"You Really Got Me" is a song by the English rock band the Kinks, written by frontman Ray Davies. The song, originally performed in a more blues-oriented style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded, with the second performance used for the final single. Lead guitarist Dave Davies performs the song’s famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, this has been debunked by Page himself.
Pretenders II is the second studio album by British-American rock band the Pretenders, issued on Sire Records in August 1981. It incorporates two songs that had been released as singles in the UK and placed on an EP in the US. It peaked at #7 on the UK Albums Chart and #10 on the Billboard 200, and has been certified a gold record for sales by the RIAA. It is the final album by the original line-up, as the following year bassist Pete Farndon was dismissed and guitarist James Honeyman-Scott died in the same week. Farndon died in 1983, and a new line-up would make the band's next album, Learning to Crawl.
The Kinks Are the Village Green Preservation Society is the sixth studio album by the English rock band the Kinks. Released on 22 November 1968, Village Green was a modest seller, but it was lauded by contemporary critics for its songwriting and has subsequently been regarded by commentators as an early concept album. The album was the band's first which failed to chart in either the United Kingdom or United States, and its embrace by America's new underground rock press completed the Kinks' transformation from mid-1960s pop hitmakers to critically favoured cult band.
Kinks is the debut studio album by the English rock band the Kinks. It was released on 2 October 1964 in the United Kingdom by Pye Records. The original United States release, issued by Reprise Records on 25 November 1964, omits three tracks and is instead titled You Really Got Me.
All I Really Want to Do is the debut solo studio album by American singer-actress Cher and was released on August 16, 1965, by Imperial Records. The album was produced for Cher by her then husband and singing partner, Sonny Bono, with contributions from arranger Harold Battiste. The album is by-and-large a collection of cover versions but does contain three songs written by Bono. In 1992, All I Really Want to Do and Cher's follow-up solo album, The Sonny Side of Chér, were reissued on one CD by EMI Records. Later, in 1995, EMI released a collection titled The Originals, which included All I Really Want to Do, The Sonny Side of Chér, and Cher's third solo album, Chér. The album was again reissued on one CD with The Sonny Side of Chér by BGO Records in 2005 in the UK only. The original twelve track All I Really Want to Do album has never been issued on Compact Disc on its own. Upon its release, the album was well received by critics and garnered positive reviews.
The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the top 10 in the United States.
"See My Friends" is a song by the English rock band the Kinks, written by the group's singer and guitarist, Ray Davies. Released in July 1965, it reached number 10 on the Record Retailer chart. The song incorporates a drone-effect played on guitar, evoking a sound reminiscent of the Indian tambura.
Four More Respected Gentlemen is an unreleased album by the English rock band the Kinks. The project arose out of the band's different American contract schedule, which obligated them to submit a new LP to Reprise Records in June 1968. As the band continued recording their next album, released later in the year as The Kinks Are the Village Green Preservation Society, bandleader Ray Davies submitted fifteen completed master tapes to Reprise. The label planned to issue the LP in the US in November 1968 but abandoned the project only a month beforehand for unclear reasons.
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the US. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, Kinda Kinks. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983.
Kwyet Kinks is the third EP by the English rock band the Kinks. It was released on 17 September 1965 in the United Kingdom by Pye Records. Driven by the inclusion of the song "A Well Respected Man", Kwyet Kinks topped sales charts in Britain for several weeks. In the United States, which had no corresponding market for EPs, Reprise Records instead used its songs as the basis for the November 1965 LP Kinkdom.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
"Picture Book" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song's lyrics describe the experience of an ageing narrator flipping through a photo album reflecting on happy memories from "a long time ago". Recorded in May 1968, its cheerful sound is defined by the jangle of an acoustic twelve-string guitar and a disengaged snare drum. In continental Europe, the song was issued as the B-side of the album's lead single, "Starstruck", in November 1968. The same single was issued in the United States in January 1969, though it failed to appear in any charts.
"Village Green" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by the band's principal songwriter, Ray Davies, the song was first recorded in November 1966 during the sessions for Something Else by the Kinks (1967) but was re-recorded in February 1967. Both the composition and instrumentation of "Village Green" evoke Baroque music, especially its prominently featured harpsichord played by the session keyboardist Nicky Hopkins. Unlike most of the band's late 1960s recordings, it employs real orchestral instruments, including oboe, cello, viola and piccolo, as arranged by the English composer David Whitaker.
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
"Stop Your Sobbing" is a song written by Ray Davies for the Kinks' debut album, Kinks. It was later covered by the Pretenders as their first single.
"Mirror of Love" is a track from The Kinks' theatrical album, Preservation Act 2. It was written by Ray Davies. It was released as the debut single from Preservation Act 2 in the U.K. only, but a version that was rerecorded for the American release was released as a single in both America and Britain.
"All of My Friends Were There" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded in July or October 1968. It features a church-like organ and a changing metre, while the style showcased Davies's continued interest in music hall. The song's narrator describes an embarrassing concert experience which all of his friends were present to witness. Its lyrics were inspired by a July 1967 concert during which Davies fell ill but was persuaded to perform due to the agreed contract. The song was not present on Davies's original twelve-track edition of Village Green, but was among the tracks he added for its UK release in November 1968. Retrospective commentators have described the song in favourable terms while disputing its level of thematic cohesion with the others on Village Green.
"Johnny Thunder" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and sung by Ray Davies, the song was recorded in March 1968. Davies was inspired to write the song after seeing the 1953 film The Wild One, basing it on Marlon Brando's character Johnny as well as on a classmate Davies admired as a child. A rock song, its recording features a countermelody played by Dave Davies on electric guitar, wordless vocal harmonies and one of the album's few instances of a single-tracked vocal by Ray.
Then Now and Inbetween is a promotional compilation album by the English rock band the Kinks. Reprise Records issued the album in July 1969 to journalists, radio program directors and disc jockeys in conjunction with the "God Save the Kinks" promotional campaign, which sought to reestablish the Kinks' commercial status in the US after their four-year ban on performing in the country.
The English rock band the Kinks staged their first concert tour of the United States in June and July 1965. The sixteen concerts comprised the third stage of a world tour, following shows in Australasia, Asia and in the United Kingdom and before later stages in continental Europe. Initially one of the most popular British Invasion groups, the Kinks saw major commercial opportunity in the US, but the resultant tour was plagued with issues between the band, their management, local promoters and the American music unions. Promoters and union officials filed complaints over the Kinks' conduct, prompting the US musicians' union to withhold work permits from the band for the next four years, effectively banning them from US performance.
