The UK Independent Singles Chart and UK Independent Albums Chart are charts of the best-selling independent singles and albums, respectively, in the United Kingdom. Originally published in January 1980, [1] and widely known as the indie chart, the relevance of the chart dwindled in the 1990s as major-label ownership blurred the boundary between independent and major labels.
Separate independent charts are currently published weekly by the Official Charts Company.
In the wake of punk, small record labels began to spring up, as an outlet for artists that were unwilling to sign contracts with major record companies, or were not considered commercially attractive to those companies. By 1978, labels like Cherry Red, Rough Trade, and Mute had started up, and a support structure soon followed, including independent pressing, distribution and promotion. [2] These labels got bigger and bigger, and by 1980 they were having Top 10 hits in the UK Singles Chart. [2] Chart success was limited, however, since the official Top 40 was based on sales at large chains and ignored significant sales at the scores of independent record shops that existed. Iain McNay, of Cherry Red, suggested to the weekly trade paper Record Business the idea of an independent record chart to address the problem, and the first independent chart appeared in 1980, published in Record Business, and later licensed to Sounds . [2]
The definition of whether or not a single was 'indie' had depended on the distribution channel by which it was shipped [3] —the record needed to be delivered by a distribution service that was independent of the four major record companies: EMI, Sony Music Entertainment, Warner Music Group and Universal Music Group. [2] [4] In 1981, compilation of the chart switched to research company MRIB. [2] The chart served to give exposure to the independent labels and the artists on those labels. In 1985 the trade publication Music Week started compiling its own indie chart, [5] and both Sounds and Melody Maker later switched from the MRIB chart and adopted the Music Week chart instead. Other weekly music papers also published their own charts, often compiled from single record shops. [1] By 1990, the significance of the chart had been diluted by major record companies forming their own 'indie' labels, with independent distribution, in order to break new acts via exposure from the indie chart. [2] [1] [6]
To be included in the indie chart, a record had to be distributed independently of the corporate framework of the major record companies; the genre of music was irrelevant. Large independent distributors emerged such as Pinnacle and Spartan, and there later emerged The Cartel, an association of regional distributors including Rough Trade, Backs, and Red Rhino. [2]
The first weekly independent chart was published on 19 January 1980, with "Where's Captain Kirk" by Spizzenergi topping the singles chart, and Dirk Wears White Sox by Adam and the Ants topping the album chart. [2]
Although the independent chart has less relevance today, The Official UK Charts Company still compiles a chart, consisting of those singles from the main chart on independent labels. [7]
The OCC's Independent Chart was significantly altered in June 2009. Its new system altered the qualification criteria to include only singles from labels that were at least fifty per cent owned by a record company that was not one of the main four record companies. [1] [8] This prevented major record companies from qualifying for the chart by outsourcing the shipping of their singles to smaller distribution services. [4] These new changes were first unveiled at the 2008 annual general meeting of the British Phonographic Industry on 9 July, [9] and the new chart went live on 29 June 2009. [10] The first song to top the chart under the new system was "Bonkers" by Dizzee Rascal, which also made it to No. 1 in the main UK Singles Chart.[ citation needed ]
During the 2000s and 2010s, even though many indie rock/post-punk revival bands like Arctic Monkeys topped the OCC's chart (with Arctic Monkeys' single "Do I Wanna Know?" reaching No. 2 in the chart in June 2013 while also making it to No. 11 in the main chart), many more dance, rap and heritage acts (in this case due to new large independent BMG) ended up in the chart with number ones coming from people like Dvbbs and Borgeous [11] (who reached number one with "Tsunami" featuring Tinie Tempah) or Major Lazer. [12]
The Fall released many recordings following their inception in 1976. The band’s debut on vinyl came in June 1978 when "Stepping Out" and "Last Orders" were released by Virgin Records on Short Circuit: Live at the Electric Circus, a compilation of live recordings made at the Manchester venue The Electric Circus in October 1977 just before it was closed. Their first actual release as a group was the EP Bingo-Master's Break Out! (1978), and they released a studio album at a rate of almost one a year from their debut Live at the Witch Trials in 1979 to their final album New Facts Emerge in 2017.
