"Waterloo Sunset" is a song by British rock band the Kinks. It was released as a single in 1967, and featured on their album Something Else by the Kinks. Composed and produced by Kinks frontman Ray Davies, "Waterloo Sunset" is one of the band's best known and most acclaimed songs, and is ranked number 14 on Rolling Stone's 500 Greatest Songs of All Time. It was also their first single that was available in true stereo.
Muswell Hillbillies is the tenth studio album by the English rock group the Kinks. Released in November 1971, it was the band's first album for RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s.
Arthur (Or the Decline and Fall of the British Empire), often referred to as just Arthur, is the seventh studio album by the English rock band the Kinks, released in October 1969. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning.
Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or simply Lola, is the eighth studio album by the English rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies's strongest songs.
Soap Opera or The Kinks Present a Soap Opera is a 1975 concept album by the Kinks. It is the fourteenth studio album by the Kinks.
The Great Lost Kinks Album is a compilation album by the English rock band the Kinks. Released in the United States in January 1973, it features material recorded by the group between 1966 and 1970 that had mostly gone unreleased. The compilation served to satisfy Reprise Records after executives determined that the Kinks contractually owed them one more album, despite the band's departure from the label in 1971.
The Kinks were an English rock band formed in Muswell Hill, North London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
Everybody's in Show-Biz is the eleventh studio album released by the English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand.
Misfits is the seventeenth studio album by the English rock band the Kinks, released in 1978. Following the minor success of Sleepwalker in the United States, Misfits featured a more rock-oriented style than many other Kinks records of the 1970s. Despite internal conflicts within the band, leading to both bassist Andy Pyle and pianist John Gosling quitting the band, the album made the Top 40 in America. The album also contained the minor hit single "A Rock 'n' Roll Fantasy", as well as less successful releases "Live Life" and "Black Messiah".
Give the People What They Want is the nineteenth studio album by the English rock group the Kinks. It was released in August 1981 in the US but not until January 1982 in Europe. It was delayed because lead singer Ray Davies wanted to produce a full-length video for the album but financing fell through. Also scrapped were plans to remix the album for the European market. It was initially aimed to be a statement on the media.
State of Confusion is the twentieth studio album by the English rock group, the Kinks, released in 1983. The record features the single "Come Dancing", which hit #6 on the Billboard Hot 100 and was one of the band's biggest hit singles in the United States, equaling the 1965 peak of "Tired of Waiting for You". The album itself was a major success, peaking at #12 on the Billboard album charts.
Sleepwalker is the sixteenth studio album by the English rock group, the Kinks, released in 1977. It marked a return to straight-ahead, self-contained rock songs after several years of concept albums. It is the first album in what critics usually call the "arena rock" phase of the group, in which more commercial and mainstream production techniques would be employed. The album also marks the last appearance of bassist John Dalton, who left the band during the recording sessions. Dalton plays bass on all songs on the album save for "Mr. Big Man". The lineup of the Kinks would be trimmed down significantly in 1977 following the album's release, as the brass section and backup singers were removed and the band returned to a standard rock band outfit.
Schoolboys in Disgrace, or The Kinks Present Schoolboys in Disgrace, is a 1975 concept album by the Kinks. Their 15th studio album, it was considered by critics to be the last album in what they dubbed the group's "theatrical" period, and their final release for RCA Records. The album is rooted in 1950s rock and roll, and also includes elements of hard rock, ‘50s pop and doo-wop, and arena rock.
Live at Kelvin Hall is a live album by the English rock group the Kinks. It was recorded at Kelvin Hall in Glasgow, Scotland, in early 1967 and released in August 1967 in the US, and January 1968 in the UK. Live at Kelvin Hall received mixed reviews upon release, and sold poorly.
Preservation Act 2 is a 1974 concept album by the English rock band the Kinks, and their thirteenth studio album. It sold poorly, and received a mixed response among critics. Ken Emerson, in Rolling Stone, held out the album as an "underrated" one in the Kinks' repertoire.
"Everybody's a Star (Starmaker)" is the opening track on The Kinks' poorly received 1975 concept album, Soap Opera. It was written by The Kinks' primary songwriter, Ray Davies.
"Preservation" is a non-album single written by Ray Davies and performed by The Kinks in 1974. Although it was related to the two Preservation albums lyrically, it did not appear on either album until it was added to the CD reissue of Preservation Act 1.
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days".
"One of the Survivors" is a song by the British rock band The Kinks. Appearing on their 1973 concept album Preservation Act 1, the song was written by the band's main songwriter, Ray Davies.
"You Can't Stop the Music" is a song by the British rock band The Kinks. The song, appearing on the band's 1975 album Soap Opera, was written by the band's principal songwriter, Ray Davies.
