"You Really Got Me" is a song by the English rock band the Kinks,written by frontman Ray Davies. The song,originally performed in a more blues-oriented style,was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded,with the second performance used for the final single. Lead guitarist Dave Davies performs the song's famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo,this has been debunked by Page himself.[1]
"You Really Got Me" is built around power chords (perfect fifths and octaves) and it heavily influenced later rock musicians,particularly in the heavy metal and punk rock genres.[2] Built around a guitar riff played by Dave Davies,its lyrics were described by Dave as "a love song for street kids".[3]
The song was released in the UK on 4 August 1964 by Pye Records as the group's third single,and reached number one on the Record Retailer chart the following month,remaining there for two weeks. It was released in the US on 2 September by Reprise Records. The song became the group's breakthrough hit. It established them as one of the top British Invasion acts in the United States,reaching number seven later in the year. "You Really Got Me" was later included on the Kinks' debut album,Kinks. American rock band Van Halen covered the song in their 1978 eponymous debut album;it was released as their first single and peaked at No. 36 on the Billboard Hot 100.
Background
[The original demo version of 'You Really Got Me'] had very way-out words and a funny sort of ending that didn't. We did it differently on the record because [this original version] was really rather uncommercial.
"You Really Got Me" was written by Ray Davies, the Kinks' vocalist and main songwriter, sometime between 9 and 12 March 1964.[4] Created on the piano in the front room of the Davies' home, the song was stylistically very different from the finished product, being much lighter and somewhat jazz-oriented.[4] Ray said of the song's writing, "When I came up with ['You Really Got Me'] I hadn't been writing songs very long at all. It was one of the first five I ever came up with."[4]
Davies said that he had been inspired to write the song one night during his college days playing with the Dave Hunt Band, when he saw an attractive girl on the dance floor. He said: "When we finished, I went off to find her, but she was gone and never returned to the club. She really got me going."[5]
During the spring of 1964, Ray Davies played an early version of "You Really Got Me" on the piano to rock photographer Allan Ballard during a photo shoot. Ballard later remembered, "It was quite a small, pokey, Victorian Terrace, a bit scruffy, and in the hallway they had an upright piano. Ray sat down and plonked out, 'Der-der, der, Der-der!' He said, 'What do you reckon to this?' It meant nothing to me at the time, but it ended up as 'You Really Got Me'."[6]
Ray, initially planning for the song to be a "more laid-back number", later played the chords of the song to brother Dave Davies, the Kinks' lead guitarist. However, upon hearing the track, Dave decided that the riff would be much more powerful on a guitar.[6] Ray said of the track's change to a guitar-centred track, "I wanted it to be a jazz-type tune, because that's what I liked at the time. It's written originally around a sax line... Dave ended up playing the sax line in fuzz guitar and it took the song a step further."[4] The band began performing the new track in some of their live shows, where it was well received.[7]
In 1998, Ray said, "I'd written 'You Really Got Me' as tribute to all those great blues people I love: Lead Belly and Big Bill Broonzy."[8] Dave cited Gerry Mulligan as an inspiration, saying, "Ray was a great fan of Gerry Mulligan, who was in [the Jazz on a Summer's Day movie], and as he sat at the piano at home, he sort of messed around in a vein similar to Mulligan and came up with this figure based on a 12-bar blues".[4] Dave has also said that song had been inspired by Jimmy Giuffre's song "The Train and the River".[9] According to the band's manager, Larry Page, the song's characteristic riff came about while working out the chords of the Kingsmen's "Louie Louie".[3] Lyrically, the song was said to be influenced by an encounter with one of the band's "first serious female fans".[4][10]
Recording
When I first heard ["You Really Got Me"], I said, "Shit, it doesn't matter what you do with this, it's a number one song". It could have been done in waltz time and it would have been a hit.[7]
