This is a list of Mersey Beat number-one singles. Mersey Beat is a former British weekly pop music newspaper. It was founded initially as a regional bi-weekly publication on 13 July 1961. In 1963 it began compiling a Top 20 chart based on around 10 stores and became a national paper.
The charts and paper became weekly on 24 April 1964 and, following an investment in September 1964 by Brian Epstein, expanded the chart and sample size to become the first publication to announce a Top 100 on 3 December 1964. [1] On 6 March 1965 the paper was rebranded Music Echo and by 16 April 1966 the chart was no longer published—on 23 April 1966 the newspaper was incorporated into Disc which became Disc and Music Echo. [1]
In the period when Mersey Beat published a chart there was no official singles chart; [2] [3] Record Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) chart in February 1969. The first record chart in the United Kingdom was published in November 1952 by NME . The Official Charts Company and Guinness' British Hit Singles & Albums consider this the canonical source for the British singles chart before 10 March 1960 and, after that date, the Record Retailer chart. However, NME continued to compile their own chart and publications Disc and Melody Maker also published charts in this period. Being no universally accepted chart, the BBC used aggregated results of charts from these three publications (and Record Mirror prior to 1952) to compile their own Pick of the Pops chart. [4] [5]
Charts compiled by Mersey Beat had thirteen number-one singles that did not reach top spot in the Record Retailer chart; this included two singles from each of The Who and The Hollies. Notably, "19th Nervous Breakdown" reached number one on the Mersey Beat chart as well as Disc, NME, and Melody Maker charts. It topped the BBC's Pick of the Pops aggregated chart and was announced as number one on Top of the Pops ; however, because it did not reach number one on the Record Retailer chart it is omitted from The Official Charts Company's canon. [4]
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British Hit Singles & Albums was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HiT Entertainment. It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as British Hit Singles and British Hit Albums. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of Ripley's Believe It or Not!. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled The Virgin Book of British Hit Singles, it was first published in November 2008 with a separate albums book and second edition being published over the next couple of years.
Record Mirror was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the NME, it never attained the circulation of its rival. The first UK album chart was published in Record Mirror in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and Top of the Pops, as well as the US Billboard charts.
The UK Singles Chart is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling singles in the United Kingdom, based upon physical sales, paid-for downloads and streaming. The Official Chart, broadcast on BBC Radio 1 and MTV, is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio track not longer than 15 minutes with a minimum sale price of 40 pence. The rules have changed many times as technology has developed, the most notable being the inclusion of digital downloads in 2005 and streaming in July 2014.
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.