Mick Avory | |
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Background information | |
Birth name | Michael Charles Avory |
Born | Chipping Barnet, London, England | 15 February 1944
Origin | East Molesey, Surrey, England |
Genres | Rock, pop |
Occupation(s) | Drummer, percussionist |
Instrument(s) | Drums, percussion |
Years active | 1962–present |
Labels | Pye, RCA, Arista |
Michael Charles Avory (born 15 February 1944) is an English musician, best known as the longtime drummer and percussionist for the English rock band the Kinks. He joined them shortly after their formation in 1964 and remained with them until 1984, when he left amid creative friction with guitarist Dave Davies. He is the longest-serving member of the band, apart from the Davies brothers. He is also the most prolific member, again apart from the Davies brothers, who has played on twenty studio albums or nearly all of the band's creative output.
Before he joined the Kinks, Avory was a member of the band Bobby Angelo & The Tuxedos, who had a No. 30 hit with "Baby Sittin'" in August 1961. After leaving that group, he was asked twice to rehearse on drums at the Bricklayers Arms pub in London during late May/early June 1962 for a group of musicians who were later to become the Rolling Stones. [1] It has been said that he also went on to play at their first show at The Marquee Club on 12 July 1962, [2] [3] yet Avory himself says "I think Tony Chapman did the gig at the Marquee. I didn't. I just rehearsed twice in the Bricklayers Arms in Soho." [4] Mick Jagger has said he has no recollection of playing any gigs with Avory.[ citation needed ]
Avory joined the Kinks in January 1964, after their previous drummer Micky Willet left the band. [5] Avory was hired to replace him after their management saw an advertisement Avory had placed in the trade magazine Melody Maker . [6] He attended a rehearsal at the Camden Head in Islington shortly before Christmas of 1963, and was then offered the job by manager Robert Wace just after New Year. Despite his ability, early Kinks recordings (including hits such as "You Really Got Me") commonly did not feature Avory on drums; producer Shel Talmy hired more seasoned session drummers (most notably Clem Cattini and Bobby Graham) for studio work well into 1965, but with Avory often providing supporting percussion. He drummed on certain tracks on the first and third albums and all but one song on the second album, Kinda Kinks . The first single A-side Avory played on was "Ev'rybody's Gonna Be Happy", and he went on to play on all Kinks recordings from the 1966 album Face to Face until his departure in 1984.
Avory was always considered the quietest and most easy-going member of the Kinks lineup and was Ray Davies's best friend. However, his turbulent working relationship with guitarist Dave Davies resulted in many legendary onstage fights. In the most notorious incident, at the Capitol Theatre, Cardiff, South Wales, during the Kinks' 1965 UK tour, Avory struck Dave over the head with his hi-hat stand, in reprisal for Davies kicking over his drum kit as revenge for a drunken fight the previous night in a Taunton hotel, apparently won by Mick. He then fled into hiding for days to avoid arrest for grievous bodily harm. [7] On other occasions, fuming, he would hurl his drumsticks at Dave.[ citation needed ] According to Ray, their problems began during the time Mick and Dave shared a flat in London for a short period in early 1965.
Ultimately, the relationship between Avory and the younger Davies brother deteriorated to the point where Avory left the band. [8] By agreement with Ray Davies, he ceased performing and recording with the band in 1984, but accepted an invitation to manage Konk Studios, where the band and the Davies brothers record most of their records – a position he has held ever since.[ citation needed ]
Ray explained the situation:
The saddest day for me was when Mick left. Dave and Mick just couldn't get along. There were terrible fights, and I got to the point where I couldn't cope with it any more. Push came to shove, and to avoid an argument I couldn't face. ... we were doing a track called "Good Day" and I couldn't face having Mick and Dave in the studio, so I did it with a drum machine. Dave said he wanted to replace Mick, and ... I took Mick out, and we got very, very drunk. We were in Guildford, and after about five pints of this wonderful scrumpy, Mick said if any other band offered him a tour, he wouldn't take it, because he didn't want to tour. And I remember him getting the train back - because he was banned from driving; it was a very bad year for Mick - and he walked to the station and disappeared into the mist.