The Kinks recorded "You Really Got Me" at least twice in mid-1964, likely around June 14 and July 12.[11] The band's demo was in a "bluesy" style, while a full studio version recorded in June was slower and less emphatic than the final single.[12] Shel Talmy had, according to Davies, covered the track in reverb, all but burying the lead guitar. The band wanted to rerecord the song, but their record company Pye refused to fund another session on the grounds that the band's first two singles had failed to chart.[7] Ray Davies, however, threatened that he would refuse to perform or promote the single unless it was re-recorded.[7] Manager Larry Page also refused to publish the original recording.[7] When Pye stood its ground, the band's own management broke the stalemate by funding the session themselves.[13] Ray Davies' adamant attitude on behalf of the career-making song effectively established him as the leader and chief songwriter of the Kinks. Davies later said, "I was floundering around trying to find an identity. It was in 1964 that I managed to do that, to be able to justify myself and say, 'I exist, I'm here.' I was literally born when that song hit."[14]
The influential distortion sound of the guitar track was created after guitarist Dave Davies sliced the speaker cone of his guitar amplifier with a razor blade and poked it with a pin.[15] The amplifier was affectionately called "little green", after the name of the amplifier made by the Elpico company, and purchased in Davies' neighbourhood music shop, linked to a Vox AC-30.[9] In 2014, Dave Davies accused brother Ray of lying about participating in Dave's guitar distortion sound. Dave wrote on his Facebook page, "My brother is lying. I don't know why he does this but it was my Elpico amp that I bought and out of frustration I cut the speaker cone up with a razor blade and I was so shocked and surprised and excited that it worked that I demonstrated the sound to Ray and [Kinks bassist] Pete [Quaife]... Ray liked the sound and he had written a riff on the piano which formed the basis of the song 'You Really Got Me' and I played the riff on my guitar with my new sound. I alone created this sound."[16]
According to recent Kinks' releases that give full official performance credits of the track, group members Ray Davies (vocals and rhythm guitar), Dave Davies (lead guitar), Pete Quaife (bass) are joined by session men Bobby Graham (drums), and Arthur Greenslade (piano).[17][18] Regular Kinks drummer Mick Avory plays the tambourine.
Guitar solo
The guitar solo on the recording has been the subject of the persistent myth that it was not played by the Kinks' lead guitarist Dave Davies, but by then-session player Jimmy Page, who later joined the Yardbirds and Led Zeppelin. Among those claiming Page played lead guitar was Jon Lord of Deep Purple, who also claimed to play piano on the track.[19] Page has always denied playing the song's guitar solo, going so far as to state in a 1970s interview cited in Sound on Sound magazine that "I didn't play on 'You Really Got Me' and that's what pisses him [Ray Davies] off."[10] Rock historian and author Doug Hinman makes a case that the rumour was begun and fostered by the established British rhythm and blues community, many of whose members were resentful that an upstart band of teenagers such as the Kinks could produce such a powerful and influential blues-based recording, seemingly out of nowhere.[20]
Shel Talmy, the producer on the track, has gone on record and put the controversy to rest in an interview with The Guardian, saying "contrary to myth, Jimmy didn't play on 'You Really Got Me'."[9] In a 7 November 2014 interview with SiriusXM's Town Hall series, Page confirmed again that he did not play on the song, saying "Oh, Crikey! I wasn't on 'You Really Got Me,' but I did play on the Kinks' records. That's all I'm going to say about it. But every time I do an interview, people ask me about 'You Really Got Me.' So maybe somebody can correct Wikipedia so people won't keep asking me."[21] Drummer Mick Avory also confirmed that the guitar solo was played by Dave Davies and not Jimmy Page in an interview with AllMusic in 2023.[1]
In his 1998 autobiographical release The Storyteller,[22] Ray Davies discusses the guitar solo. He confirms that his brother Dave played the solo and it was preceded by some bantering between the two:
Halfway through the song it was time for Dave's guitar solo. This moment had to be right. So I shouted across the studio to Dave, give him encouragement. But I seemed to spoil his concentration. He looked at me with a dazed expression. 'Fuck off.' If you doubt me, if you doubt what I'm saying, I challenge you to listen to the original Kinks recording of 'You Really Got Me'. Halfway through the song, after the second chorus, before the guitar solo, there's a drum break. Boo ka, boo boo ka, boo ka, boo boo. And in the background you can hear 'fuck off'. You can, you can. When I did the vocal I tried to cover it up by going 'Oh no', but in the background you still hear it 'fuck off'. And it's even clearer on CD, it's really embarrassing.[8]
Music and lyrics
Every aspect of the song's construction is governed by the riff, a rapid alteration of bass notes a whole tone apart... this element probably accounts almost single-handedly for the song's popularity.
