Face to Face is the fourth studio album by the English rock band the Kinks, released in October 1966. The album marked a shift from the hard-driving style of beat music that had catapulted the group to international acclaim in 1964, instead drawing heavily from baroque pop and music hall. It is their first album consisting entirely of Ray Davies compositions, and has also been regarded by critics as one of rock's first concept albums. Davies' blossoming songwriting style became increasingly observational and satirical, commenting on English culture, social class and the music industry.
The Kinks Are the Village Green Preservation Society is the sixth studio album by the English rock band the Kinks. Released on 22 November 1968, Village Green is regarded by commentators as an early concept album. A modest seller on release, it was the band's first studio album which failed to chart in either the United Kingdom or United States, but was lauded by contemporary critics for its songwriting. It was embraced by America's new underground rock press, completing the Kinks' transformation from mid-1960s pop hitmakers to critically favoured cult band.
Muswell Hillbillies is the tenth studio album by the English rock group the Kinks. Released in November 1971, it was the band's first album for RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s.
Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or simply Lola, is the eighth studio album by the English rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies's strongest songs.
Soap Opera or The Kinks Present a Soap Opera is a 1975 concept album by the Kinks. It is the fourteenth studio album by the Kinks.
The Great Lost Kinks Album is a compilation album by the English rock band the Kinks. Released in the United States in January 1973, it features material recorded by the group between 1966 and 1970 that had mostly gone unreleased. The compilation served to satisfy Reprise Records after executives determined that the Kinks contractually owed them one more album, despite the band's departure from the label in 1971.
The Kinks were an English rock band formed in Muswell Hill, North London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
Everybody's in Show-Biz is the eleventh studio album released by the English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand.
Preservation Act 1 is a concept album and the 12th studio album by the English rock group the Kinks, released 16 November 1973 by RCA Records.
Low Budget is the eighteenth studio album by English rock group the Kinks, released in 1979. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, many of the album's songs allude to contemporaneous events. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.
Misfits is the seventeenth studio album by the English rock band the Kinks, released in 1978. Following the minor success of Sleepwalker in the United States, Misfits featured a more rock-oriented style than many other Kinks records of the 1970s. Despite internal conflicts within the band, leading to both bassist Andy Pyle and pianist John Gosling quitting the band, the album made the Top 40 in America. The album also contained the minor hit single "A Rock 'n' Roll Fantasy", as well as less successful releases "Live Life" and "Black Messiah".
Sleepwalker is the sixteenth studio album by the English rock group, the Kinks, released in 1977. It marked a return to straight-ahead, self-contained rock songs after several years of concept albums. It is the first album in what critics usually call the "arena rock" phase of the group, in which more commercial and mainstream production techniques would be employed. The album also marks the last appearance of bassist John Dalton, who left the band during the recording sessions. Dalton plays bass on all songs on the album save for "Mr. Big Man". The lineup of the Kinks would be trimmed down significantly in 1977 following the album's release, as the brass section and backup singers were removed and the band returned to a standard rock band outfit.
Schoolboys in Disgrace, or The Kinks Present Schoolboys in Disgrace, is a 1975 concept album by the Kinks. Their 15th studio album, it was considered by critics to be the last album in what they dubbed the group's "theatrical" period, and their final release for RCA Records. The album is rooted in 1950s rock and roll, and also includes elements of hard rock, ‘50s pop and doo-wop, and arena rock.
"Autumn Almanac" is a song written by Ray Davies and recorded by the rock group the Kinks in 1967. "Autumn Almanac" has since been noted for being an "absolute classic", "a finely observed slice of English custom", and a "weird character study", and praised for its "mellow, melodic sound that was to characterize the Kinks' next [musical] phase..." Some have placed this and other Davies compositions in the pastoral-Romantic tradition of the poetry of Wordsworth, among others.
"Wicked Annabella" is a song by the English rock band the Kinks from their 1968 album, The Kinks Are the Village Green Preservation Society (1968). Written by Ray Davies, it was recorded by the Kinks in July 1968. The song is Dave Davies's only lead vocal contribution on the album. It is one of several character studies on Village Green, recounting the wicked deeds of the local witch as a warning to children. Employing an eerie tone, its lyrics are darker than the rest of the album and have been likened by commentators to a dark fairy tale.
Live at Kelvin Hall is a live album by the English rock group the Kinks. It was recorded at Kelvin Hall in Glasgow, Scotland, in early 1967 and released in August 1967 in the US, and January 1968 in the UK. Live at Kelvin Hall received mixed reviews upon release, and sold poorly.
"Catch Me Now I'm Falling" is a song written by Ray Davies and first released by The Kinks as the second track on their 1979 album Low Budget. Written as a criticism of America's allies, the song depicts the fall of Captain America as a symbol of the United States' dire circumstances at the time. The song features multiple solos on different instruments as well as a riff similar to "Jumpin' Jack Flash".
"Starstruck" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in July 1968. The song was issued as the album's lead single in continental Europe in November 1968 and in the United States in January 1969. The European release was accompanied by a promo film shot in Waterlow Park, Highgate. The song failed to chart anywhere besides the Netherlands, where it reached No. 13 on the Veronica Top 40 and No. 9 on the Hilversum 3 Top 30.
"Last of the Steam-Powered Trains" is a song by the English rock band the Kinks from their 1968 album The Kinks Are the Village Green Preservation Society. Written and sung by Ray Davies, the song was recorded in October 1968 and was among the final tracks completed for the album. Variously described as a blues, R&B or rock number, the song describes a steam train that has outlived its usefulness and has since moved to a museum.
"Phenomenal Cat" is a song by the English rock band the Kinks from their sixth studio album, The Kinks Are the Village Green Preservation Society (1968). Written and produced by Ray Davies, the song was recorded sometime between late 1967 and May 1968. The song features a Mellotron which duplicates the sound of a flute. It is one of several character studies on Village Green, recounting the story of a flying cat who travels the world, discovers "the secret of life" and spends the rest of his life eating. Commentators have sometimes likened the song to Victorian fairy tales and have often described it as an example of psychedelia.
