Cocteau Twins

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Cocteau Twins
Cocteau Twins - Los Angeles Times (1985) (cropped2).jpg
Cocteau Twins in 1985, from left to right: Simon Raymonde, Elizabeth Fraser, and Robin Guthrie
Background information
Origin Grangemouth, Scotland
Genres
Years active1979–1997
Labels
Past members
Website cocteautwins.com

Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth on the Firth of Forth by Robin Guthrie (guitars, drum machine) and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981. In 1983, Heggie was replaced with multi-instrumentalist Simon Raymonde. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. [1] They pioneered the 1980s alternative subgenre of dream pop [2] [3] and helped define what would become shoegaze. [4] [5]

Contents

In 1982, the band signed with the record label 4AD and released their debut album Garlands . [1] The addition of Raymonde in 1983 solidified their best-known lineup, which soon produced the No. 29 UK hit "Pearly-Dewdrops' Drops", their highest-charting UK single. The trio crystallised their "swelling, euphoric" dream pop style on the 1984 album Treasure , [6] which became the band's first UK Top 40 album. [7] In 1988, Cocteau Twins signed with Capitol Records in the United States, distributing their fifth album Blue Bell Knoll through a major label in the country. After the 1990 release of their most commercially successful album, Heaven or Las Vegas , the band left 4AD for Fontana Records, where they released their final two albums.

After nearly 20 years together, the group disbanded in 1997 in part due to issues stemming from the disintegration of Fraser and Guthrie's romantic relationship. In 2005 the band announced that they would reunite to headline Coachella Festival and embark on a world tour but the reunion was cancelled a month later after Fraser "couldn’t bring herself to work with Guthrie". [8] In a 2021 interview, Raymonde claimed that Cocteau Twins "will never reform". [9]

History

1979–1983: Early years

Guthrie and Heggie, both from Grangemouth, Scotland, formed the band in 1979. [10] They met the 17-year-old Fraser in 1981 at a local disco, The Hotel International, where Guthrie was DJing, and she became the group's vocalist. [1]

Prior to releasing their debut album, the band recorded a four track session for John Peel in June 1982, including "Wax and Wane" and "Garlands". [11] Their debut LP Garlands , released through 4AD in July 1982, [12] was a sales success, peaking at number 14 in the indie albums chart in the UK. Sounds wrote that the style of the band was "mixing strong Siouxsie and the Banshees and Joy Division influences". [13] NME 's Don Watson compared it to gothic rock bands such as Gene Loves Jezebel and Xmal Deutschland, [14] while Spin magazine's Sue Cummings compared it in 1986 to Siouxsie and the Banshees and Bauhaus. [15] It was followed by the EP Lullabies in October. In April 1983 the band released a second EP, Peppermint Pig . [1]

A European tour supporting Orchestral Manoeuvres in the Dark followed, but after a gig in Hamburg the band left the tour and parted ways with bassist Will Heggie, leaving Guthrie and Fraser unsure how they would continue. The pair returned to Scotland, settling to re-think their whole approach and write new songs for an album. [16]

Cocteau Twins' sound on their first three recordings relied on the combination of Heggie's rhythmic basslines, Guthrie's minimalist guitar melodies, and Fraser's voice. The band's next full-length LP record, Head over Heels , relied solely on the latter two, following Heggie's departure (he would later join Lowlife). [1] This led to the characteristic Cocteau Twins sound: Fraser's voice, by turns ethereal and operatic, combined with increasingly effects-heavy guitar playing by Guthrie [1] (who has often said that he is far more interested in the way the guitar is recorded than in the actual notes being played; he later said that his reliance on effects and layering was initially due to his own technical limitations). [17] Guthrie has cited Phil Spector's wall of sound as "an obvious influence" on his sound. [18]

In 1983 the band participated in 4AD's This Mortal Coil project, which spawned a cover version of Tim Buckley's "Song to the Siren" (performed by Guthrie and Fraser). Despite appearing under the This Mortal Coil name, the cover has subsequently become one of the best-known Cocteau Twins tracks. During the TMC sessions, Guthrie and Fraser became acquainted with another project contributor, multi-instrumentalist Simon Raymonde (formerly a member of Drowning Craze), who joined Cocteau Twins later that year. [1]