Commentators have described "You Really Got Me" as garage rock,[24]hard rock,[25]rock and roll,[26] and proto-punk.[27] While Ray Davies had been instructed at the time to write "Beatle-type" material for commercial reasons, "You Really Got Me" was written as a more R&B-based composition.[4] The song is centred on a guitar riff which has since been referred to as "instantly identifiable".[10] American musicologist Robert Walser described "You Really Got Me" as "the first hit song built around power chords."[28]
The song has since been labeled as an early influence of the heavy metal genre, with critic Denise Sullivan of AllMusic writing, "'You Really Got Me' remains a blueprint song in the hard rock and heavy metal arsenal."[15] However, Dave Davies has since rejected the idea that the song is heavy metal, saying "I've never really like that term, heavy metal. I think, in all humility, it was the first heavy guitar riff rock record. Just because of the sound—if you played it on a ukulele, it might not have been so powerful."[3]
The lyrics of the song are about lust and sex.[6] Dave Davies said of the song's lyrics, "'You Really Got Me' [is] such a pure record, really. It's a love song for street kids. They're not going to wine and dine you, even if they knew how to chat you up. [They say] 'I want you—come here.'"[3]
"You Really Got Me" was released as the band's third single on 4 August 1964, backed with "It's All Right" (also spelled "It's Alright").[29] Within three days of the single's release, "You Really Got Me" began to appear on local charts. Eventually, the song climbed to the top of the British charts, the band's first single to do so.[29] Ray Davies later claimed that, due to the single's high demand, Pye Records put all their other records on hold to solely produce copies of "You Really Got Me".[29] Due to the high level of success the single achieved in the UK, a rush-release of "You Really Got Me" was put out in the US on 2 September 1964, despite being delayed from its initial release date of 26 August.[30] Although it did not enter the charts until 26 September, the record rose to number seven on the Billboard Hot 100.[30]
The song later appeared on the band's debut album, Kinks, with the title of the American release of the album being changed to You Really Got Me. Plans for Ray to sing versions of the song in French, German, Spanish, and Japanese for their respective markets were proposed by Shel Talmy, but they never materialised.[31] The single B-side, "It's All Right", was included on the UK EP Kinksize Hits (1964).[32] It was first issued on an album in the US, where it was included on the Kinks' third album Kinkdom (1965).[33] Music writers have described the song as "shockingly different" to the Kinks' recorded work up to this point, and a "frenetic lost gem".[34][35] The song is included on a 1998 CD reissue of the group's debut album.[35]
We were really surprised when 'You Really Got Me' was a hit. Why wasn't our last disc, 'You Still Want Me'? Because it wasn't any good. We didn't like it much... We write for ourselves now.
Upon release, the single received a positive review from Record Mirror, which said, "Highly promising group with strong guitar sound and a compact sort of vocal performance. Mid-tempo but bustling song should sell well."[29] In Melody Maker, singer Dave Berry was featured in a blindfold test of the song, with Berry at first guessing the song was by the Kingsmen.[29] He said, "It's fabulous, this one. I like these records that sound as if they've gone into a recording studio and done what they wanted to on the spot. It's a good chance of being a big hit."[29] The Melody Maker review had a lasting impact on Ray Davies, who said that Berry "had a few hits – so he mattered" and that Berry's belief that the band had "done what they wanted" had "said it all" for him.[29][36] In the U.S., Cash Box described the single as "a pulsating, blues-flavored rock-a-rhythmic...that builds along the way."[37]
In 1999, "You Really Got Me" was inducted into the Grammy Hall of Fame.[42]Rolling Stone magazine placed the song at number 82 on their list of the 500 greatest songs of all time and at number four on their list of the 100 Greatest Guitar Songs of All Time.[43] In early 2005, the song was voted the best British song of the 1955–1965 decade in a BBC radio poll.[44] In March 2005, Q magazine placed it at number nine in its list of the 100 Greatest Guitar Tracks.[45] In 2009, it was named the 57th Greatest Hard Rock Song by VH1.[25]
Prior to its release, the Kinks performed "You Really Got Me" in some of their early concerts.[3] It was a crowd favourite, with Ray Davies later claiming to feel a connection with the crowd as he performed the song.[3] Ray later said, "Our success came from playing [the song] live. When we played 'You Really Got Me' people actually took notice. They realised we had something original."[3]