In another interview, Ray said:
We got drunk and i finally said "Remember when you came to audition in December 1963? Well, you didn't get the job"
Avory was replaced by Bob Henrit, former drummer with The Roulettes, Unit 4 + 2 and Argent.
Later on, it would seem that Dave Davies and Avory settled their differences, as Avory subsequently played the drums on "Rock 'n' Roll Cities", a track on the Think Visual album written by Dave Davies. Avory was asked to rejoin by Ray Davies, but he declined as he wanted a rest from the non-stop touring, working and performing schedule of two decades.
Avory was inducted into both the Rock and Roll Hall of Fame in 1990 [8] and the UK Music Hall of Fame in 2005, with original bassist Pete Quaife and the Davies brothers. [9]
In the 1990s, he also formed Shut Up Frank with Dave Clarke (no relation to the Dave Clark of "The Dave Clark Five"), Noel Redding, and Dave Rowberry of The Animals. They toured extensively, and released two EPs and a live album. [10]
In the mid-'90s, he and Clarke started playing with The Kast Off Kinks, who over the years have enlisted John Dalton, John Gosling, Jim Rodford and Ian Gibbons. He has performed with them ever since, recording an EP and a live album. [11]
By April 2004 at the request of the Animals, who were about to do their 40th anniversary tour, Chip Hawkes (formerly of The Tremeloes) was asked to form a band to tour along with them. He brought together former original members of British 1960s groups, including himself, Avory, and Eric Haydock of the Hollies, performing as The Class of 64 (referring to the year of the British Invasion), also featuring guitarists 'Telecaster Ted' Tomlin and Graham Pollock. The band have toured around the world, and have recorded an album of their former bands' hits.[ citation needed ]
In 2007, Avory left the Class of 64 and, with other former 64 members Haydock, Pollock, and Tomlin, formed a new band called The Legends of the Sixties, adding Martin Lyon. Avory made a special guest appearance onstage at Ray Davies' Royal Albert Hall performance on 10 May 20 playing tambourine, guesting alongside Ian Gibbons.
Avory also plays in The '60s All Stars' band with British 1960s group members John Dee (The Foundations), Alan Lovell (The Swinging Blue Jeans), and Derek Mandell (The George Harrison Band).[ citation needed ] Avory was selected to drum for From The Jam following Rick Buckler's departure, and toured with them in December 2009.[ citation needed ]
Avory lives in Kew, west London. [12] Avory has a daughter. He has stated that she is not "terribly musical". [13] Avory married Marliesa Mladek in January 2018.
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David Russell Gordon Davies is an English guitarist, singer and songwriter. He was the lead guitarist and backing vocalist for the English rock band the Kinks, which also featured his older brother Ray. Davies also sometimes undertook writing and/or lead vocals duties within the band, for example on songs such as "Death of a Clown", "Party Line", "Strangers" and "Rats". He has also embarked on a solo career, releasing several singles during the late 1960s and has since released eight solo albums.
"You Really Got Me" is a song by English rock band the Kinks, written by frontman Ray Davies. The song, originally performed in a more blues-orientated style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded, with the second performance used for the final single. Lead guitarist Dave Davies performs the song’s famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, this has been debunked by Page himself.
Arthur (Or the Decline and Fall of the British Empire), often referred to simply as Arthur, is the seventh studio album by the English rock band the Kinks, released on 10 October 1969. It was the first Kinks album to feature bassist John Dalton, who replaced Pete Quaife. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning. A stereo version was released internationally with a mono version being released in the UK, but not in the US.
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Robert John Henrit is an English drummer. He has been a notable member of several musical groups, including Buster Meikle & The Daybreakers, Unit 4 + 2, the Roulettes, Argent and The Kinks.
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," and then on their album The Kink Kontroversy.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
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Misfits is the seventeenth studio album by the English rock band the Kinks, released in 1978. Following the minor success of Sleepwalker in the United States, Misfits featured a more rock-oriented style than many other Kinks records of the 1970s. Despite internal conflicts within the band, leading to both bassist Andy Pyle and pianist John Gosling quitting the band, the album made the Top 40 in America. The album also contained the minor hit single "A Rock 'n' Roll Fantasy", as well as less successful releases "Live Life" and "Black Messiah".
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