1984–1989: Rise to fame

Cocteau Twins promotional shoot to promote the release of The Pink Opaque (1986) Cocteau Twins 1986.jpg
Cocteau Twins promotional shoot to promote the release of The Pink Opaque (1986)

With Raymonde, the band released a series of albums and EPs that explored their new style. These included The Spangle Maker (1984), Treasure (1984), Aikea-Guinea (1985), Tiny Dynamine (1985), Echoes in a Shallow Bay (1985), and Love's Easy Tears (1986). From The Spangle Maker, "Pearly Dewdrops Drops" was a hit single, reaching no. 29 on the UK Singles Chart in April 1984 [19] and No. 1 on the UK Indie Chart. [20] Raymonde, who was called in to work on the second album by This Mortal Coil, did not participate in the recording of the fourth Cocteau Twins LP, Victorialand (1986), a predominantly acoustic record which featured only Guthrie and Fraser. Raymonde returned to the group for The Moon and the Melodies (1986), a collaboration with ambient composer Harold Budd, [1] which was not released under the Cocteau Twins name, instead being credited to all four participating musicians alphabetically.

In 1985 4AD signed an agreement with Relativity Records for distribution of Cocteau Twins releases in the US and other territories. To commemorate the event, the compilation The Pink Opaque (1985) was released as a way of introducing the new, broader audience to the band's back catalogue.

While remaining a 4AD band, Cocteau Twins signed a major-label contract with Capitol Records in 1988 for distribution in the United States, and released their fifth album, Blue Bell Knoll , that September. [21] The US promotional only single "Carolyn's Fingers" was heavily played on the U.S. radio stations, peaking at No. 2 on Billboard's Alternative Songs chart. [22]

1990–1994: Mainstream success

The group released Heaven or Las Vegas in early 1990. [21] The most commercially successful of their many recordings, the album reached number seven in the UK Albums Chart immediately after its release. [23] Despite the success of the record and the subsequent concert tours, not everything was well with the band. They parted ways with 4AD following Heaven or Las Vegas partly because of conflicts with the label's founder Ivo Watts-Russell, and were close to breaking up over internal problems due in large part to Guthrie's substance abuse. [24]

While on their international tour supporting Heaven or Las Vegas, the group signed a new recording contract with Mercury Records subsidiary Fontana for the UK and elsewhere, while retaining their US relationship with Capitol. They added several live musicians to their touring band during this era, to better replicate the layered sound of their studio albums. In 1991 4AD and Capitol released a box set that compiled the band's EPs from 1982 to 1990, and also included a bonus disc of rare and previously unreleased material.

Fraser and Guthrie had a daughter, Lucy Belle, born in 1989. The couple ended their 13-year relationship in 1993. [25] The band's seventh LP, Four-Calendar Café , their first since Fraser and Guthrie's separation, was released in late 1993. [10] The band explained that Four-Calendar Café was a response to the turmoil that had engulfed them in the intervening years, with Guthrie entering rehab and quitting alcohol and drugs, and Fraser undergoing psychotherapy.

1995–1997: Milk & Kisses and break-up

1995 saw the release of two new EPs: Twinlights and Otherness . Some of the tracks on Twinlights and Otherness were versions of songs from the band's eighth album, Milk & Kisses (1996). [1] The record saw the return of more heavily layered guitars, and Fraser began once again to obscure her lyrics, though not entirely. Two singles were taken from the album: "Tishbite" and "Violaine"; both exist in two CD versions, with different B-sides included on each. The band, augmented by an extra guitarist and a drummer, toured extensively to support the album, their last for Mercury/Fontana. A new song, "Touch Upon Touch", which debuted during the live shows and was recorded later in 1996 was also one of the two songs written and arranged by Fraser, Guthrie and Raymonde for Chinese pop singer Faye Wong for her Mandarin album Fuzao released in June 1996, the other being "Tranquil Eye" from Violaine released in October 1996.

In 1997 while recording what was to have been their ninth LP, the trio disbanded over irreconcilable differences in part related to the breakup of Guthrie and Fraser. Some songs were partially recorded and possibly completed, but the band has stated that they will likely never be finished or released in any form.

