author Horace Walpole's 1764 novel The Castle of Otranto, later subtitled "A Gothic Story". Early contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford and Matthew Lewis. It tends to stress emotion and a pleasurable terror that expands the Romantic literature of the time. The common "pleasures" were the sublime, which indescribably "takes us beyond ourselves." Such extreme Romanticism was popular throughout Europe, especially among English and German-language authors. Its 19th-century success peaked with Mary Shelley's Frankenstein and work by E. T. A. Hoffmann, Edgar Allan Poe and Charles Dickens, and in poetry with Samuel Taylor Coleridge. Also prominent was the later Dracula by Bram Stoker. The name Gothic spread from the Goths to mean "German". It also draws in Gothic architecture of the European Middle Ages, where many of the stories occur. Twentieth-century contributors include Daphne du Maurier, Stephen King, Shirley Jackson, Anne Rice and Toni Morrison.
A horror film is one that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films additionally aim to evoke viewers' nightmares, revulsions and terror of the unknown or the macabre. Initially inspired by literature from authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley, horror has existed as a film genre for more than a century. Horror may also overlap with the fantasy, supernatural fiction, and thriller genres.
Horror is a genre of speculative fiction which is intended to frighten, scare, or disgust. Literary historian J. A. Cuddon defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". It creates an eerie and frightening atmosphere. Horror is often divided into either the psychological horror and supernatural horror sub-genre. Often the central menace of a work of horror fiction can be interpreted as a metaphor for the larger fears of a society. Prevalent elements include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, dystopian and apocalyptic worlds, serial killers, cannibalism, psychopaths, cults, dark magic, Satanism, the macabre, gore, and torture.
Psychological horror is a subgenre of horror and psychological fiction with a particular focus on mental, emotional, and psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action, and paranoia of the setting and plot and to provide an overall unpleasant, unsettling, or distressing atmosphere.
Romance films, romance movies, ship movies or ship films are romantic love stories recorded in visual media for broadcast in theaters and on TV that focus on passion, emotion, and the affectionate romantic involvement of the main characters and the journey that their love takes them through dating, courtship or marriage. Romance films make the romantic love story or the search for strong and pure love and romance the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family that threaten to break their union of love. As in all quite strong, deep, and close romantic relationships, tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
Mario Bava was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter, frequently referred to as the "Master of Italian Horror" and the "Master of the Macabre". His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature.
The Spiral Staircase is a 1946 American psychological horror film directed by Robert Siodmak and starring Dorothy McGuire, George Brent, and Ethel Barrymore. Adapted from Ethel Lina White's British novel Some Must Watch (1933) by screenwriter Mel Dinelli, the film follows a mute young woman in an early-20th century Vermont town being terrorized by a serial killer who targets disabled women. The novel was adapted for a radio production starring Helen Hayes before reaching the screen.
Bloody Pit of Horror is a 1965 gothic horror film. The film, set in Italy, was directed by Domenico Massimo Pupillo and stars Mickey Hargitay, Walter Brandi, Luisa Baratto and Rita Klein. It tells the story of a group of women modeling for a photo shoot at a castle, whose owner takes on the identity of the Crimson Executioner, bent on their deaths.
Erotic thriller is a film subgenre defined as a thriller with a thematic basis in illicit romance or erotic fantasy. Most erotic thrillers contain scenes of softcore sex and nudity, but the frequency and explicitness of those scenes varies. The combination of danger and romance appealed to both male and female audiences.
New French Extremity is a term coined by Artforum critic James Quandt for a collection of transgressive films by French directors at the turn of the 21st century. The said filmmakers were also discussed by Jonathan Romney in The Independent.
Supernatural horror film is a film genre that combines aspects of horror film and supernatural film. Supernatural occurrences in such films often include ghosts and demons, and many supernatural horror films have elements of religion. Common themes in the genre are the afterlife, the Devil, and demonic possession. Not all supernatural horror films focus on religion, and they can have "more vivid and gruesome violence."
Urban Gothic is a subgenre of Gothic fiction, film horror and television dealing with industrial and post-industrial urban society. It was pioneered in the mid-19th century in Britain, Ireland and the United States and developed in British novels such as Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), and Irish novels such as Oscar Wilde's The Picture of Dorian Gray (1890), and Bram Stoker's Dracula (1897). In the twentieth century, urban Gothic influenced the creation of the subgenres of Southern Gothic and suburban Gothic. From the 1980s, interest in the urban Gothic revived with books like Anne Rice's Vampire Chronicles and a number of graphic novels that drew on dark city landscapes, leading to adaptations in film including Batman (1989), The Crow (1994) and From Hell (2001), as well as influencing films like Seven (1995).
In film and television, drama is a category of narrative fiction intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods.
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.
A romantic thriller or a romance thriller is a narrative that involves elements of the romance and thriller genres.
The woman's film is a film genre which includes women-centered narratives, female protagonists and is designed to appeal to a female audience. Woman's films usually portray "women's concerns" such as problems revolving around domestic life, the family, motherhood, self-sacrifice, and romance. These films were produced from the silent era through the 1950s and early 1960s, but were most popular in the 1930s and 1940s, reaching their zenith during World War II. Although Hollywood continued to make films characterized by some of the elements of the traditional woman's film in the second half of the 20th century, the term itself disappeared in the 1960s. The work of directors George Cukor, Douglas Sirk, Max Ophüls, and Josef von Sternberg has been associated with the woman's film genre. Joan Crawford, Bette Davis, and Barbara Stanwyck were some of the genre's most prolific stars.
A list of reference works on the horror genre of film.
Crimson Peak is a 2015 gothic romance film directed by Guillermo del Toro and written by del Toro and Matthew Robbins. The film stars Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam, and Jim Beaver. The story, set in Victorian era England, follows an aspiring author who travels to a remote Gothic mansion in the English hills with her new husband and his sister. There, she must decipher the mystery behind the ghostly visions that haunt her new home.
The Gothic film is a film that is based on Gothic fiction or contains Gothic elements. Since various definite film genres—including science fiction, film noir, thriller, and comedy—have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have also infused the horror film genre, contributing supernatural and nightmarish elements. To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said "strong visuals, a focus on sexuality and an emphasis on audience response" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism.
References
- ↑ Waldman 1984 , p. 29
- ↑ McKee 2014 , p. 163
- ↑ Jacobs 2007 , p. 38
- ↑ Jacobs 2007 , p. 39
- ↑ Jacobs 2007 , p. 184
- ↑ Dockterman, Eliana (October 8, 2015). "Crimson Peak Arms the Damsel With a Knife". Time . Retrieved October 15, 2015.
