"The Hard Way" | ||||
---|---|---|---|---|
Single by The Kinks | ||||
from the album Schoolboys in Disgrace | ||||
A-side |
| |||
Released | January 23, 1976 (UK) | |||
Recorded | September 22, 1975 at Konk Studios, London | |||
Genre | Hard rock | |||
Length | 2:35 | |||
Label | RCA | |||
Songwriter(s) | Ray Davies | |||
Producer(s) | Ray Davies | |||
The Kinks singles chronology | ||||
|
"The Hard Way" is a song written by Ray Davies and first released by The Kinks on their 1975 album Schoolboys in Disgrace . [1] It was also released on The Kinks live album One for the Road and on several greatest hits collections. [1] The Knack covered the song on their 1980 album ...But the Little Girls Understand .
The lyrics of "The Hard Way" were inspired by a real life incident that happened to Dave Davies, Ray's brother and The Kinks' guitarist. In the incident, Dave Davies was caned and expelled from William Grimshaw Secondary Modern School after cutting class and having sex with a classmate. [1] [2] On Schoolboys in Disgrace, a three song sequence beginning with "I'm in Disgrace," continuing through "Headmaster" and concluding with "The Hard Way" covers a similar event in the life of the song's narrator Flash. [2] "I'm in Disgrace" covers Flash's feelings about getting his girlfriend pregnant and in "Headmaster" Flash confesses his misdeeds to the headmaster and asks for mercy. [2] [3]
In "The Hard Way," the headmaster responds to the plea in the previous song. He berates and browbeats Flash. [2] He starts by singing that "Boys like you were born to waste," later singing that he is not fit to be anything more than a street sweeper. [1] [2] Allmusic critic Richard Gilliam sees the headmaster as a bigot who "believes that punishment and destruction of self-image are important elements in learning." [1] Author Thomas Kitts perceives a "psychosexual enjoyment" in the headmaster's words. [2] Some of the lyrics, including the title, can be taken as double entendres. [2]
The music of the song is driven by a Dave Davies' power chord guitar riff, reminiscent of older Kinks songs such as "All Day and All of the Night" and "You Really Got Me." [2] [3] Kitts believes that Davies' guitar part "mirrors the headmaster's sexual aggression." [2] Gilliam describes the percussion beat as "harsh." Gilliam believes that opening riffs of "The Hard Way" were an influence on the sound of Devo. [1]
"The Hard Way" was recorded on September 22, 1975 at Konk Studios in London. [4] Trombone overdubs were added on October 2, with John Beecham playing the trombone. [4]
During the Schoolboys in Disgrace tour, the band performed in costume. [4] For "The Hard Way," lead singer Ray Davies wore a black gown and a grotesque mask, which had a long nose which Kitts compares to a phallus. [2] Kinks drummer Mick Avory was "whipped" on stage at some performances of the song. [4] At other performances, women on stage danced with canes. A live performance of "The Hard Way" was included on One for the Road . [1]
In 1980, The Knack covered "The Hard Way" for their second album, ...But the Little Girls Understand in 1980. [5] High Fidelity called it the best song on the album and an "honest homage to the Kinks," but claimed that it is "still a pale replica of the original" that doesn't add anything new. [6] In his scathing review of ...But the Little Girls Understand, Jim Sullivan of the Bangor Daily News found it unsurprising that The Knack would play this song, given that the song is "concerned with dominance and submission." [7]
Sir Raymond Douglas Davies is an English musician. He was the lead vocalist, rhythm guitarist and primary songwriter for the rock band the Kinks, which he led with his younger brother Dave on lead guitar and backing vocals. He has also acted in, directed and produced shows for theatre and television. Known for focusing his lyrics on rock bands, English culture, nostalgia and social satire, he is often referred to as the "Godfather of Britpop", though he disputes this title. He was inducted into the Rock and Roll Hall of Fame as a member of the Kinks in 1990. After the dissolution of the Kinks in 1996, he embarked on a solo career.
"You Really Got Me" is a song by English rock band the Kinks, written by frontman Ray Davies. The song, originally performed in a more blues-orientated style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded, with the second performance used for the final single. Lead guitarist Dave Davies performs the song’s famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, this has been debunked by Page himself.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
"Shangri-La" is a song written by Ray Davies of the Kinks. The song appeared on the 1969 concept album, Arthur. The song's inspiration can be traced back to when the band visited the Davies brothers' sister, Rose, and her family in Australia, the "designed community" that the family lived in serving as the initial lyrical inspiration. The song's highly ironic lyrics comment on British class society while portraying Arthur, the album's ill-fated protagonist, and his empty life in the suburbs. The musical aspects of the song both reflect and comment on the mood of the lyrics.
