The Kinks Greatest Hits! | ||||
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Greatest hits album by | ||||
Released | 10 August 1966 | |||
Recorded | July 1964 –February 1966 | |||
Studio | Pye and IBC, London | |||
Genre | ||||
Length | 23:54 | |||
Label | Reprise | |||
Producer | Shel Talmy | |||
The Kinks US chronology | ||||
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The Kinks Greatest Hits! (also spelled The Kinks' Greatest Hits!) [lower-alpha 1] is a compilation album by the English rock band the Kinks. Released in the United States in August 1966 by Reprise Records, the album mostly consists of singles issued by the group between 1964 and 1966. The band's first greatest hits album, it remained on the Billboard Top LPs chart for over a year, peaking at number 9, making it the Kinks' highest charting album in the US. The album was in print for decades and was the Kinks' only gold record in America until 1980.
Reprise Records released The Kinks Greatest Hits! in the US on 10 August 1966. [lower-alpha 2] The band's first greatest hits album, [5] it mostly consists of singles issued by the group between 1964 and 1966, [6] ranging from "You Really Got Me" to "Dedicated Follower of Fashion", recorded in mid-July 1964 and February 1966, respectively. All the tracks were recorded at Pye or IBC Studios in London and were produced by Shel Talmy. [7] "Something Better Beginning" is the only non-single on the album, first issued on Kinda Kinks (1965). [8]
The album's liner notes include one of the earliest instances of Ray Davies, the Kinks' principal songwriter, being characterised as a genius. [9] Author Thomas. M. Kitts suggests the description of Davies as "a brooding-faced, long-haired genius" [10] was an attempt to connect him to the English poet Lord Byron. [11] Eder writes that Ed Thrasher's cover art for the album, depicting the band in several concert photographs, further added to its collectibility. [12] [13]
Review scores | |
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Source | Rating |
AllMusic | [12] |
Encyclopedia of Popular Music | [14] |
The Great Rock Discography | [15] |
Like subsequent British compilations collecting the Kinks' mid-1960s hits, the album's sales surpassed those of the band's late 1960s studio albums. [16] [lower-alpha 3] It remained on the Billboard Top LPs chart for 64 weeks, peaking in November 1966 at number 9, [19] making it the Kinks' highest charting album in the US. [20] It additionally reached number 13 and 8 on Cash Box and Record World 's charts, respectively. [21] RIAA certified it gold in November 1968, indicating retail sales of US$1 million (equivalent to US$8.4 million in 2022). [22] The album remained in print for around 20 years and was the Kinks' only American gold record until Low Budget 's (1979) certification in 1980. [12] [23]
Crawdaddy magazine critic Sandy Pearlman contemporaneously described it as among the best greatest hits albums available. [24] Authors Steve Alleman and Bruce Eder each retrospectively write that the album's joining of various styles served to indicate the Kinks' earliest musical developments, though Eder suggests the album's shortcoming is its omission of the band's later 1966 songs, like "Sunny Afternoon" and "Dandy". [12] [25] Critic Robert Christgau included the album in his "Basic Record Library" of 1950s and 1960s recordings, published in his book Christgau's Record Guide: Rock Albums of the Seventies (1981). [26]
All songs by Ray Davies.
Side one
Side two
According to band researcher Doug Hinman, [27] except where noted:
The Kinks
Additional musicians
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Face to Face is the fourth studio album by the English rock band the Kinks, released in October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry.
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The Kinks were an English rock band formed in London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
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The Kink Kronikles is a compilation double album by the Kinks, released on Reprise Records in 1972, after the band had signed with RCA Records in 1971. It contains thirteen non-album singles, fourteen tracks taken from five albums released by the band from 1966 to 1971, and one track previously unreleased. Designed specifically for the American market, it peaked at No. 94 on the Billboard 200. The single versions and mixes were not necessarily used for each track.
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