1998–present: Post-breakup

Lead singer Elizabeth Fraser performing live in 2006 Elizabeth Frazer 2.jpg
Lead singer Elizabeth Fraser performing live in 2006

In 1999 Bella Union, the record label founded by Guthrie and Raymonde, released a double-CD Cocteau Twins compilation entitled BBC Sessions . The collection is a complete record of the band's appearances on UK radio programs from 1982 to 1996, with rare and unreleased material included. In 2000 4AD released Stars and Topsoil , a compilation chosen by the band members that had been released during their years with 4AD; all recordings had been digitally remastered by Guthrie. In 2003 4AD released digitally remastered versions of the first six Cocteau Twins LPs.

In January 2005 Cocteau Twins announced that they would be reforming to perform at the Coachella Valley Music and Arts Festival on 30 April, and later indicated that additional tour dates would be added. On 16 March, the reunion was cancelled after Fraser announced that she would not take part. In a 2009 interview Fraser said she could not go through the pain of sharing the stage with her former lover Guthrie, the issue behind the band's 1997 breakup. [24] Raymonde revealed that the band had also booked a 55-date world tour, which would have paid him £1.5 million. [8]

In 2005 4AD released a limited edition of 10,000 compilation box set titled Lullabies to Violaine , a 4-disc set that includes every single and EP released from 1982 to 1996. This was shortly followed up by two 2-disc sets of the same names, known as Volume 1 and Volume 2.

Since March 2007 the band has started podcasts of exclusive material. [26] On 6 October 2008 Cocteau Twins were awarded the Q Awards Inspiration Award, which they accepted in a rare collective live appearance. [27] [28]

In 2022 Fraser, Guthrie and Raymonde were awarded with the Visionary Award by The Ivors Academy. [29] Fraser and Guthrie attended the award ceremony in London in May 2022. [30]

Solo work

Guitarist Robin Guthrie performing in 2008 Robin Guthrie at Art Parade 2008.jpg
Guitarist Robin Guthrie performing in 2008

The former members of Cocteau Twins have remained active musically in the years since the band's demise. In addition to forming Bella Union, Guthrie and Raymonde have produced releases from new bands signed to that label.

Raymonde released the solo album Blame Someone Else as the first release on Bella Union. He also co-produced the posthumous album by Billy Mackenzie from the Associates, then went on to produce several Domino Records artists like James Yorkston, Archie Bronson Outfit (whom he later managed) and Clearlake. More recently he has produced the UK band the Duke Spirit, London-based duo Helene, former Golden Virgins frontman Lucas Renney and has mixed the Mercury Prize nominated album The End of History by Fionn Regan. In his role running Bella Union, he has discovered such artists as Laura Veirs, Fleet Foxes, Midlake, Lift to Experience, the Low Anthem, I Break Horses, the Czars and John Grant. Raymonde picked up the Independent Record Company of the Year award at the Music Week Awards (as voted by UK independent retailers) in 2010, 2012 and 2014.[ citation needed ]

Guthrie has released six solo albums – Imperial, Continental, Carousel, Emeralds, Fortune, and Pearldiving– and eight EPs. He toured extensively with his band Violet Indiana, which included ex-Cocteau Twins guitarist Mitsuo Tate. He has also scored the music for three movies — Gregg Araki's Mysterious Skin (in collaboration with Harold Budd), Dany Saadia's 3:19 Nada Es Casualidad (a Mexican/Spanish production), and again with Gregg Araki and Harold Budd on the score and the soundtrack of White Bird in a Blizzard . He reunited with Budd to collaborate on two companion albums, Before the Day Breaks and After the Night Falls, and the albums Bordeaux, Winter Garden (a collaboration that included Italian electronica artist Eraldo Bernocchi), and Another Flower, which was released after Budd's death in 2020. In 2006 Guthrie produced three songs on Mahogany's Connectivity. He also produced and played guitar on Apollo Heights debut album, White Music for Black People.

Fraser provided guest vocals on the Future Sound of London's single "Lifeforms" (1993), vocals for three songs on Massive Attack's Mezzanine in 1998 (as well as touring with them several times), and for other musical projects and groups. She wrote the lyrics and sang the vocals for "Teardrop" by Massive Attack which was released as a single in 1998 and reached number 10 in the UK singles chart. [31] Fraser provided the vocals for "Lament for Gandalf" on The Lord of the Rings: The Fellowship of the Ring soundtrack. In 2000 she sang with Peter Gabriel on Ovo (The Millennium Show) . In 2005 she worked with Breton musician Yann Tiersen on two songs for his album Les retrouvailles. In 2009 she released the single "Moses" on Rough Trade. [32]

Musical style, influences, and legacy

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"The Spangle Maker"
Sample of "The Spangle Maker", (1984)
Problems playing this file? See media help.

