Owner | John Keenan |
---|---|
Type | Club-night |
Genre(s) | |
Opened | 1977 |
Closed | 1982 |
The F Club was a punk rock, post-punk and new wave club night in Leeds that ran between 1977 and 1982. The venue hosted early performances by local bands including the Sisters of Mercy, Soft Cell, Gang of Four and New Model Army, as well as touring acts Siouxsie and the Banshees, Joy Division and the Cure. It largely established the post-punk scene of Leeds, and was foundational to the beginning and popularisation of gothic rock and the goth subculture. Beginning as the Stars of Today in a common room in Leeds Polytechnic in the summer of 1977, it was held at various venues across the city during its tenure, which also included the Ace of Clubs and Roots. After moving to Brannigan's in 1978, it changed its name to the Fan Club.
The club night began in the summer of 1977 under the name the Stars of Today. Founded by John Keenan, Graham Cardy and Shaun Cavell, the night originally was hosted in an available commonroom in Leeds Polytechnic. [1] While here, it hosted performances by acts such as the Slits, XTC and Slaughter & the Dogs. [2]
When the summer ended, the University did not wish for the night to continue leading to it relocating to the Ace of Clubs in Woodhouse. Here, the club changed its name to the F Club in reference to how to the flyer for the final event at the University read "Let's get the 'F' out of here". In order to keep the attendees through this move, the club introduced a £1 membership scheme, where members would be admitted for cheaper. [3] [2] While here, the night was host to groups such as X-Ray Spex, Wayne County & the Electric Chairs, Sham 69, [4] and early performances by the Mekons and Gang of Four. [2] In 1978, it moved once again to Roots in Chapeltown, [5] where it hosted Siouxsie and the Banshees, Joy Division and Rich Kids. [6]
In August 1978, it relocated to the basement of Brannigan's on the corner of Call Lane and Lower Briggate. With this move it changed its name to the Fan Club, due to a leaflet by the Leveller claiming the "F" stood for "fascist". [3] [2] [7] Here it hosted the Cure. [8] It was while the club was based in Brannigan's that Andrew Eldritch and Gary Marx first met, soon going on to be the founding lineup of the Sisters of Mercy. In 1981, the March Violets played their first performance at the venue, followed by the Sisters of Mercy's first performance. Bands such as Soft Cell, [9] New Model Army, the Danse Society, Skeletal Family and Southern Death Cult also formed at the club during this period. [8] In 1982, the club closed. [10] [11]
In Karl and Beverley Spracklen's book The Evolution of Goth Culture it was described as the space "where gothic rock was born in the form it is now". [8] The club was foundational in the emergence of the goth subculture and led to other high profile clubs in the scene, such as the Batcave. [12] It was frequented by members of many influential post-punk and gothic rock groups such as the Sisters of Mercy, [13] the Mekons, [14] Gang of Four, [15] the March Violets, New Model Army and Southern Death Cult. [8]
Siouxsie and the Banshees' performance at the F Club on 6 December 1977 and Joy Division's performances on 27 July 1978 and October 20 1978, were credited by John Robb in his book The Art of Darkness (2023) as largely inspiring Leeds' post-punk and gothic rock scene, inspiring the Sisters of Mercy and Salvation, as well as Craig Adams and Dave Wolfenden first band the Expelairs. [16] Robb also credited Joy Division's October 20 1978 performance at the club as helping to popularise the name "gothic rock", due to journalist Des Moines describing the band as "gothic dance music". [17]
On the third and fourth of October 2007, the New Roscoe hosted thirtieth anniversary performance for the club. [10] On 12 October 2012, the Brudenell Social Club hosted 35th anniversary concert headlined by Penetration with support from Expelaires and Knife Edge reforming for the occasion. On 18 August 2018, the Brudenell Social Club hosted forty-first anniversary reunion show for the former members of the club. [18]
Goth is a subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Post-punk artists who anticipated the gothic rock genre and helped develop and shape the subculture include Siouxsie and the Banshees, Bauhaus, the Cure and Joy Division.
Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist, guitarist and lyricist Ian Curtis, guitarist and keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris.
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They were widely influential, both over their contemporaries and later acts. The Times called the group "one of the most audacious and uncompromising musical adventurers of the post-punk era".
Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and The Cure.
