Owner | John Keenan |
---|---|
Type | Club-night |
Genre(s) | |
Opened | 1977 |
Closed | 1982 |
The F Club was a punk rock, post-punk and new wave club night in Leeds that ran between 1977 and 1982. [1] [2] Beginning as the Stars of Today in a common room in Leeds Polytechnic, it was held at various venues across the city during its tenure, which also included the Ace of Clubs and Roots. After moving to Brannigan's in 1978, it changed its name to the Fan Club.
In Karl and Beverley Spracklen's book The Evolution of Goth Culture it was described as the space "where gothic rock was born in the form it is now". [3] The club was foundational in the emergence of the goth subculture and led to other high profile clubs in the scene, such as the Batcave. [4] It was frequented by members of many influential post-punk and gothic rock groups such as the Sisters of Mercy, [5] Gang of Four, [6] the March Violets, New Model Army and Southern Death Cult. [3]
The club night began in the summer of 1977 under the name the Stars of Today. Founded by John Keenan, Graham Cardy and Shaun Cavell, the night originally was hosted in an available commonroom in Leeds Polytechnic. [7] While here, it hosted performances by acts such as the Slits, XTC and Slaughter & the Dogs. [8] When the summer ended, the University did not wish for the night to continue leading to it relocating to the Ace of Clubs in Woodhouse. Here, the club changed its name to the F Club in reference to how to the flyer for the final event at the University read "Let's get the 'F' out of here". In order to keep the attendees through this move, the club introduced a £1 membership scheme, where members would be admitted for cheaper. [9] [8] While here, the night was host to groups such as X-Ray Spex, Wayne County & the Electric Chairs, Sham 69, [10] and early performances by the Mekons and Gang of Four. [8] In 1978, it moved once again to Roots in Chapeltown, [11] where it hosted Siouxsie and the Banshees, Joy Division and Rich Kids. [12] In August 1978, it relocated to the basement of Brannigan's on the corner of Call Lane and Lower Briggate. With this move it changed its name to the Fan Club, due to a leaflet by the Leveller claiming the "F" stood for "fascist". [9] [8] [13] Here it hosted the Cure. [3] It was here that Andrew Eldritch and Gary Marx, who would go on to be the founding lineup of the Sisters of Mercy first met. In 1981, the March Violets played their first performance at the venue, followed by the Sisters of Mercy's first performance. Bands such as Soft Cell, [14] New Model Army, the Danse Society, Skeletal Family and Southern Death Cult also formed at the club during this period. [3]
On the third and fourth of October 2007, the New Roscoe hosted thirtieth anniversary performance for the club. [1] On 12 October 2012 Brudenell Social Club hosted 35th anniversary concert headlined by Penetration with support from Expelaires and Knife Edge reforming for the occasion. On 18 August 2018, the Brudenell Social Club hosted forty-first anniversary reunion show for the former members of the club. [15]
Goth is a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of Gothic rock, an offshoot of the post-punk music genre. The name Goth was derived directly from the genre. Notable post-punk artists who presaged the gothic rock genre and helped develop and shape the subculture include: Siouxsie and the Banshees, Bauhaus, the Cure, and Joy Division.
Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.
Gothic fashion is a clothing style marked by dark, mysterious, antiquated, homogenous, and often genderless features. It is worn by members of the Goth subculture. Dress, typical gothic fashion includes dyed black hair, exotic hairstyles, dark lipstick and dark clothing. Both male and female goths can wear dark eyeliner, dark nail polish and lipstick for a dramatic effect. Male goths use cosmetics at a higher rate than other men. Styles are often borrowed from the punk fashion and can also draw influence from Victorians and Elizabethan fashion. Goth fashion is sometimes confused with heavy metal fashion and emo fashion.
The Sisters of Mercy are an English rock band formed in Leeds in 1980. After achieving early underground fame there, the band had their commercial breakthrough in the mid-1980s and sustained it until the early 1990s, when they stopped releasing new records in protest against their record company, WEA. Currently, the band are a touring outfit only.
Andrew Eldritch is an English singer, songwriter and musician. He is the lead vocalist and only remaining original member of the Sisters of Mercy, a band that emerged from the British post-punk scene, transformed into a gothic rock band, and, in later years, flirted with hard rock.
Pere Ubu is an American rock group formed in Cleveland, Ohio, in 1975. The band had a variety of long-term and recurring band members, with singer David Thomas being the only member staying throughout the band's lifetime. They released their debut album The Modern Dance in 1978 and followed with several more LPs before disbanding in 1982. Thomas reformed the group in 1987, continuing to record and tour.
Patricia Anne Rainone, better known by her stage name Patricia Morrison, is an American bass guitarist, singer and songwriter. She has worked with Bags, the Gun Club, Fur Bible, the Sisters of Mercy, and the Damned.
The March Violets are an English post-punk/gothic rock band formed in 1981 in Leeds, incorporating singers of both sexes, drum machine rhythms and echo-laden electric guitar, much in the style of fellow Leeds band the Sisters of Mercy. Seven March Violets singles reached the UK Indie Chart; the Natural History collection also was an indie hit.
¡Forward, Russia! are an English rock band from Leeds, active from between 2004 and 2008, before reforming in 2013. The band's debut album, Give Me a Wall, was released in 2006. Until 2006, the band only named tracks with numbers, in the order that they were written. The band had used Faux Cyrillic, with its name occasionally typeset as ¡FФЯWДЯD, RUSSIД!. The band went on hiatus after the release of their second album, Life Processes, in 2008. They reformed in 2013 for a show at the Brudenell Social Club in Leeds in November 2013 for its 100th anniversary, and then played the Live at Leeds Festival at Leeds Town Hall in 2014.
Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.