Cocteau Twins' early recordings were classified in the gothic rock [33] [34] [35] [36] and post-punk genres. [37] The band's influences at the time they formed included The Birthday Party (drummer Phill Calvert encouraged the group to sign to 4AD), [38] Sex Pistols, Kate Bush and Siouxsie and the Banshees [39] (Fraser had Siouxsie tattoos on her arms for several years). [40] [41] The band was named after the early Simple Minds song "The Cocteau Twins" (later rewritten as "No Cure"). [42] As the band's sound developed, their subsequent music was classified as dream pop, [2] [43] and darkwave. [44] Fraser's vocals included invented or unknown words, sometimes ones she found in foreign language books, adding to the band's dreamy ambience. [45] [46]

Cocteau Twins' music has influenced numerous artists in different genres, including Slowdive, [47] Ride, [48] Cigarettes After Sex, [49] Quicksand, [50] Deftones, the Weeknd, Napalm Death, John Grant, and Prince. [51]

Members

Touring contributors

Timeline

Cocteau Twins

Discography

Bibliography

Related Research Articles

<i>Head over Heels</i> (Cocteau Twins album) 1983 album by the Cocteau Twins

Head over Heels is the second studio album by Scottish alternative rock band Cocteau Twins. The album was released on 24 October 1983 through the label 4AD. It featured the band's signature sound of "Guthrie's lush guitars under Fraser's mostly wordless vocals" and is considered an archetype of early ethereal wave music.

<i>Heaven or Las Vegas</i> 1990 studio album by Cocteau Twins

Heaven or Las Vegas is the sixth studio album by Scottish alternative rock band Cocteau Twins. It was released on 17 September 1990 by 4AD. It is the band's second major-label release, following Blue Bell Knoll in 1988.

<span class="mw-page-title-main">Elizabeth Fraser</span> Scottish singer and member of the Cocteau Twins (born 1963)

Elizabeth Davidson Fraser is a Scottish singer. She was the vocalist for the band Cocteau Twins who achieved success in the UK primarily during the fifteen years from the mid-1980s to the late 1990s. Their studio albums Victorialand (1986) and Heaven or Las Vegas (1990) both reached the top ten of the UK Album Charts, as well as other albums including Blue Bell Knoll (1988), Four-Calendar Café (1993) and Milk & Kisses (1996) charting on the Billboard 200 album charts in the United States as well as the top 20 in the UK. She also performed as part of the 4AD group This Mortal Coil, including the successful 1983 single "Song to the Siren", and as a guest with Massive Attack on their 1998 hit single "Teardrop".

This Mortal Coil were a British music collective led by Ivo Watts-Russell, founder of the British record label 4AD. Although Watts-Russell and John Fryer were the only two official members, the band's recorded output featured a large rotating cast of supporting artists, many of whom were otherwise associated with 4AD, including members of Cocteau Twins, Pixies and Dead Can Dance. The project became known for its gothic, dream pop sound, and released three full albums, beginning in 1984 with It'll End in Tears.

<i>Garlands</i> (album) 1982 album by the Cocteau Twins

Garlands is the debut studio album by the Scottish alternative rock band Cocteau Twins. It was released on 10 July 1982 through the record label 4AD. It peaked in the Top 5 of the UK Independent Albums Chart and received support from BBC Radio 1 radio host John Peel.

<i>Treasure</i> (Cocteau Twins album) 1984 album by the Cocteau Twins

Treasure is the third studio album by Scottish alternative rock band Cocteau Twins, released on 12 November 1984 by 4AD. With this album, the band settled on what would, from then on, be their primary lineup: vocalist Elizabeth Fraser, guitarist Robin Guthrie and bass guitarist Simon Raymonde. The album also reflected the group's embrace of the distinctive ethereal sound with which they became associated.

<i>Four-Calendar Café</i> 1993 studio album by Cocteau Twins

Four-Calendar Café is the seventh studio album by Scottish band Cocteau Twins, released on 18 October 1993 by Fontana Records. It was their first release since leaving their former record label 4AD. Two singles were released to promote the album, "Evangeline" and "Bluebeard". A performance to promote "Bluebeard" on The Tonight Show with Jay Leno marked their debut performance on American television.