Schoolboys in Disgrace, or The Kinks Present Schoolboys in Disgrace, is a 1975 concept album by the Kinks. Their 15th studio album, it was considered by critics to be the last album in what they dubbed the group's "theatrical" period, and their final release for RCA Records. The album is rooted in 1950s rock and roll, and also includes elements of hard rock, ‘50s pop and doo-wop, and arena rock.
"Wicked Annabella" is a song by the English rock band the Kinks from their 1968 album, The Kinks Are the Village Green Preservation Society (1968). Written by Ray Davies, it was recorded by the Kinks in July 1968. The song is Dave Davies's only lead vocal contribution on the album. It is one of several character studies on Village Green, recounting the wicked deeds of the local witch as a warning to children. Employing an eerie tone, its lyrics are darker than the rest of the album and have been likened by commentators to a dark fairy tale.
"Picture Book" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in May 1968, its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, "Starstruck", in November 1968. The same single was issued in the United States in January 1969, though it failed to appear in any charts.
...But the Little Girls Understand is the second studio album by power pop/new wave group the Knack, released by Capitol Records in February 1980. The album reached the number 15 spot on the Billboard 200 album chart in 1980. The singles "Baby Talks Dirty" and "Can't Put a Price on Love" charted on the Billboard Hot 100 at No. 38 and No. 62, respectively. The song "Mr. Handleman" was released as a single in some countries, such as New Zealand. Guitarist Berton Averre has stated that "Mr. Handleman" was the first song he and lead singer Doug Fieger wrote together. The RIAA certified the album as Gold on April 14, 1980.
"Baby Talks Dirty" is a 1980 Top 40 single written by Doug Fieger and Berton Averre from the Knack's second album, ...But the Little Girls Understand. Like the album it was taken from, "Baby Talks Dirty" fell short of the success of its predecessors.
"Can't Put a Price on Love" is a 1980 song written by Doug Fieger and Berton Averre. It was originally released by American pop group The Knack on their second album, ...But the Little Girls Understand. It was the second song from that album that was released as a single, reaching #62 on the Billboard Hot 100, falling short of the performance by its preceding single, "Baby Talks Dirty", which reached #30 in Cash Box and #38 in Billboard. Overall, it was the fourth single which The Knack had released, and was the first such release which did not reach the Top 40.
"I'm in Disgrace" is the opening track on the second side of The Kinks' 1975 concept album, Schoolboys in Disgrace. It was written by Ray Davies.
"(Wish I Could Fly Like) Superman" is a song written by Ray Davies that was first released on the Kinks' 1979 album, Low Budget. The song, inspired by Superman: The Movie, employs a disco beat and lyrics that describe the singer's wish to be like the fictional character Superman. The song's disco style was created as a response to Arista Records founder Clive Davis's request for "a club-friendly record," despite Ray Davies' hatred of disco.
"Catch Me Now I'm Falling" is a song written by Ray Davies and first released by The Kinks as the second track on their 1979 album Low Budget. Written as a criticism of America's allies, the song depicts the fall of Captain America as a symbol of the United States' dire circumstances at the time. The song features multiple solos on different instruments as well as a riff similar to "Jumpin' Jack Flash".
"State of Confusion" is a song written by Ray Davies and first released by The Kinks as the title track of their 1983 album State of Confusion. Although it was not released as a single in the United States, it reached #26 on Billboard's Hot Mainstream Rock Tracks chart. It was released as a single in Continental Europe.
"Low Budget" is the sixth track from The Kinks' album of the same name. It was written, produced and sung by Ray Davies.
"Stop Your Sobbing" is a song written by Ray Davies for the Kinks' debut album, Kinks. It was later covered by the Pretenders as their first single.
"No More Looking Back" is the penultimate track on The Kinks' 1975 concept album, Schoolboys in Disgrace. Like all of the other tracks on the album, it was written by Ray Davies.
"Attitude" is a song by the British rock band The Kinks, released on their album, Low Budget. It was written by Ray Davies.
"Life Goes On" is a song by the British rock band The Kinks. Appearing on their album Sleepwalker, it was written by the band's main songwriter, Ray Davies.
"Johnny Thunder" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded in March 1968. Davies was inspired to write the song after seeing the 1953 film The Wild One, basing it on Marlon Brando's character Johnny as well as on a classmate Davies admired as a child. A rock song, its recording features a countermelody played by Dave Davies on electric guitar, wordless vocal harmonies and one of the album's few instances of a single-tracked vocal by Ray.