"You Really Got Me" is a song by English rock band the Kinks, written by frontman Ray Davies. The song, originally performed in a more blues-orientated style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded, with the second performance used for the final single. Lead guitarist Dave Davies performs the song’s famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, this has been debunked by Page himself.
"A Well Respected Man" is a song by the British band the Kinks, written by the group's lead singer and rhythm guitarist Ray Davies, and originally released in the United Kingdom on the EP Kwyet Kinks in September 1965. It was also released as a single in the US and Continental Europe.
Kinks is the debut studio album by the English rock band the Kinks. It was released on 2 October 1964 in the United Kingdom by Pye Records. The original United States release, issued by Reprise Records on 25 November 1964, omits three tracks and is instead titled You Really Got Me.
Kinda Kinks is the second studio album by the English rock band the Kinks. It was released on 5 March 1965 in the United Kingdom by Pye Records. The original United States release, issued by Reprise Records on 11 August 1965, omits three tracks and substitutes the singles "Set Me Free" and "Ev'rybody's Gonna Be Happy". Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production.
The Kink Kontroversy is the third studio album by the English rock band the Kinks. It was released in the United Kingdom on 26 November 1965 by Pye Records. Issued in the United States on 30 March 1966 by Reprise Records, it was the Kinks' first American album to feature an identical track listing to its British counterpart. It is a transitional album, with elements of both the earlier Kinks' styles and early indications of the future direction of Ray Davies' songwriting styles. The liner notes were written by Michael Aldred.
Think Visual is the twenty-second studio album by the English rock band the Kinks, released in 1986. It peaked at #81 on the Billboard chart.
"Where Have All the Good Times Gone" is a song written by Ray Davies and performed by the Kinks. It was released as the B-side to "Till the End of the Day," and then on their album The Kink Kontroversy.
"All Day and All of the Night" is a song by the English rock band the Kinks from 1964. Released as a single, it reached No. 2 in the UK on the Record Retailer chart and No. 7 on the US Billboard Hot 100 chart in 1965. The song was included on the Kinksize Hits EP in the UK and the Kinks' second American album, Kinks-Size (1965).
Misfits is the seventeenth studio album by the English rock band the Kinks, released in 1978. Following the minor success of Sleepwalker in the United States, Misfits featured a more rock-oriented style than many other Kinks records of the 1970s. It was their last album to feature pianist John Gosling and the only one to feature bassist Andy Pyle as a member, both of whom quit the band following internal conflicts. Despite this, the album made the Top 40 in America. The album also contained the minor hit single "A Rock 'n' Roll Fantasy", as well as less successful releases "Live Life" and "Black Messiah".
"Autumn Almanac" is a song written by Ray Davies and recorded by the rock group the Kinks in 1967. "Autumn Almanac" has since been noted for being an "absolute classic", "a finely observed slice of English custom", and a "weird character study", and praised for its "mellow, melodic sound that was to characterize the Kinks' next [musical] phase..." Some have placed this and other Davies compositions in the pastoral-Romantic tradition of the poetry of Wordsworth, among others.
The Kinks Greatest Hits! is a compilation album by the English rock band the Kinks. Released in the United States in August 1966 by Reprise Records, the album mostly consists of singles issued by the group between 1964 and 1966. The band's first greatest hits album, it remained on the Billboard Top LPs chart for over a year, peaking at number 9, making it the Kinks' highest charting album in the US. The album was in print for decades and was the Kinks' only gold record in America until 1980.
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with "Tired of Waiting for You", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, "I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed Up the Junction, a BBC Wednesday Play which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack.
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon". The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer. The song is a defiant anthem of non-conformity. It has been covered by various artists, notably the Chocolate Watchband in their 1968 rendition of the song, and by Australian band Jimmy and the Boys, who covered it as their debut single in 1979.
"Death of a Clown" is a song by Dave Davies, lead guitarist of British rock band the Kinks, which was released as his debut solo single in 1967. The song was co-written with his brother Ray Davies, who contributed the 5-bar "La la la" hook; Ray's first wife, Rasa, sings this phrase as well as descant in the second verse, while Ray himself sings harmony in the refrain. Nicky Hopkins played the distinctive introduction, using fingerpicks on the strings of a piano. The single was credited to Dave Davies but the song also appeared on the Kinks' album Something Else by the Kinks, released later in 1967.
"You Still Want Me" is a single by the Kinks released in 1964. It was their second record, and failed to chart upon release, threatening the band's deal with Pye Records. However, the massive success of the band's next single, "You Really Got Me", ensured their tenure with Pye would continue until 1971, when they shifted to RCA.
Kinks-Size is a studio album by the English rock band the Kinks. Released in the United States and Canada in March 1965, it was their second album issued on Reprise Records. It peaked at number 13 on the Billboard album chart in the third week of June 1965, the same week the Kinks began their first US tour. It is the Kinks' fourth-highest-charting album on the Billboard album chart and the second-highest of their 1960s albums. The album ranked number 78 on Billboard's year-end album chart for 1965.
Kinkdom is a studio album by the English rock band the Kinks. Released in the United States and Canada on 24 November 1965, it was their fourth album issued on Reprise Records. It peaked at number 47 on the Billboard album chart.
"Drivin'" is a song written by Ray Davies of the Kinks which appeared on that group's 1969 concept album Arthur . It was released in the UK as the first single from the album, but failed to chart.
"She's Got Everything" is a song written by Ray Davies and released by English rock band the Kinks. It first appeared as the B-side of the Kinks' 1968 single, "Days".
Then Now and Inbetween is a promotional compilation album by the English rock band the Kinks. Reprise Records issued the album in July 1969 to journalists, radio program directors and disc jockeys in conjunction with the "God Save the Kinks" promotional campaign, which sought to reestablish the Kinks' commercial status in the US after their four-year ban on performing in the country.