<i>Victorialand</i> 1986 album by the Cocteau Twins

Victorialand is the fourth studio album by Scottish alternative rock band Cocteau Twins, released by 4AD in 1986. Working without bassist Simon Raymonde, vocalist Elizabeth Fraser and guitarist/producer Robin Guthrie opted for a subtler sound on the album.

<span class="mw-page-title-main">Robin Guthrie</span> Scottish musician and member of Cocteau Twins

Robin Andrew Guthrie is a Scottish musician, songwriter, composer, record producer and audio engineer, best known as the co-founder of the alternative rock band Cocteau Twins. During his career Guthrie has performed guitar, bass guitar, keyboards, drums and other musical instruments, in addition to programming, sampling and sound processing.

<i>Stars and Topsoil</i> 2000 compilation album by the Cocteau Twins

Stars and Topsoil – A Collection (1982–1990) is a compilation album by the Scottish band Cocteau Twins, released on the 4AD label on October 16, 2000. The album featured tracks released during the group's time on 4AD between 1982 and 1990, covering every Cocteau Twins album from Garlands through Heaven or Las Vegas. The collection reached number sixty-three on the UK Albums Chart.

<i>Peppermint Pig</i> 1983 song, single and EP by the Cocteau Twins

"Peppermint Pig" is a song by Scottish alternative rock band Cocteau Twins. It was released as both a single and 12" EP on 4 April 1983 by record label 4AD. Musically, the material was similar to their previous release, the 1982 EP Lullabies. It was the last release to feature original bassist Will Heggie.

<i>Blue Bell Knoll</i> 1988 studio album by Cocteau Twins

Blue Bell Knoll is the fifth studio album by Scottish alternative rock band Cocteau Twins, released on 19 September 1988 by 4AD. This was the band's first album to receive major-label distribution in the United States, as it was originally licensed by Capitol Records from 4AD for North American release. After a period of being out of print while 4AD reclaimed the American distribution rights for their back catalogue, the album was remastered by guitarist Robin Guthrie and reissued in 2003. Vocalist Elizabeth Fraser named the album after a peak in southern Utah called Bluebell Knoll.

<i>The Moon and the Melodies</i> 1986 album by Harold Budd and members of the Cocteau Twins

The Moon and the Melodies is a collaborative studio album by Scottish dream pop band Cocteau Twins and American minimalist composer Harold Budd. It was released 10 November 1986 by 4AD. The name "Cocteau Twins" did not appear on the release, which instead credited the band's three members and Budd individually.

Ethereal wave, also called ethereal darkwave, ethereal goth or simply ethereal, is a subgenre of dark wave music that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock, ethereal wave was mainly represented by 4AD bands such as Cocteau Twins, This Mortal Coil, and early guitar-driven Dead Can Dance.

<i>The Pink Opaque</i> 1986 compilation album by the Cocteau Twins

The Pink Opaque is a 1986 compilation album by Scottish alternative rock band Cocteau Twins, composed of tracks recorded between 1982 and 1985. A joint release by the UK-based 4AD and the American Relativity Records, it was their first official U.S. release.

<i>Lullabies</i> (EP) 1982 EP by the Cocteau Twins

Lullabies is the first EP by Scottish alternative rock band Cocteau Twins. It was released in October 1982, following their debut album, Garlands. The EP contained three non-album tracks, and featured a louder and more driving sound than the album.

<i>Lullabies to Violaine</i> Compilation album by Cocteau Twins

Lullabies to Violaine is a Cocteau Twins box set released in limited quantities by 4AD Records in November 2005. Comprising four CDs, the box set collects the tracks from every Cocteau Twins EP and single from Lullabies to Violaine, except the 1990 "Heaven or Las Vegas" single and the four songs on the 1991 EPs and Singles & Box Set bonus disc. It was also released as two separate double CD packs titled Lullabies to Violaine: Volume 1 and Lullabies to Violaine: Volume 2 the following year.

<span class="mw-page-title-main">Bluebeard (song)</span> 1994 single by Cocteau Twins

"Bluebeard" is a single by the Cocteau Twins. It was released by Fontana Records in February 1994 as the second single to be released from the Four-Calendar Café album. All three members of the band – Fraser, Guthrie and Raymonde – are credited as songwriters as well as producers.