The Official Charts Company is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France.
The discography of British punk rock band the Damned includes twelve studio albums, twenty-two live albums, twenty-eight compilations, four box sets, five extended plays and forty-five singles.
The Commercial Radio Chart Show was a radio programme that was broadcast across commercial adult contemporary and contemporary hit radio stations across the United Kingdom, from 30 September 1984 to 30 December 2018. It had many different names over the years, beginning with The Network Chart Show, before securing sponsorship with Pepsi between 1993 and 2003, which led to the birth of The Pepsi Chart. Since then, it has been known as Hit40UK, The Big Top 40 Show, The Vodafone Freebees Big Top 40, The Vodafone Big Top 40 and, finally, The Official Vodafone Big Top 40 between October 2017 and December 2018.
"(It's Not Me) Talking" is the debut single by British new wave band A Flock of Seagulls, originally recorded in 1981. It was re-recorded in 1983 and is featured on their second album Listen. The song is about a man who hears voices in his head, who believes that he is being contacted by aliens from outer space, and who cannot run away from his emotions; wherever he goes, the voice is there.
The discography of Mudhoney, a Seattle, Washington-based punk/grunge band, consists of eleven studio albums, four compilation albums, five extended plays (EP), one live album, and twenty singles. This list does not include material recorded by Mudhoney band members with any other project.
Clint Eastwood & General Saint were a reggae deejay duo of the early 1980s, consisting of Clint Eastwood and General Saint.
The Subway Organization was a British independent record label founded in 1985 in Bristol by Martin Whitehead.
The UK Independent Singles Breakers Chart and the UK Independent Album Breakers Chart are music charts based on UK sales of singles and albums released on independent record labels by musical artists who have never made the UK top 40. It is compiled weekly by the Official Charts Company (OCC), and is first published on their official website on Friday evenings. The chart was first launched on 29 June 2009, and, according to Martin Talbot, managing director of the OCC, would have benefited acts such as Friendly Fires and Grizzly Bear.
The discography of Wire, an English rock band, consists of seventeen studio albums, twenty-six live albums, eleven compilation albums, eleven EPs, and twenty-four singles.
"Where's Captain Kirk?" is a 1979 single released by punk/new wave band Spizzenergi. It was released on the Rough Trade Records label and spent seven weeks at the top of the UK Indie Chart, but failed to enter the UK singles chart.
The English gothic rock band Alien Sex Fiend have released 13 studio albums, six live albums, 17 compilation albums, two extended plays, 22 singles and eight video albums. Most of their releases have been on Anagram Records, a sub-label of Cherry Red Records. The band have also released three studio albums and three singles on the 13th Moon label, founded in 1996 by band members Nik Wade and Christine Wade.
An independent record label is a record label that operates without the funding or distribution of major record labels; they are a type of small- to medium-sized enterprise, or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network (WIN).
"Runnin' Away" is a song by American band Sly and the Family Stone. It was released as a single in early 1972 and appears on their 1971 album, There's a Riot Goin' On. The song reached No. 23 on the U.S. Billboard Hot 100 and No. 15 on the Best Selling Soul Singles chart. Outside the U.S., "Runnin' Away" reached No. 17 on the UK Singles Chart.
The Media Research Information Bureau (MRIB) was a music chart research company that operated in the United Kingdom from 1981 to 2008. It was best known for compiling the chart data for The Network Chart Show which was broadcast by many TV and radio shows, as well as being published in many music newspapers and magazines. MRIB also compiled other genre charts for the United Kingdom.
The discography of English musician Toyah Willcox includes releases as part of the band Toyah and as a solo artist, for which she has carried on releasing music credited as Toyah. It also includes Willcox's one-off collaborations with other artists. However, for the discography of The Humans, see § Discography.
Record Business was a trade publication for the UK record industry distributed via a weekly print magazine between 1978 and 1983. It was published by Record Business Publications Ltd.