List of Mersey Beat number-one singles

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This is a list of Mersey Beat number-one singles. Mersey Beat is a former British weekly pop music newspaper. It was founded initially as a regional bi-weekly publication on 13 July 1961. In 1963 it began compiling a Top 20 chart based on around 10 stores and became a national paper.

Contents

History

The charts and paper became weekly on 24 April 1964 and, following an investment in September 1964 by Brian Epstein, expanded the chart and sample size to become the first publication to announce a Top 100 on 3 December 1964. [1] On 6 March 1965 the paper was rebranded Music Echo and by 16 April 1966 the chart was no longer published—on 23 April 1966 the newspaper was incorporated into Disc which became Disc and Music Echo. [1]

In the period when Mersey Beat published a chart there was no official singles chart; [2] [3] Record Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) chart in February 1969. The first record chart in the United Kingdom was published in November 1952 by NME . The Official Charts Company and Guinness' British Hit Singles & Albums consider this the canonical source for the British singles chart before 10 March 1960 and, after that date, the Record Retailer chart. However, NME continued to compile their own chart and publications Disc and Melody Maker also published charts in this period. Being no universally accepted chart, the BBC used aggregated results of charts from these three publications (and Record Mirror prior to 1952) to compile their own Pick of the Pops chart. [4] [5]

Charts compiled by Mersey Beat had thirteen number-one singles that did not reach top spot in the Record Retailer chart; this included two singles from each of The Who and The Hollies. Notably, "19th Nervous Breakdown" reached number one on the Mersey Beat chart as well as Disc, NME, and Melody Maker charts. It topped the BBC's Pick of the Pops aggregated chart and was announced as number one on Top of the Pops ; however, because it did not reach number one on the Record Retailer chart it is omitted from The Official Charts Company's canon. [4]

Number-one singles

Key
          – The song did not reach number one on the Record Retailer chart. [6] [7] [8]
   [nb #]    – The song spent a week at number one where it shared the top spot with another song.
Contents
No.Artist [nb 1] Single [nb 1] Reached
number one [nb 1]
Weeks at
number one [nb 1]
1964
1 The Beatles "Can't Buy Me Love"24 April 19641
2 The Searchers "Don't Throw Your Love Away"1 May 19642
3 The Four Pennies "Juliet"15 May 19641
4 Cilla Black "You're My World"22 May 19645
5 The Hollies "Here I Go Again" †25 June 19641
6 The Animals "House of the Rising Sun"2 July 19641
7 The Beatles Long Tall Sally [nb 2] 9 July 19641
8 The Rolling Stones "It's All Over Now"16 July 19641
9 The Beatles " A Hard Day's Night "23 July 19644
10 Manfred Mann "Do Wah Diddy Diddy"20 August 19643
11 The Kinks "You Really Got Me"10 September 19642
12 The Supremes "Where Did Our Love Go" †24 September 19641
13 Herman's Hermits "I'm into Something Good"1 October 19641
14 Roy Orbison "Oh, Pretty Woman"8 October 19646
15 The Kinks "All Day and All of the Night"19 November 19641
16 The Rolling Stones "Little Red Rooster"26 November 19641
17 The Beatles "I Feel Fine"3 December 19644
1965
18 Georgie Fame "Yeh Yeh"2 January 19652
19 Twinkle "Terry" †16 January 19651
20 The Moody Blues "Go Now"23 January 19652
21 The Righteous Brothers "You've Lost That Lovin' Feelin'"6 February 19652
22 The Kinks "Tired of Waiting for You"20 February 19651
23 The Seekers "I'll Never Find Another You"27 February 19652
24 The Rolling Stones " The Last Time "13 March 19654
25 Cliff Richard " The Minute You're Gone "10 April 19651
26 The Beatles "Ticket to Ride"17 April 19654
27 Roger Miller "King of the Road"15 May 19652
28 Jackie Trent "Where Are You Now (My Love)"29 May 19651
29 Sandie Shaw "Long Live Love"5 June 19651
30 The Everly Brothers " The Price of Love " †12 June 19652
31 The Who "Anyway, Anyhow, Anywhere" †26 June 19651
32 The Hollies "I'm Alive"3 July 19653
33 Gene Pitney "Looking Through the Eyes of Love" †10 July 19651
34 The Byrds "Mr. Tambourine Man"17 July 19652
35 The Beatles "Help!"31 July 19654
36 Sonny & Cher "I Got You Babe"28 August 19651
37 The Rolling Stones " (I Can't Get No) Satisfaction "4 September 19651
re Sonny & Cher "I Got You Babe"11 September 19652 [nb 3]
re The Rolling Stones " (I Can't Get No) Satisfaction "18 September 19651 [nb 3]
38 Ken Dodd "Tears"25 September 19652
39 Manfred Mann "If You Gotta Go, Go Now" †6 November 19651
re Ken Dodd "Tears"23 October 19652
40 The Fortunes "Here It Comes Again" †6 November 19651
41 The Rolling Stones "Get Off of My Cloud"13 November 19651
42 The Who "My Generation" †20 November 19652
43 The Seekers " The Carnival Is Over "4 December 19651
44 The Beatles "Day Tripper" / "We Can Work It Out"11 December 19655
1966
45 The Spencer Davis Group "Keep on Running"15 January 19663
46 The Overlanders "Michelle"5 February 19662
47 Nancy Sinatra "These Boots Are Made for Walkin'"19 February 19662
48 The Rolling Stones "19th Nervous Breakdown" †5 March 19661
49 Small Faces "Sha-La-La-La-Lee" †12 March 19661
50 The Hollies "I Can't Let Go" †19 March 19661
51 The Walker Brothers " The Sun Ain't Gonna Shine Anymore "26 March 19663
52 The Spencer Davis Group "Somebody Help Me"16 April 19661