<span class="mw-page-title-main">Heaven or Las Vegas (song)</span> 1990 single by the Cocteau Twins

"Heaven or Las Vegas" is a song by Scottish band Cocteau Twins. It was released by Capitol Records in October 1990 as the second single from the Heaven or Las Vegas album. The song has been described as dream pop.

<span class="mw-page-title-main">Carolyn's Fingers</span> 1988 single by Cocteau Twins

"Carolyn's Fingers" is a song by Scottish alternative rock and dreampop band the Cocteau Twins, released in the US as a promotional single in 1988 from their album Blue Bell Knoll. The song was released through the 4AD record label and credits all three members of the group – Fraser, Guthrie and Raymonde as songwriters and well as producers.

References

  1. 1 2 3 4 5 6 7 8 9 Ankeny, Jason. "Cocteau Twins' Biography". AllMusic . Archived from the original on 8 September 2011. Retrieved 8 March 2012.
  2. 1 2 "Dream Pop Music Genre Overview – AllMusic". AllMusic . Archived from the original on 12 September 2019. Retrieved 15 March 2018.
  3. ↑ Reynolds, Simon (1 December 1991), "Pop View; 'Dream-Pop' Bands Define the Times in Britain", The New York Times , archived from the original on 2 September 2020, retrieved 7 March 2010
  4. ↑ Troussé, Stephen (15 December 2021). "Ultimate genre guide: shoegaze". Uncut.
  5. ↑ Parys, Bryan (13 September 2019). "Do You Shoegaze?: a primer on the underground genre". Berklee.
  6. ↑ Schoenfield, Zach. "The 25 Best Dream Pop Albums of All Time". Paste.
  7. ↑ "The Official Charts Company - Treasure by Cocteau Twins Search". The Official Charts Company. 6 May 2013.
  8. 1 2 Anonymous (30 November 2009). "Elizabeth Fraser breaks silence about aborted Cocteau Twins reunion, releases new single". Slicing Up Eyeballs . Archived from the original on 13 April 2020. Retrieved 13 April 2020.
  9. ↑ "Cocteau Twins' 'Milk & Kisses' Turns 25: Bassist Simon Raymonde revisits the band's swan song". Spin. 15 March 2021. Archived from the original on 16 March 2021. Retrieved 18 March 2021.
  10. 1 2 Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 105. ISBN   0-7535-0493-6.
  11. ↑ Peel Sessions: Cocteau Twins 21/06/1982 Archived 20 January 2022 at the Wayback Machine BBC
  12. ↑ "Cocteau Twins: Garlands". Cocteau Twins. Archived from the original on 27 July 2021. Retrieved 6 July 2022.
  13. ↑ Prince, Bill (11 September 1982). "New 2 U: Cocteau Twins". Sounds .
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  15. ↑ Sue Cummings: "The Pink Opaque", Cocteau Twins review, p. 28, SPIN magazine, March 1986
  16. ↑ Wilde, Jonh (October 1983). "Two's Company". ZigZag.
  17. ↑ Paynes, Steph: "Robin Guthrie", Guitar Player, 25(2):25–26, 1991.
  18. ↑ Guthrie, Robin (November 1993). "My Favourite Records". Melody Maker.
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  22. ↑ "Cocteau Twins, UK charts, Albums". Officialcharts.com. Archived from the original on 8 November 2014. Retrieved 8 August 2012.
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  24. ↑ Bush, Calvin (8 October 1993). "These Childish Things". The List. Archived from the original on 20 January 2022. Retrieved 28 June 2019.
  25. ↑ "Cocteau Twins offer previously unreleased live tracks via podcast". Side-line.com. 22 February 1999. Archived from the original on 6 September 2013. Retrieved 30 December 2011.
  26. ↑ "Q Song Awards". Wn.com. Archived from the original on 20 January 2022. Retrieved 30 December 2011.
  27. ↑ "Cocteaus an Inspiration – Q Awards 2008". Qawards.co.uk. 29 June 2005. Archived from the original on 14 June 2013. Retrieved 17 April 2014.
  28. ↑ "The Ivors | the Ivors Academy | Champions of Music Creators". Ivorsacademy.com. 18 May 2023.
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  30. ↑ "Artists". Officialcharts.com. Archived from the original on 20 January 2022. Retrieved 15 October 2019.