Chris Catalyst is a British rock singer-songwriter and musician, best known for his work with The Sisters of Mercy, Ugly Kid Joe, Ginger Wildheart, Terrorvision, The Professionals, Mariachi El Bronx, The Scaramanga Six and his own band, Eureka Machines, as well as his more recent solo career. On 18 May, 2022, Chris confirmed that he has been a 'Nameless Ghoul' that tours with the Swedish metal band Ghost
The Music in Leeds ecompasses a variety of styles and genres, including rock, pop and electronic. While groups like Soft Cell, the Kaiser Chiefs, the Wedding Present, Utah Saints and the Bridewell Taxis have gained success in the mainstream, Gang of Four, the Sisters of Mercy, Chumbawamba and the Mission have helped to define genres like punk rock, gothic rock and post-punk.
"Dominion" is a song by English rock band The Sisters of Mercy. It was released as the second single from their second studio album, Floodland, in February 1988. The version on Floodland features "Dominion" as well as a coda piece titled "Mother Russia". It was written by band frontman Andrew Eldritch and produced by Larry Alexander, Eldritch, and Jim Steinman.
The Brudenell Social Club is a live music venue and social club in Hyde Park, Leeds, England. While being a social enterprise, it retains the "community atmosphere of its origins as a working men's club". The club is split into three areas—a 400 capacity concert room, a bar area and games room section and a second 400 capacity concert area, known as the Community Room, which opened in 2017.
Goths is the sixteenth studio album by the Mountain Goats, released on May 19, 2017, on Merge Records. The band has stated that Goths was inspired by an adolescence listening to The Cure, Bauhaus, Siouxsie and the Banshees, and Joy Division, as well as hearing songs on the radio station KROQ-FM. The album also marked the band's first release as a four-piece outfit, having added touring member Matt Douglas (keyboards/woodwinds) as a permanent fixture of the band following the By, For, and About the Trees Southeastern Fall Tour that supported their previous record, Beat the Champ.
And None of Them Knew They Were Robots were an English hardcore punk band from Leeds formed in 2000. In 2001, Francis, Hall and Dobbins began playing in crossover thrash band Send More Paramedics.
Le Phonographique was a gothic nightclub located underneath the Merrion Centre in Leeds. Founded under the name the WigWam club, the venue's 1979 rebranding led to it becoming a location frequented by members of both the local post-punk and New Romantic scenes. Here, the two scenes collided and created the earliest phase of the goth subculture. It was the first goth club in the world, opening in 1979 and eventually closing in 2005. Disc jockeys at the club, such as Marc Almond, DJ Mark M, Anni Hogan and Claire Shearsby, would play gothic rock and dark wave music. In 1985, the Clash played an impromptu gig at the venue while attending.
Futurama Festival was an annual post-punk and gothic rock festival held at venues in Leeds, Stafford and Queensferry between 1979 and 1983. A sixth edition was held in 1989. It aimed for a relaunch in 2021 but, after being postponed, was forced to cancel as a result of the continuing COVID-19 pandemic in the United Kingdom.
The Stars of Today club, held at the Polytechnic Common Room over the summer months of 1977, set the template. Established by Graham Cardy, a member of Leeds band Mirror Boys, Polytechnic fine art student Shaun Cavell (later known as Sean Cassette), and soon-to-be legendary promoter John Keenan, Stars of Today set out to promote, and provide a stage for, "new wave" music and bands... In its short run it presented gigs by national and international bands including the Vibrators, Wayne County and the Electric Chairs, and the Slits, as well as local bands s.o.s., Severed Head and the Neck Fuckers, Mirror Boys, and Cheap and Nasty (the latter featuring the first ever stage appearance by Marc Almond at a gig as the band's go-go boy)...The F Club, the more renowned and longer-running successor to Stars of Today beginning in 1977 and continuing into the 1980s, provided a stage for many punk, post-punk, and (in the 1980s) goth bands that otherwise wouldn't have found such a ready place to play. Across various venues over the course of its existence it hosted gigs by Penetration, X-Ray Spex, Siouxsie and the Banshees, Magazine, Big in Japan, and Cyanide.
The beginnings of the club were in the summer of 1977. I had already promoted a few shows at Wakefield Unity Hall (The Heartbreakers / The Vibrators etc.) and at Leeds Poly. A friend of mine, Graham Cardy, had managed to gain hold of the Poly Common Room, in the Arts block. He asked me to come in with him and promote some gigs, as he didn't have any money, I booked the main bands and he added the supports, including a couple of times, his own band The Mirror Boys. Under the banner, 'Stars of Today', I booked The Slits, XTC, The Police, Ed Banger & The Nosebleeds, The Vibrators, The Spitfire Boys and a few more. We had a great crowd, students mixing with townies, but all with similar ideals. I wouldn't say it was a punk club, the music was splitting in all directions, and there were some interesting people attending gigs, talented misfits, but always with character... When the summer break came to an end, the Poly Committee told us to vacate the premises. – I really wanted to keep the group of regulars we had all together, so came up with the idea of a club, £1 to join but with discounts for members. The name came to me in a flash, I wrote a flyer to distribute at the last gig with all the details and finished it with the words: "Let's get the "F" out of here".
The DJ, Sean, and Graham didn't come with me on the move to The Ace of Clubs, but Claire Shearsby did, she was an integral part of the club until the end... In reality, the club only lasted 9 months under that name. A far left-wing magazine, The Leveller, had printed a story stating that the "F" stood for "Fascist". I promoted The F Club first at The Ace of Clubs, (a former Cabaret club) and next at Roots in Chapeltown, run by a friend of mine, Carl Young. When I moved it to Brannigans in the Autumn of 1978, I renamed it, The FAN Club, but people still refer to it as The F Club to this day.