David Russell Gordon Davies is an English guitarist, singer and songwriter. He was the lead guitarist and backing vocalist for the English rock band the Kinks, lead by his older brother Ray. Davies also sometimes undertook writing and/or lead vocals duties within the band, for example on songs such as "Death of a Clown", "Party Line", "Strangers" and "Rats". He has also embarked on a solo career, releasing several singles during the late 1960s and has since released eight solo albums.
Arthur or the Decline and Fall of the British Empire, often referred to simply as Arthur, is the seventh studio album by the English rock band the Kinks, released on 10 October 1969. It was the first Kinks album to feature bassist John Dalton, who replaced Pete Quaife after the former’s departure. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning. A stereo version was released internationally with a mono version being released in the UK, but not in the US.
Peter Alexander Greenlaw Quaife was an English musician, artist and author. He was a founding member and the original bassist for the Kinks, from 1963 until 1969. He also sang backing vocals on some of their records.
Michael Charles Avory is an English musician, best known as the longtime drummer and percussionist for the English rock band the Kinks. He joined them shortly after their formation in 1964 and remained with them until 1984, when he left amid creative friction with guitarist Dave Davies. He is the longest-serving member of the band, apart from the Davies brothers. He is also the most prolific member, again apart from the Davies brothers, who has played on twenty studio albums or nearly all of the band's creative output.
Soap Opera or The Kinks Present a Soap Opera is a 1975 concept album by the Kinks. It is the fourteenth studio album by the Kinks.
John Dalton is a British bass guitar player, best known as a member of the Kinks in 1966 and between 1969 and 1976, replacing original member Pete Quaife.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the top 10 in the United States.
Low Budget is the eighteenth studio album by English rock group the Kinks, released in 1979. It was their first to feature bassist Jim Rodford who would remain with the group until their disbandment in 1996. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to contemporaneous events. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.
UK Jive is the twenty-third studio album by the English rock group, the Kinks, released in 1989. It was the first album in almost three years since the 1986 album, Think Visual. At this point, it was the longest gap between album releases since the inception of the group. It was their last studio album to feature keyboardist Ian Gibbons who left during the sessions. Gibbons would later rejoin in time for the group's swan song live album To the Bone.
Phobia is the twenty-fourth and final studio album by the English rock group the Kinks, released in 1993. It is also the only studio album credited to the Kinks which does not feature drummer Mick Avory in any capacity; though he left the band in 1984, he still played on individual songs on both Think Visual and UK Jive. The album was produced by Ray Davies himself as R. Douglas Davies.
"Wonderboy" is a song by the English rock band the Kinks, written by Ray Davies. It was released as a non-album single in April 1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers.
"Wicked Annabella" is a song by the English rock band the Kinks from their 1968 album, The Kinks Are the Village Green Preservation Society (1968). Written by Ray Davies, it was recorded by the Kinks in July 1968. The song is Dave Davies's only lead vocal contribution on the album. It is one of several character studies on Village Green, recounting the wicked deeds of the local witch as a warning to children. Employing an eerie tone, its lyrics are darker than the rest of the album and have been likened by commentators to a dark fairy tale.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
"Picture Book" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in May 1968, its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, "Starstruck", in November 1968. The same single was issued in the United States in January 1969, though it failed to appear in any charts.
"Sitting in My Hotel" is a song written by Ray Davies that was first released on The Kinks' 1972 album Everybody's in Show-Biz. It was also released on several compilation albums and as the B-side of the "Sweet Lady Genevieve" single. It is one of Davies' more introspective songs, musing about the cost of fame and stardom, and thus contributes to the album's theme of the difficulties of life on the road.
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
"Moving Pictures" is the final track on The Kinks' 1979 album Low Budget. Like the other ten tracks on the album, it was written by Ray Davies.
"Berkeley Mews" is a song by the English rock band the Kinks. It was released on a non-album single in June 1970, as the B-side to "Lola". Written and sung by bandleader Ray Davies, the song was recorded in early 1968 during the sessions for The Kinks Are the Village Green Preservation Society (1968). The title references a small street in London, while the lyrics recount a one-night stand. Influenced by the music of the 1940s, the song employs a heavier production than was typical for the band's 1968 work.
The Essential Kinks is a two disc compilation album by English rock band the Kinks, released on 14 October 2014, on Legacy Records, a division of Sony Music Entertainment.
The English rock band the Kinks staged their fourth concert tour of the United Kingdom in April and May 1965. The thirty-three concerts comprised the second stage of a world tour, following shows in Australasia and Asia and before stages held later that year in the United States and continental Europe. After the Kinks had served as a support act during all of their previous tours, including during the first leg of their world tour, the 1965 UK engagements were the band's first as the headline act. Supporting groups included Goldie and the Gingerbreads and the Yardbirds.
