"You Really Got Me" is a song by English rock band the Kinks, written by frontman Ray Davies. The song, originally performed in a more blues-oriented style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions were recorded, with the second performance used for the final single. Lead guitarist Dave Davies performs the song’s famous guitar solo. Although it was long rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, this has been debunked by Page himself.
Something Else by the Kinks, often referred to simply as Something Else, is the fifth studio album by the English rock band the Kinks, released on 15 September 1967 by Pye Records. The album continued the Kinks' trend toward an eccentric baroque pop and music hall-influenced style defined by frontman Ray Davies' observational and introspective lyrics. It also marked the final involvement of American producer Shel Talmy in the Kinks' 1960s studio recordings; henceforth Ray Davies would produce the group's recordings. Many of the songs feature the keyboard work of Nicky Hopkins and the backing vocals of Davies's wife, Rasa. The album was preceded by the singles "Waterloo Sunset", one of the group's most acclaimed songs, and the Dave Davies solo record "Death of a Clown", both of which charted in the UK top 3.
"A Well Respected Man" is a song by the British band the Kinks, written by the group's lead singer and rhythm guitarist Ray Davies, and originally released in the United Kingdom on the EP Kwyet Kinks in September 1965. It was also released as a single in the US and Continental Europe.
Kinks is the debut studio album by the English rock band the Kinks. It was released on 2 October 1964 in the United Kingdom by Pye Records. The original United States release, issued by Reprise Records on 25 November 1964, omits three tracks and is instead titled You Really Got Me.
Kinda Kinks is the second studio album by the English rock band the Kinks. It was released on 5 March 1965 in the United Kingdom by Pye Records. The original United States release, issued by Reprise Records on 11 August 1965, omits three tracks and substitutes the singles "Set Me Free" and "Ev'rybody's Gonna Be Happy". Recorded and released within two weeks after returning from a tour in Asia, Ray Davies and the band were not satisfied with the production.
The Kink Kontroversy is the third studio album by the English rock band the Kinks. It was released in the United Kingdom on 26 November 1965 by Pye Records. Issued in the United States on 30 March 1966 by Reprise Records, it was the Kinks' first American album to feature an identical track listing to its British counterpart. It is a transitional album, with elements of both the earlier Kinks' styles and early indications of the future direction of Ray Davies' songwriting styles. The liner notes were written by Michael Aldred.
"All Day and All of the Night" is a song by the English rock band the Kinks from 1964. Released as a single, it reached No. 2 in the UK on the Record Retailer chart and No. 7 on the US Billboard Hot 100 chart in 1965. The song was included on the Kinksize Hits EP in the UK and the Kinks' second American album, Kinks-Size (1965).
"See My Friends" is a song by the English rock band the Kinks, written by the group's singer and guitarist, Ray Davies. Released in July 1965, it reached number 10 on the Record Retailer chart. The song incorporates a drone-effect played on guitar, evoking a sound reminiscent of the Indian tambura.
"Sunny Afternoon" is a song by the Kinks, written by frontman Ray Davies. The track later featured on the Face to Face album as well as being the title track for their 1967 compilation album. Like its contemporary "Taxman" by the Beatles, the song references the high levels of progressive tax taken by the British Labour government of Harold Wilson, although it does so through the lens of an unsympathetic aristocrat bemoaning the loss of his vast unearned wealth. Its strong music hall flavour and lyrical focus was part of a stylistic departure for the band, which had risen to fame in 1964–65 with a series of hard-driving, power-chord rock hits.
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the US. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, Kinda Kinks. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983.
The Kinks Greatest Hits! is a compilation album by the English rock band the Kinks. Released in the United States in August 1966 by Reprise Records, the album mostly consists of singles issued by the group between 1964 and 1966. The band's first greatest hits album, it remained on the Billboard Top LPs chart for over a year, peaking at number 9, making it the Kinks' highest charting album in the US. The album was in print for decades and was the Kinks' only gold record in America until 1980.
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with "Tired of Waiting for You", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, "I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed Up the Junction, a BBC Wednesday Play which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack.
"I'm Not Like Everybody Else" is a song written by Ray Davies and first recorded by the Kinks in 1966 and released that year as the B-side of "Sunny Afternoon". The lead vocal is sung by Dave Davies, with occasional parts vocalized by his brother Ray, the band's usual lead singer. The song is a defiant anthem of non-conformity. It has been covered by various artists, notably the Chocolate Watchband in their 1968 rendition of the song, and by Australian band Jimmy and the Boys, who covered it as their debut single in 1979.
"You Still Want Me" is a single by the Kinks released in 1964. It was their second record, and failed to chart upon release, threatening the band's deal with Pye Records. However, the massive success of the band's next single, "You Really Got Me", ensured their tenure with Pye would continue until 1971, when they shifted to RCA.
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit "Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK.
"Who'll Be the Next in Line" is a song by the English rock band the Kinks. It was written by Ray Davies.
Kinks-Size is a studio album by the English rock band the Kinks. Released in the United States and Canada in March 1965, it was their second album issued on Reprise Records. It peaked at number 13 on the Billboard album chart in the third week of June 1965, the same week the Kinks began their first US tour. It is the Kinks' fourth-highest-charting album on the Billboard album chart and the second-highest of their 1960s albums. The album ranked number 78 on Billboard's year-end album chart for 1965.
Kinkdom is a studio album by the English rock band the Kinks. Released in the United States and Canada on 24 November 1965, it was their fourth album issued on Reprise Records. It peaked at number 47 on the Billboard album chart.
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
Then Now and Inbetween is a promotional compilation album by the English rock band the Kinks. Reprise Records issued the album in July 1969 to journalists, radio program directors and disc jockeys in conjunction with the "God Save the Kinks" promotional campaign, which sought to reestablish the Kinks' commercial status in the US after their four-year ban on performing in the country.
