| Pretty Eyes | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1960 | |||
| Recorded | February 15, 18, 19, 1960 | |||
| Studio | Capitol (Hollywood) | |||
| Genre | Vocal jazz | |||
| Length | 32:44 | |||
| Label | Capitol | |||
| Producer | Dave Cavanaugh | |||
| Peggy Lee chronology | ||||
| ||||
Pretty Eyes is a 1960 studio album by Peggy Lee that was arranged by Billy May.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
The AllMusic review by Dave Nathan awarded the album three stars and commented that "There's no brass in the orchestra, just flutes, woodwinds, and strings. The result is that the arrangements are tame compared to charts May turned out when he had trumpets and trombones to work with. On some tracks, one gets the impression that Lee got bored with some of the complacent arrangements and shows her indifference by having a bit of fun using overly broad vowel pronunciations on such tunes as "Pretty Eyes." But on the better stuff, such as the swinging "It Could Happen to You," "Too Close for Comfort," and "Fly Me to the Moon" done as a slow ballad, she holds nothing back. Although her bountiful vocal gifts are occasionally held somewhat in check, there's still enough here to satisfy Lee and vocal fans alike". [1]
Edward William May Jr. was an American composer, arranger and trumpeter. He composed film and television music for The Green Hornet (1966), The Mod Squad (1968), Batman, and Naked City (1960). He collaborated on films such as Pennies from Heaven (1981), and orchestrated Cocoon, and Cocoon: The Return, among others.
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