  31. ↑ Elizabeth Fraser releases new single "Moses". Archived 6 September 2013 at the Wayback Machine Side-line.com. 2009. Retrieved 5 September 2014.
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  34. ↑ "The Story of Goth in 33 Songs". Pitchfork. 25 October 2017. Retrieved 11 November 2022.
  35. ↑ Pearis, Bill (30 October 2020). "Classic Goth's 13 Greatest Albums". Brooklyn Vegan. Retrieved 11 November 2022.
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  38. ↑ Liz Fraser interview. Melody Maker. 6 November 1993
  39. ↑ Chapman, Rob (July 1998). "Dark Side of the Spliff: Massive Attack". Mojo . Archived from the original on 31 August 2016. Retrieved 5 September 2020. "Have you met Liz?" 3D splutters with laughter. "[...] She loved our Siouxsie and the banshees sample off 'Metal Postcard' — she'd just had this Siouxsie and the Banshees tattoo removed from her arm.
  40. ↑ King, Richard (2012). How Soon is Now?: The Madmen and Mavericks who made Independent Music 1975–2005. Faber & Faber. ISBN   978-0571243907. Colin Wallace, their friend, confident and roadie has come from the same background as Fraser; Heggie and Gutrhie. [...] he says, '[...] Elisabeth was a huge Siouxsie fan - she had Siouxsie tattoos which she's had lasered off since'.
  41. ↑ DeRiso, Nick (20 February 2020). "Simple Minds Never Wanted to Record 'Don't You (Forget About Me)'". Ultimate Classic Rock. Archived from the original on 4 March 2020. Retrieved 13 April 2020.
  42. ↑ "The Story Behind the Music of 'Twin Peaks'". rollingstone.com. 25 July 2014. Archived from the original on 14 June 2018. Retrieved 15 March 2018.
  43. ↑ Isabella van Elferen, Jeffrey Andrew Weinstock: Goth Music: From Sound to Subculture. Routledge Studies in Popular Music, 2015, ISBN   0-415-72004-4
  44. ↑ "The nonsense lyrics at the centre of Cocteau Twins' best songs". faroutmagazine.co.uk. 6 July 2023. Retrieved 7 May 2024.
  45. ↑ Elizabeth Fraser talks about her lyrics . Retrieved 7 May 2024– via www.youtube.com.
  46. ↑ Trunick, Austin (12 August 2014). "Slowdive - Neil Halstead and Rachel Goswell on the Bands That Inspired Them". undertheradarmag.com. Archived from the original on 8 June 2023. Retrieved 1 December 2023.
  47. ↑ Frost, Matt (6 October 2015). "Ride's Andy Bell: the 10 records that changed my life". Music Radar. Archived from the original on 28 November 2023. Retrieved 16 November 2024. Since I've gone back to learn these early Ride songs for the reunion tour, I've noticed how much Robin Guthrie's playing influenced me, and it harks back to Johnny Marr and George Harrison with little patterns and little sort of partial chords with open strings. (...) The Cocteau Twins were very otherworldly and were very influential on the Ride sound.
  48. ↑ "Cigarettes After Sex: "I think the sadness comes from the fact that you have a good and beautiful memory in the past, but there's this kind of sadness about it that it's gone now…"". Music & Riots Magazine. 30 October 2017. Archived from the original on 25 April 2024. Retrieved 16 November 2024. I think the main one was Françoise Hardy music just because her music sounds so pure and beautiful… She's my favorite singer, songs like "All Over The World" and "Voilà" are really striking. But also bands like The Paris Sisters and this kind of early 60's gentle girl groups stuff, Julee Cruise and the stuff she did for Twin Peaks . Cocteau Twins were also a big influence.
  49. ↑ Hill, Stephen (9 November 2017). "Quicksand's track by track guide to new album Interiors". Louder. Archived from the original on 25 April 2023. Retrieved 27 October 2023. It's a little bit of a homage to The Cocteau Twins, who are a really big influence on us...
  50. ↑ Pearis, Bill (17 September 2020). "Cocteau Twins' vast influence lives on :: 24 great artists they've inspired". Brooklyn Vegan. Retrieved 11 November 2022.
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