Wake Up and Smell the Coffee | ||||
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Studio album by | ||||
Released | 22 October 2001 | |||
Recorded | 2000–2001 | |||
Studio | Windmill Lane Studios (Dublin) | |||
Genre | ||||
Length | 44:23 | |||
Label | MCA | |||
Producer | Stephen Street | |||
The Cranberries chronology | ||||
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Singles from Wake Up and Smell the Coffee | ||||
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Aggregate scores | |
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Source | Rating |
Metacritic | 62/100 [2] |
Review scores | |
Source | Rating |
AllMusic | [3] |
Alternative Press | [2] |
Blender | [4] |
E! Online | C+ [5] |
Entertainment Weekly | C− [6] |
Q | [2] |
Slant Magazine | [7] |
Wake Up and Smell the Coffee is the fifth studio album by Irish alternative rock [8] band The Cranberries, and their last before their six-year hiatus. Released on 22 October 2001, the album sold 170,000 copies in the US by April 2007. [9] Worldwide, the album had sold 1,300,000 copies by 2002. [10]
This marks the band's only album on MCA Records. They were transferred to MCA after the merger of PolyGram (which owned their previous label, Island Records) with MCA's parent Universal Music Group in 1999.
While the album did not initially receive a vinyl release, on 16 February 2023, it was announced that the album would receive a limited vinyl issue for Record Store Day on 22 April 2023. [11] [12]
This section includes a list of general references, but it lacks sufficient corresponding inline citations .(November 2024) |
Several different covers exist for the album, with the most widely distributed being a man lying in a bed on the beach with gym balls moving towards him. Later European editions, namely the UK special edition, use a similar, brighter shot taken at a different time of day with a slightly different number of gym balls. The American version of the album uses a shot of the clustered gym balls as the main cover art, with the man in bed on the reverse side of the image (the other side of the booklet). The Japanese edition also uses a shot of the gym balls, but bouncing on a grass field instead of the beach.
Designer Storm Thorgerson, who also designed the cover of their previous album, Bury the Hatchet , [10] said: "The idea of red balls came from granules of coffee percolating the atmosphere, settling in your nose and waking you up. These became red (cranberries) and then enlarged to gym balls to satisfy our rampant egos. The location changed from an interior to an open space. Because this idea was preposterous, it needed testing before we did the proper thing on a beach in Somerset. The test... was done on a small grass aerodrome near London." [13]
The version of the artwork featuring a man in bed on the beach is similar in concept to another Thorgerson creation, Pink Floyd's A Momentary Lapse of Reason . Thorgerson's anomalous red balls recall another of his earlier album covers, Elegy by The Nice (1970).
At review aggregator Metacritic, the album received a score of 62 out of 100 based on nine critics' reviews, indicating "generally favorable" reception. [2] Stephen Thomas Erlewine of AllMusic called the album "as reminiscent of their debut as anything they've done since" as well as "melodic, stately, and somber [...] with a dogged sense of decorum that keeps not just the group's musical excesses in check, but also O'Riordan's political polemics", although found there to be nothing that "really result[s] in a record that will restore the Cranberries to the status they enjoyed in the early '90s". [3]
John Aizlewood of Blender described Wake Up and Smell the Coffee as "the set of inspired anthems they needed to deliver in '96—all tremulous vocals from Dolores O'Riordan [...] and encouraging lyrics [...] It may be too late, but it's not too little." [4] Alternative Press found it to be a "slight improvement" on Bury the Hatchet (1999), [2] and Q felt it was "Charming, if slight". [2] Sal Cinequemani of Slant Magazine wrote that the album "sticks to what the Cranberries do best: constructing the radio-friendliest of pop alternatives", but concluded that "Dolores and company fall a bit short of the emotive and atmospheric heights" of their "creative (and commercial) zenith", No Need to Argue (1994). [7]
E! commented that "the band sounds strong but derivative of its own best work", going on to say that "O'Riordan's voice aims for spiritual passion but sometimes, as in the title track, becomes a chafing bray" and that it "may please old fans". [5] Chris Willman of Entertainment Weekly wrote: "It's official: Dolores O'Riordan is rock's most vapid lyricist", quoting O'Riordan's couplets "Birds in the sky/They look so high" from "Never Grow Old" and "Looks like we've screwed up the ozone layer/I wonder if the politicians cay-ay-are" from "Time Is Ticking Out" as examples. Willman found positives to be the return of "original producer Stephen Street", who makes "a few tracks into palatable ear candy, and O'Riordan ha[ving] traded stridency for softer tones". [6]
All lyrics are written by Dolores O'Riordan; all music is composed by O'Riordan except where noted
No. | Title | Writer(s) | Length |
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1. | "Never Grow Old" | 2:35 | |
2. | "Analyse" | 4:10 | |
3. | "Time Is Ticking Out" | O'Riordan, Noel Hogan | 2:59 |
4. | "Dying Inside" | O'Riordan, Hogan | 3:10 |
5. | "This Is the Day" | 4:15 | |
6. | "The Concept" | 3:03 | |
7. | "Wake Up and Smell the Coffee" | O'Riordan, Hogan | 5:15 |
8. | "Pretty Eyes" | 3:48 | |