The Kinks continued to perform successfully for over 30 years through many musical styles, but "You Really Got Me" remained a mainstay in concert.[15][46] During some shows, the song was played in a medley with its follow-up single "All Day and All of the Night", while in 1977, a performance on Saturday Night Live featured a four-song medley of "You Really Got Me", "All Day and All of the Night", "A Well Respected Man", and "Lola".[47] In a live performance on the Don Lane Show in 1982, "You Really Got Me" was featured in a medley with the band's 1981 song, "Destroyer".[48] In 1984, Dave Davies claimed that, even after twenty years of performing "You Really Got Me", the track was "still fun to play live."[49]
A live version of "You Really Got Me" was released on the band's 1980 live album, One for the Road. This version, following the minor success of the same album's live version of "Lola", was released as a single in America, backed with the live take of Low Budget's "Attitude".[50] However, the single failed to chart.[50] This version was later included on the 1986 compilation album, Come Dancing with the Kinks: The Best of the Kinks 1977–1986.[51]
Other live renditions of "You Really Got Me" have also been released. A version on Live at Kelvin Hall recorded at Kelvin Hall in Glasgow, Scotland, was released in 1967, while a performance at the Mann Music Center in Philadelphia, Pennsylvania, appeared on 1994's To the Bone.[52] The Davies brothers also performed a live version in Boston, Massachusetts with the Smithereens in November 1991, which later appeared on the latter band's 1995 compilation album Attack of the Smithereens.[53] Both Ray and Dave Davies still perform the song in solo shows, generally as a closing number.[citation needed]
In December 2015, Ray Davies joined brother Dave onstage at one of his concerts to perform "You Really Got Me".[54] The event marked the first time the brothers performed on stage together in nearly twenty years, sparking rumors of a possible Kinks reunion.[55]
The American hard rock band Van Halen released a cover of "You Really Got Me" for their self-titled 1978 debut album. As the band's first single, it was a popular radio hit that helped jump-start the band's career,[74] as it had done for the Kinks 14 years earlier. This version, which was cited by Eddie Van Halen as an "updated" version of the original, featured "histrionic" guitar playing by himself and "vocal shenanigans" by David Lee Roth.[15] The song had been played by the band live for years before its studio release. On the radio, it is often featured with "Eruption", the instrumental that precedes it on the album, as an intro.[75]
The song was released as a single as a result of an encounter between Eddie Van Halen and members of the band Angel. Eddie Van Halen and Angel drummer Barry Brandt had both been bragging about their new material to one another, resulting in Eddie Van Halen showing a demo of "You Really Got Me" to Brandt. On the following day, the band's producer, Ted Templeman told Van Halen that Angel was recording their own cover of "You Really Got Me" to release before Van Halen's version. As a result, the song was rush-released as a single before Angel could do so.[76]
Record World said that it's a "supercharged, heavier version" than the Kinks' version and that "it's still a fine, primal rocker."[77]
Eddie Van Halen later expressed dissatisfaction with the use of "You Really Got Me" as the band's debut single. He said, "It kind of bummed me out that Ted [Templeman] wanted our first single to be someone else's tune. I would have maybe picked "Jamie's Cryin''", just because it was our own."[76]
The Kinks' Dave Davies has claimed to dislike Van Halen's rendition of the song, saying "There's the thing: good art isn't always about having the comfiest technique. I shouldn't encourage him, but I'm sure Eddie Van Halen played better when he was drunk." He also told of how a concert-goer approached him after a live show and congratulated him on performing a "great cover of the Van Halen song".[78] Ray Davies, on the other hand, claimed to like the track because it made him laugh.[79]
↑ Hinman writes a guitarist from Edward Kassner's office played additional rhythm guitar, "likely Harry, possibly Bob or Vic, surname unknown".[57]
Related Research Articles
Face to Face is the fourth studio album by the English rock band the Kinks, released on 28 October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry.
"Lola" is a song by the English rock band the Kinks, written by frontman Ray Davies for their 1970 album Lola Versus Powerman and the Moneygoround, Part One. The song details a romantic encounter in a Soho bar between a young man and Lola, who is possibly a trans woman or cross-dresser. In the song, the narrator describes his confusion towards Lola, who "walked like a woman but talked like a man", yet he remains infatuated with her.
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," and then on their album The Kink Kontroversy.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the top 10 in the United States.
"All Day and All of the Night" is a song by the English rock band the Kinks from 1964. Released as a single, it reached No. 2 in the UK on the Record Retailer chart and No. 7 on the US Billboard Hot 100 chart in 1965. The song was included on the Kinksize Hits EP in the UK and the Kinks' second American album, Kinks-Size (1965).