Notes

  1. 1 2 3 4 The names, singles, dates and duration of the number-ones are from the Mersey Beat. [1]
  2. This number-one record was not a single but a four-track extended play (EP). Tracks 1, 3, and 4 are cover versions of Little Richard's "Long Tall Sally", Larry Williams' "Slow Down" and Carl Perkins' "Matchbox". The second track was entitled "I Call Your Name". [9] Although the Mersey Beat's criteria for chart inclusion is not known or clearly defined, it was not until 1998 that the UK Singles Chart reduced the number of tracks allowed on a single from four to three. [10]
  3. 1 2 Both Sonny & Cher's "I Got You Babe" and The Rolling Stones' "(I Can't Get No) Satisfaction" were classified jointly as number one on 18 December 1965. In the week before Sonny & Cher had the number-one spot outright and the following week both were deplaced from the top spot by Ken Dodd's "Tears". [1]

Related Research Articles

British Hit Singles & Albums was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HiT Entertainment. It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as British Hit Singles and British Hit Albums. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of Ripley's Believe It or Not!. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled The Virgin Book of British Hit Singles, it was first published in November 2008 with a separate albums book and second edition being published over the next couple of years.

Record Mirror was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the NME, it never attained the circulation of its rival. The first UK album chart was published in Record Mirror in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and Top of the Pops, as well as the US Billboard charts.

<span class="mw-page-title-main">UK Singles Chart</span> British singles sales chart

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<span class="mw-page-title-main">Semi-Detached, Suburban Mr. James</span> 1966 single by Manfred Mann

"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.

References

  1. 1 2 3 4 Smith, Alan. "Every No.1 in the 1960s is listed from all the nine different magazine charts!". Dave McAleer's website. Archived from the original on 10 May 2011. Retrieved 4 November 2010.
  2. Leigh, Spencer (20 February 1998). "Music: Charting the number ones that somehow got away". The Independent . Retrieved 5 August 2010.
  3. Warwick, Neil; Kutner, Jon; Brown, Tony (2004). The Complete Book Of The British Charts: Singles and Albums (3rd ed.). London: Omnibus Press. p. v. ISBN   1-84449-058-0.
  4. 1 2 Smith, Alan. "50s & 60s UK Charts – The Truth!". Dave McAleer's website. Archived from the original on 3 September 2011. Retrieved 4 November 2010.
  5. "Key Dates in the History of the Official UK Charts". The Official Charts Company. Archived from the original on 10 January 2008. Retrieved 16 May 2010.
  6. "All the Number One Singles: 1964". The Official Charts Company . Retrieved 13 June 2010.
  7. "All the Number One Singles: 1965". The Official Charts Company. Archived from the original on 15 June 2011. Retrieved 13 June 2010.
  8. "All the Number One Singles: 1966". The Official Charts Company. Archived from the original on 15 June 2011. Retrieved 13 June 2010.
  9. Eder, Bruce. "Long Tall Sally [EP]". AllMusic . Retrieved 14 May 2011.
  10. Ashton, Robert (4 April 1998). "CSC acts to solve "fillers" issue". Music Week . ISSN   0265-1548.