"Plastic Man" | ||||
---|---|---|---|---|
Single by the Kinks | ||||
B-side | "King Kong" | |||
Released | 28 March 1969 | |||
Recorded | Early March 1969 [1] | |||
Studio | Pye, London | |||
Genre | Pop [2] | |||
Length | 3:04 | |||
Label | Pye | |||
Songwriter(s) | Ray Davies | |||
Producer(s) | Ray Davies | |||
The Kinks UKsingles chronology | ||||
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"Plastic Man" is a song written by Ray Davies and recorded by the Kinks in 1969.
It was written and recorded specifically as an attempt at a hit single, released only days after being recorded. The previous year had been commercially disastrous for The Kinks. Their two singles had failed to reach the top 10 in the UK and failed to chart at all in the US. The album The Kinks Are the Village Green Preservation Society had also failed to chart in both the UK and US.
The plan for a hit backfired when the use of the word 'bum' (in the line "...plastic legs that reach up to his plastic bum") meant that the BBC refused to play the song. The single only managed to reach No. 31 in the UK and the following two Kinks singles failed to chart altogether.
The single was not initially released in the US, and remained unreleased there until The Great Lost Kinks Album in 1973.
Both sides of the single were the final songs to be recorded with founding bassist Pete Quaife and therefore is the last recorded single with the original Kinks line-up, although many Quaife-era Kinks songs have been released since his departure. Shortly after the release of the single, Quaife quit the group; he was replaced by John Dalton, who had substituted for him from June to October 1966 after Quaife was injured in a car accident. Quaife stated in 1998 that "Plastic Man" was his least favourite song that he recorded with the Kinks.[ citation needed ]
The B-side, "King Kong", was an "echo-drenched heavy blues" song exclusive to this single, and was unavailable in the US until the release of the US compilation The Kink Kronikles . [2] It has been said that the music publisher Eddie Kassner, with whom Davies had a "long-running dispute", was the basis of the song. [3]
Both sides of the single (as well as a stereo version of the A-side) are included as bonus tracks on the CD reissue of Arthur (Or the Decline and Fall of the British Empire) . In 2004, the B-side appeared on the three-disc Deluxe Edition of The Kinks Are The Village Green Preservation Society , while in 2011, both the mono and stereo mixes of the A-side appeared on the Deluxe Edition of Arthur.
According to band researcher Doug Hinman: [1]
Face to Face is the fourth studio album by the English rock band the Kinks, released in October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry.
Arthur , often referred to as just Arthur, is the seventh studio album by the English rock band the Kinks, released in October 1969. Kinks frontman Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; the television programme was never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray and guitarist Dave Davies' brother-in-law Arthur Anning.
Kinda Kinks is the second album by English rock band the Kinks, released in 1965. Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production. The single "Tired of Waiting for You" was a #1 hit on the UK Singles Charts.
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," and then on their album The Kink Kontroversy.
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
"Wonderboy" is a song by the English rock band the Kinks, released as a single in 1968. It stalled at number 36 in the UK charts, becoming the band's first single not to make the UK Top Twenty since their early covers. Despite this, it became a favourite of John Lennon of the Beatles, and, according to Ray Davies in his autobiography, X-Ray, "someone had seen John Lennon in a club and he kept on asking the disc jockey to play 'Wonder Boy' [sic] over and over again." Kinks guitarist Dave Davies praised the song, saying, "'Wonderboy' was a big one for us although it wasn't a hit. That was one song we really felt something for." However, bassist Peter Quaife's opinion towards the track was low, later stating that "[I] hated it ... it was horrible."
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"Mister Pleasant" is a song recorded by British rock group the Kinks in 1967, written by Ray Davies.
"You Still Want Me" is a single by the Kinks released in 1964. It was their second record, and failed to chart upon release, threatening the band's deal with Pye Records. However, the massive success of the band's next single, "You Really Got Me", ensured their tenure with Pye would continue until 1971, when they shifted to RCA.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
"Picture Book" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in May 1968, its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, "Starstruck", in November 1968. The same single was issued in the United States in January 1969, though it failed to appear in any charts.
A Hole in the Sock of Dave Davies refers to an unreleased album of solo material by Dave Davies, lead guitarist and co-founder of British rock band the Kinks. Apparently the album was, at least for a time, intended to be released under the name Lincoln County, however, numerous names have been applied to it, including The Album That Never Was.
"Polly" is a song by the English rock band the Kinks. It was released on a non-album single in April 1968, as the B-side to "Wonderboy". Written and sung by bandleader Ray Davies, the song was recorded in March 1968 during sessions for the band's 1968 album The Kinks Are the Village Green Preservation Society. Ray was initially inspired by the character Polly Garter in Dylan Thomas's 1954 radio drama Under Milk Wood, though his resulting character does not share anything with Thomas's besides the same name. The song is one of the few Kinks recordings from the late 1960s to possibly feature real strings, as arranged by David Whitaker.
Live at Kelvin Hall is a live album by the English rock group the Kinks. It was recorded at Kelvin Hall in Glasgow, Scotland, in early 1967 and released in August 1967 in the US, and January 1968 in the UK. Live at Kelvin Hall received mixed reviews upon release, and sold poorly.
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days".
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"Hold My Hand" is a song and single recorded and written by Dave Davies. The song is Davies' fourth solo single.
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