9. | "I Really Hope" | O'Riordan, Hogan | 3:42 |
10. | "Every Morning" | 2:24 | |
11. | "Do You Know" | 3:09 | |
12. | "Carry On" | 2:21 | |
13. | "Chocolate Brown" | O'Riordan, Hogan | 3:32 |
No. | Title | Writer(s) | Length |
---|---|---|---|
14. | "Cape Town" | O'Riordan, Hogan | 2:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
14. | "Dreams" (live in Paris) | O'Riordan, Hogan | 4:37 |
15. | "Promises" (live in Paris) | 5:06 | |
16. | "In the Ghetto" (Elvis Presley cover) | Mac Davis | 2:42 |
No. | Title | Writer(s) | Length |
---|---|---|---|
14. | "Salvation" (live in Paris) | O'Riordan, Hogan | 2:35 |
15. | "In the Ghetto" (Elvis Presley cover) | Davis | 2:42 |
No. | Title | Writer(s) | Length |
---|---|---|---|
14. | "I Can't Be with You" (live in Paris) | O'Riordan, Hogan | 3:13 |
15. | "Zombie" (live in Paris) | 5:26 | |
16. | "In the Ghetto" (Elvis Presley cover) | Davis | 2:42 |
Song | Length | Physical/digital release(s) |
---|---|---|
"In the Ghetto" | 2:42 | Wake Up and Smell the Coffee [UK edition] (bonus track) |
"Cape Town" | 2:48 | Wake Up and Smell the Coffee [North American edition] (bonus track) |
"Many Days" | 2:43 | Digital format on The Cranberries website |
"Such a Waste" | 2:31 | "This Is the Day" single (B-side) [14] |
"7 Years" | 2:46 | Wake Up and Smell the Coffee [promo CD] |
The Cranberries
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [36] | Gold | 50,000^ |
France (SNEP) [37] | 2× Gold | 200,000* |
Spain (PROMUSICAE) [38] | Gold | 50,000^ |
Switzerland (IFPI Switzerland) [39] | Gold | 20,000^ |
United States | — | 170,000 [9] |
* Sales figures based on certification alone. |
The Cranberries were an Irish rock band formed in Limerick, Ireland, in 1989. The band was originally named The Cranberry Saw Us and featured singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan, and drummer Fergal Lawler; Quinn was replaced as lead singer by Dolores O'Riordan in 1990, and the group changed their name to the Cranberries. The band classified themselves as an alternative rock group, but incorporated aspects of indie rock, jangle pop, dream pop, folk rock, post-punk, and pop rock into their sound.
No Need to Argue is the second studio album by Irish alternative rock band the Cranberries, released on 3 October 1994 through Island Records. It is the band's best-selling album, and has sold 17 million copies worldwide as of 2014. It contains one of the band's most well-known songs, "Zombie". The album's mood is considered to be darker and harsher than that on the band's debut album Everybody Else Is Doing It, So Why Can't We?, released a year prior.
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Dolores Mary Eileen O'Riordan was an Irish musician who was the lead vocalist and lyricist of the alternative rock band the Cranberries. One of the most recognisable voices in rock in the 1990s, she was known for her lilting mezzo-soprano voice, signature yodel, emphasized use of keening, and strong Limerick accent.
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"Linger" is a song by Irish alternative rock band the Cranberries from their debut studio album, Everybody Else Is Doing It, So Why Can't We? (1993). Composed by band members Dolores O'Riordan and Noel Hogan, and produced by Stephen Street, "Linger" was first released as the second and final single from the album on 15 February 1993 by Island Records. It was later re-released on 31 January 1994.
"Zombie" is a protest song by Irish alternative rock band the Cranberries. It was written by the lead singer, Dolores O'Riordan, about the young victims of a bombing in Warrington, England, during the Troubles in Northern Ireland. The song was released on 19 September 1994 by Island Records as the lead single from the Cranberries' second studio album, No Need to Argue (1994). Critics have described "Zombie" as "a masterpiece of alternative rock", with grunge-style distorted guitar and shouted vocals uncharacteristic of the band's other work.
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Are You Listening? is the debut solo studio album by Dolores O'Riordan. It was released on 4 May 2007 in Ireland, 7 May 2007 in Europe and 15 May 2007 in North America. The first single, "Ordinary Day", was released in late April. The "Ordinary Day" video was shot in the city of Prague. The second single was "When We Were Young". O'Riordan embarked on the Are You Listening? Tour in May 2007.
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"Ode to My Family" is a song by Irish band the Cranberries, released on 21 November 1994 by Island Records as the second single from their second studio album, No Need to Argue (1994). The song was written by bandmembers Dolores O'Riordan and Noel Hogan. It was a hit in Oceania and several European countries, topping the charts in Iceland, and reaching number four in France, number five in Australia, and number eight in New Zealand. Its music video was directed by Samuel Bayer. In 2017, the song was released as an acoustic, stripped down version on the band's Something Else album.
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"Time Is Ticking Out" is a song by Irish band the Cranberries. It was the second single from their fifth studio album, Wake Up and Smell the Coffee, released in 2001. Dolores O'Riordan wrote the song after she had seen the children of Chernobyl born with many illnesses. The Cranberries donated all the proceeds of the single to the Chernobyl Children’s Project charity. A promotional video, directed by Maurice Linnane, features the band members as modern-life The Wizard of Oz characters.
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