Gothic fashion is a clothing style worn by members of the goth subculture. A dark, sometimes morbid, fashion and style of dress, typical gothic fashion includes black dyed hair and black clothes. Both male and female goths can wear dark eyeliner, dark nail polish and lipstick, and dramatic makeup. Styles are often borrowed from the Elizabethans and Victorians. BDSM imagery and paraphernalia are also common. Gothic fashion is sometimes confused with heavy metal fashion and emo fashion.
The Sisters of Mercy are an English rock band formed in Leeds in 1980. After achieving early underground fame, the band experienced a commercial breakthrough in the mid-1980s, sustaining their success until the early 1990s, when they halted the release of new records in protest against their record company, WEA. Currently, although the band operates primarily as a touring outfit, they continue to perform new and unreleased music live.
Kevin Michael Dompe, born and best-known as Kevin Michael Haskins, is an English drummer, best known from the British rock group Bauhaus. He was also a member of Tones on Tail and Love and Rockets.
Andrew Eldritch is an English singer, songwriter and musician. He is the lead vocalist and only remaining original member of the Sisters of Mercy, a band that emerged from the British post-punk scene, transformed into a gothic rock band, and, in later years, flirted with hard rock.
Stephen Paul David Morris is an English drummer who has worked with the rock band New Order and, previously, Joy Division. He also wrote and performed in The Other Two, a band consisting of Morris and his girlfriend and later wife, Gillian Gilbert. Morris also participated in the New Order spin-off band Bad Lieutenant.
The Roxy was a fashionable nightclub located at 41–43 Neal Street in London's Covent Garden, known for hosting the flowering British punk music scene in its infancy.
Patricia Anne Rainone, better known by her stage name Patricia Morrison, is an American bass guitarist, singer and songwriter. She has worked with Bags, the Gun Club, Fur Bible, the Sisters of Mercy, and the Damned.
Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.
The Music in Leeds encompasses a variety of styles and genres, including rock, pop and electronic. While groups like Soft Cell, the Kaiser Chiefs, the Wedding Present, Utah Saints and the Bridewell Taxis have gained success in the mainstream, Gang of Four, the Sisters of Mercy, Chumbawamba and the Mission have helped to define genres like punk rock, gothic rock and post-punk.
John McKay is an English songwriter and guitarist. He was the first studio guitarist of Siouxsie and the Banshees. He was a member of the group from July 1977 until September 1979. He played a "jagged unorthodox chording", and created a "metal-shard roar" with his guitar. Q magazine included McKay's work on "Hong Kong Garden" in its list of the "100 Greatest Guitar Tracks Ever". He recorded two studio albums with the band, their debut album The Scream in 1978 and Join Hands in 1979.
Kenneth Ian Morris, known professionally as Kenny Morris, is an English drummer, songwriter and visual artist. He was the first studio drummer of Siouxsie and the Banshees. He joined the band in January 1977; he had attended their first live appearance at the 100 Club a few months earlier and had been impressed by their performance. Morris's first studio recording with the group was in November 1977 when they recorded their first John Peel session for BBC radio. Music journalist Kris Needs said : "Like as a rhythm machine for feet and guts Kenny Morris' drumming is unorthodox, primitive and far removed from the clicking hi-hats of the fly-strength paradiddle merchants".
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Goths is the sixteenth studio album by the Mountain Goats, released on May 19, 2017, on Merge Records. The band has stated that Goths was inspired by an adolescence listening to The Cure, Bauhaus, Siouxsie and the Banshees, and Joy Division, as well as hearing songs on the radio station KROQ-FM. The album also marked the band's first release as a four-piece outfit, having added touring member Matt Douglas (keyboards/woodwinds) as a permanent fixture of the band following the By, For, and About the Trees Southeastern Fall Tour that supported their previous record, Beat the Champ.
Le Phonographique was a gothic nightclub located underneath the Merrion Centre in Leeds. Founded under the name the WigWam club, the venue's 1979 rebranding led to it becoming a location frequented by members of both the local post-punk and New Romantic scenes. Here, the two scenes collided and created the earliest phase of the goth subculture, becoming the first goth club in the world. Playing gothic rock and dark wave music, the club hosted DJs including Marc Almond and Anni Hogan, as well performances by bands including the Clash. The club experienced various owners during its runtime, having its name changed to Rio's between 1994 and 1995, and being known as Bar Phono from 1998 until its 2005 closure.