Low Budget is the eighteenth studio album by English rock group the Kinks, released in 1979. It was their first to feature bassist Jim Rodford who would remain with the group until their disbandment in 1996. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to contemporaneous events. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.
"See My Friends" is a song by the English rock band the Kinks, written by the group's singer and guitarist, Ray Davies. Released in July 1965, it reached number 10 on the Record Retailer chart. The song incorporates a drone-effect played on guitar, evoking a sound reminiscent of the Indian tambura.
"Wonderboy" is a song by the English rock band the Kinks, written by Ray Davies. It was released as a non-album single in April1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers.
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the US. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, Kinda Kinks. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983.
"Dedicated Follower of Fashion" is a 1966 song by British band the Kinks. It lampoons the contemporary British fashion scene and mod culture in general. Originally released as a single, it has been included on many of the band's later albums.
"You Still Want Me" is a single by the Kinks released in 1964. It was their second record, and failed to chart upon release, threatening the band's deal with Pye Records. However, the massive success of the band's next single, "You Really Got Me", ensured their tenure with Pye would continue until 1971, when they shifted to RCA.
"Wicked Annabella" is a song by the English rock band the Kinks from their 1968 album, The Kinks Are the Village Green Preservation Society (1968). Written by Ray Davies, it was recorded by the Kinks in July1968. The song is Dave Davies's only lead vocal contribution on the album. It is one of several character studies on Village Green, recounting the wicked deeds of the local witch as a warning to children. Employing an eerie tone, its lyrics are darker than the rest of the album and have been likened by commentators to a dark fairy tale.
"Come Dancing" is a 1982 song written by Ray Davies and performed by British rock group the Kinks on their 1983 album State of Confusion. The song was inspired by Davies' memories of his older sister, Rene, who died of a heart attack while dancing at a dance hall. The lyrics, sung from the perspective of an "East End barrow boy", are about the boy's sister going on dates at a local Palais dance hall.
"Picture Book" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in May 1968, its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, "Starstruck", in November1968. The same single was issued in the United States in January1969, though it failed to appear in any charts.
"(Wish I Could Fly Like) Superman" is a song written by Ray Davies that was first released on the Kinks' 1979 album, Low Budget. The song, inspired by Superman: The Movie, employs a disco beat and lyrics that describe the singer's wish to be like the fictional character Superman. The song's disco style was created as a response to Arista Records founder Clive Davis's request for "a club-friendly record", despite Ray Davies' hatred of disco.
"Stop Your Sobbing" is a song written by Ray Davies for the Kinks' debut album, Kinks. It was later covered by the Pretenders as their first single.
"A Rock 'n' Roll Fantasy" is the lead single and fourth track from The Kinks' 1978 album Misfits. Written by Ray Davies, the song was inspired by the band's then-tumultuous state at the time, with two members leaving the band during the recording of Misfits. Released as the first single from the album, the track was the band's most successful single in years, reaching number 30.
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days".
"Johnny Thunder" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded in March1968. Davies was inspired to write the song after seeing the 1953 film The Wild One, basing it on Marlon Brando's character Johnny as well as on a classmate Davies admired as a child. A rock song, its recording features a countermelody played by Dave Davies on electric guitar, wordless vocal harmonies and one of the album's few instances of a single-tracked vocal by Ray.
Then Now and Inbetween is a promotional compilation album by the English rock band the Kinks. Reprise Records issued the album in July1969 to journalists, radio program directors and disc jockeys in conjunction with the "God Save the Kinks" promotional campaign, which sought to reestablish the Kinks' commercial status in the US after their four-year ban on performing in the country.
↑ Hallberg, Eric (193). Eric Hallberg presenterar Kvällstoppen i P 3: Sveriges radios topplista över veckans 20 mest sålda skivor 10. 7. 1962 - 19. 8. 1975. Drift Musik. ISBN9163021404.
↑ Hallberg, Eric; Henningsson, Ulf (1998). Eric Hallberg, Ulf Henningsson presenterar Tio i topp med de utslagna på försök: 1961 - 74. Premium Publishing. ISBN919727125X.
Hinman, Doug (2004). The Kinks: All Day and All of the Night: Day by Day Concerts, Recordings, and Broadcasts, 1961-1996. Backbeat Books. ISBN978-0879307653.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