Futurama Festival was an annual post-punk and gothic rock festival held at venues in Leeds, Stafford and Queensferry between 1979 and 1983. A sixth edition was held in 1989. It aimed for a relaunch in 2021 but, after being postponed, was forced to cancel as a result of the continuing COVID-19 pandemic in the United Kingdom.
The Electric Circus was a music venue in Collyhurst, Manchester, England, situated at the corner of Teignmouth Street and Collyhurst Street. It was an iconic and seminal venue for punk rock in 1970s Manchester.
The Stars of Today club, held at the Polytechnic Common Room over the summer months of 1977, set the template. Established by Graham Cardy, a member of Leeds band Mirror Boys, Polytechnic fine art student Shaun Cavell (later known as Sean Cassette), and soon-to-be legendary promoter John Keenan, Stars of Today set out to promote, and provide a stage for, "new wave" music and bands... In its short run it presented gigs by national and international bands including the Vibrators, Wayne County and the Electric Chairs, and the Slits, as well as local bands s.o.s., Severed Head and the Neck Fuckers, Mirror Boys, and Cheap and Nasty (the latter featuring the first ever stage appearance by Marc Almond at a gig as the band's go-go boy)...The F Club, the more renowned and longer-running successor to Stars of Today beginning in 1977 and continuing into the 1980s, provided a stage for many punk, post-punk, and (in the 1980s) goth bands that otherwise wouldn't have found such a ready place to play. Across various venues over the course of its existence it hosted gigs by Penetration, X-Ray Spex, Siouxsie and the Banshees, Magazine, Big in Japan, and Cyanide.
The beginnings of the club were in the summer of 1977. I had already promoted a few shows at Wakefield Unity Hall (The Heartbreakers / The Vibrators etc.) and at Leeds Poly. A friend of mine, Graham Cardy, had managed to gain hold of the Poly Common Room, in the Arts block. He asked me to come in with him and promote some gigs, as he didn't have any money, I booked the main bands and he added the supports, including a couple of times, his own band The Mirror Boys. Under the banner, 'Stars of Today', I booked The Slits, XTC, The Police, Ed Banger & The Nosebleeds, The Vibrators, The Spitfire Boys and a few more. We had a great crowd, students mixing with townies, but all with similar ideals. I wouldn't say it was a punk club, the music was splitting in all directions, and there were some interesting people attending gigs, talented misfits, but always with character... When the summer break came to an end, the Poly Committee told us to vacate the premises. – I really wanted to keep the group of regulars we had all together, so came up with the idea of a club, £1 to join but with discounts for members. The name came to me in a flash, I wrote a flyer to distribute at the last gig with all the details and finished it with the words: "Let's get the "F" out of here".
The DJ, Sean, and Graham didn't come with me on the move to The Ace of Clubs, but Claire Shearsby did, she was an integral part of the club until the end... In reality, the club only lasted 9 months under that name. A far left-wing magazine, The Leveller, had printed a story stating that the "F" stood for "Fascist". I promoted The F Club first at The Ace of Clubs, (a former Cabaret club) and next at Roots in Chapeltown, run by a friend of mine, Carl Young. When I moved it to Brannigans in the Autumn of 1978, I renamed it, The FAN Club, but people still refer to it as The F Club to this day.
The Siouxsie and the Banshees gig at the F club on 6 December 1977 was a signpost for the new local sensibility but it was the visit of a young group from Manchester that would make the real difference... the night Joy Division came to town and electrified a tiny audience at the F Club at Roots in Chapeltown on 27 July 1978. The importance of this singular gig and their follow-up show on Oct 20 1978, in sparking something in Leeds, cannot be exaggerated. "Joy Division showed us a different way... I will never forget the look on everyone's faces after... Andy Taylor/Eldritch was one of them, Danny from Salvation another, and two members of the new Leeds band, The Expelaires. The effect of those gigs was immediate.
On 15 September 1978, Tony Wilson got in on the act when he described the new signing to his Factory label, Joy Division, as "gothic". The term now had traction, and five weeks later, a live review of Joy Division at the F Club in Leeds by music writer, Des Moines, in the leading music pap